David Riddle Watson – författare

In the preface to Feminist Surveillance, Mark Andrejevic argues: 'if in the physical environment the pressing issue of the next several decades is likely to be the dramatic transformation of the global climate, in the social realm, the main issue will be the shifting surveillance climate.' This Element outlines this emerging climate by articulating a subgenre that may be termed 'Surveillance Noir.' Surveillance Noir traces the effects of living in a world where individuals are judged through their data, which is continually and often invisibly collected, interpreted, and redistributed throughout a network. This installment examines these effects by exploring the relationship between contemporary fiction - including The Candy House, Against a Loveless World and Shadow Ticket - and developments in international politics. Specifically, it considers the impact of surveillance regimes on the bodies of women and minority groups, as well as the broader threat that surveillance technologies pose to individual agency.

In the preface to Feminist Surveillance, Mark Andrejevic argues: 'if in the physical environment the pressing issue of the next several decades is likely to be the dramatic transformation of the global climate, in the social realm, the main issue will be the shifting surveillance climate.' This Element outlines this emerging climate by articulating a subgenre that may be termed 'Surveillance Noir.' Surveillance Noir traces the effects of living in a world where individuals are judged through their data, which is continually and often invisibly collected, interpreted, and redistributed throughout a network. This installment examines these effects by exploring the relationship between contemporary fiction - including The Candy House, Against a Loveless World and Shadow Ticket - and developments in international politics. Specifically, it considers the impact of surveillance regimes on the bodies of women and minority groups, as well as the broader threat that surveillance technologies pose to individual agency.

Truth to Post-Truth in American Detective Fiction examines questions of truth and relativism, turning to detectives, both real and imagined, from Poe’s C. Auguste Dupin to Robert Mueller, to establish an oblique history of the path from a world where not believing in truth was unthinkable to the present, where it is common to believe that objective truth is a remnant of a simpler, more naïve time. Examining detective stories both literary and popular including hard-boiled, postmodern, and twenty-first century novels, the book establishes that examining detective fiction allows for a unique view of this progression to post-truth since the detective’s ultimate job is to take the reader from doubt to belief. David Riddle Watson shows that objectivity is intersubjectivity, arguing that the belief in multiple worlds is ultimately what sustains the illusion of relativism.

Truth to Post-Truth in American Detective Fiction examines questions of truth and relativism, turning to detectives, both real and imagined, from Poe’s C. Auguste Dupin to Robert Mueller, to establish an oblique history of the path from a world where not believing in truth was unthinkable to the present, where it is common to believe that objective truth is a remnant of a simpler, more naïve time. Examining detective stories both literary and popular including hard-boiled, postmodern, and twenty-first century novels, the book establishes that examining detective fiction allows for a unique view of this progression to post-truth since the detective’s ultimate job is to take the reader from doubt to belief. David Riddle Watson shows that objectivity is intersubjectivity, arguing that the belief in multiple worlds is ultimately what sustains the illusion of relativism.