David Rubin – författare

This collection of stories by the great Hindi writer, many translated for the first time, demonstrate how far ahead of his time Premchand was where social issues were concerned.

The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images.This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and "teashades," but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium.Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world—not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context.Artists include Isaac Abrams, Albert Alvarez, Richard Anuszkiewicz, Chio Aoshima, Kamrooz Aram, Jeremy Blake, Richie Budd, Gordon Cheung, Judy Chicago, George Cisneros, James Cobb, Steve DiBenedetto, Carole Feuerman, Jack Goldstein, Alex Grey, Peter Halley, Al Held, Mark Hogensen, Constance Lowe, Erik Parker, Ed Paschke, Lari Pittman, Ray Rapp, Deborah Remington, Bridget Riley, Susie Rosmarin, Alex Rubio, Sterling Ruby, Julian Stanczak, Jennifer Steinkamp, Frank Stella, Philip Taaffe, Barbara Takenaga, Fred Tomaselli, Victor Vasarely, Michael Velliquette, Andy Warhol, Robert WilliamsEssays byDavid S. Rubin, Robert C. Morgan, Daniel PinchbeckCopublished with the San Antonio Museum of Art

Continuum Mechanics is a branch of physical mechanics that describes the macroscopic mechanical behavior of solid or fluid materials considered to be continuously distributed. It is fundamental to the fields of civil, mechanical, chemical and bioengineering. This time-tested text has been used for over 35 years to introduce junior and senior-level undergraduate engineering students, as well as graduate students, to the basic principles of continuum mechanics and their applications to real engineering problems. The text begins with a detailed presentation of the coordinate invariant quantity, the tensor, introduced as a linear transformation. This is then followed by the formulation of the kinematics of deformation, large as well as very small, the description of stresses and the basic laws of continuum mechanics. As applications of these laws, the behaviors of certain material idealizations (models) including the elastic, viscous and viscoelastic materials, are presented.

This new edition offers expanded coverage of the subject matter both in terms of details and contents, providing greater flexibility for either a one or two-semester course in either continuum mechanics or elasticity. Although this current edition has expanded the coverage of the subject matter, it nevertheless uses the same approach as that in the earlier editions - that one can cover advanced topics in an elementary way that go from simple to complex, using a wealth of illustrative examples and problems. It is, and will remain, one of the most accessible textbooks on this challenging engineering subject.

Significantly expanded coverage of elasticity in Chapter 5, including solutions of some 3-D problems based on the fundamental potential functions approach New section at the end of Chapter 4 devoted to the integral formulation of the field equations Seven new appendices appear at the end of the relevant chapters to help make each chapter more self-contained Expanded and improved problem sets providing both intellectual challenges and engineering applications

Appropriate for one or two term courses in introductory Business Statistics. With Statistics for Management, Levin and Rubin have provided a non-intimidating business statistics textbook that students can easily read and understand. Like its predecessors, the Seventh Edition includes the absolute minimum of mathematical/statistical notation necessary to teach the material. Concepts are fully explained in simple, easy-to-understand language as they are presented, making the text an excellent source from which to learn and teach. After each discussion, readers are guided through real-world examples to show how textbook principles work in professional practice.

From visionary storyteller David Rubín (Cosmic Detective, The Hero), El Fuego is a psychological, philosophical, and geographical odyssey through the last remaining days of planet Earth. It is the story of one particular inhabitant, who must decide how much more of himself to give to the greater good before truly finding peace within.A mass-extinction event is imminent as a giant meteorite is hurtling toward the Earth. Renowned architect Alexander Yorba, entrusted to design a citadel on the Moon which would ensure the survival of humanity, is diagnosed with a terminal illness. Thrust into an existential crisis, Alexander begins to question the validity of his successes, having colluded with the world’s elite to spare only the wealthiest members of society, and grapples with what it means to be a decent person in a decaying world.His spiritual and moral journey will take him from the Moon to Madrid, by way of New York, Helsinki, Amsterdam, and Rome, where he will have to confront his past choices with those who were his greatest influences, in hopes of finding his way . . . before the end comes.