David Raybin – författare

This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

Trauma is an inescapable condition of Chaucer’s works. From the ravaging of Troy and the abandonment of Dido to the devastating aftereffects of sexual assault, Chaucer portrayed the most unsettling, searing aspects of human experience. While the term “trauma” was not part of Chaucer’s vocabulary, the author was assuredly aware of its causes and consequences, its victims and symptoms.This timely volume explores depictions of violence, victimhood, and overwhelming grief or loss in Chaucer’s most ambitious texts, Troilus and Criseyde and the Canterbury Tales. The authors examine layers of deep emotional suffering in Chaucer’s works, as well as those forces that perpetrate injustices against human beings. The essays scrutinize Chaucer’s narratives through close textual analysis and modern theoretical approaches, offering original perspectives and treating subjects relevant to contemporary concerns—rape, domestic violence, slavery, forced consent, family separation, natural catastrophe, pandemic, and more. Written by leading voices in the field, Chaucer and Trauma is designed to introduce readers of Chaucer to a topic of intense present interest.Along with the volume editors, the contributors include Sarah Baechle, David K. Coley, Suzanne M. Edwards, Carissa M. Harris, Matthew W. Irvin, Kate Koppelman, Samuel F. McMillan, and Lynn Staley.

Strife occurs everywhere among characters in The Canterbury Tales, in the stories as well as the links between them. Characters seem always ready to dispute, contradict, declaim, and contend about almost anything. A competitive spirit suffuses the work, from the tale-telling among pilgrims and the personal rivalries that develop on the pilgrimage to the conflicts, beguilings, and one-uppings that go on in the tales. By understanding the rivalries of the Canterbury world, we may then recognize why Chaucer so insists on the individuality of the characters he creates, why so many characters (rightly or wrongly) resist structures, and why they challenge or reject social dogmas, often overturning them. The essays that make up this collection offer several provocative interpretations of the rivalrous and rebellious spirits that inhabit the worlds of Chaucer’s tales. The volume is intended for the dedicated teacher of Chaucer as well as for the specialist in medieval English studies. As Chaucer’s poem displays the contestive spirit of human affairs, so the collective spirit of these essays reflects vigorous debate and multi-faceted challenge.

Strife occurs everywhere among characters in The Canterbury Tales, in the stories as well as the links between them. Characters seem always ready to dispute, contradict, declaim, and contend about almost anything. A competitive spirit suffuses the work, from the tale-telling among pilgrims and the personal rivalries that develop on the pilgrimage to the conflicts, beguilings, and one-uppings that go on in the tales. By understanding the rivalries of the Canterbury world, we may then recognize why Chaucer so insists on the individuality of the characters he creates, why so many characters (rightly or wrongly) resist structures, and why they challenge or reject social dogmas, often overturning them. The essays that make up this collection offer several provocative interpretations of the rivalrous and rebellious spirits that inhabit the worlds of Chaucer's tales. The volume is intended for the dedicated teacher of Chaucer as well as for the specialist in medieval English studies. As Chaucer's poem displays the contestive spirit of human affairs, so the collective spirit of these essays reflects vigorous debate and multi-faceted challenge.

For all its spiritual cheerfulness and obvious importance as a tale to conclude tales, a last word from a notable maker of words, The Parson's Tale seems to have inspired sentence and solaas in remarkably few critics. This volume rejects the tradition that assumes the tale to be of questionable literary value. The studies included span the range of Parson's Tale criticism from the textual, to the philological, to the hermeneutical. What they share is the assumption that if one is to understand the role of The Parson's Tale, one must begin by accepting the language and method by which Chaucer fashioned it. This rethinking of traditional scholarship on this crucial aspect of The Canterbury Tales will be of great interest to Chaucer scholars and students of medieval literature.

For all its spiritual cheerfulness and obvious importance as a tale to conclude tales, a last word from a notable maker of words, The Parson's Tale seems to have inspired sentence and solaas in remarkably few critics. This volume rejects the tradition that assumes the tale to be of questionable literary value. The studies included span the range of Parson's Tale criticism from the textual, to the philological, to the hermeneutical. What they share is the assumption that if one is to understand the role of The Parson's Tale, one must begin by accepting the language and method by which Chaucer fashioned it. This rethinking of traditional scholarship on this crucial aspect of The Canterbury Tales will be of great interest to Chaucer scholars and students of medieval literature.

British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.

This edition contains four Middle English Charlemagne romances from the Otuel cycle: Roland and Vernagu, Otuel a Knight, Otuel and Roland, and Duke Roland and Sir Otuel of Spain. A translation of the romances' source, the Anglo-French Otinel, is also included. The romances centre on conflicts between Frankish Christians and various Saracen groups, and deal with issues of racial and religious difference, conversion, and faith-based violence.