David Seed – författare

Science Fiction has proved notoriously difficult to define. It has been explained as a combination of romance, science and prophecy; as a genre based on an imagined alternative to the reader's environment; and as a form of fantastic fiction and historical literature. It has also been argued that science fiction narratives are the most engaged, socially relevant, and responsive to the modern technological environment. This Very Short Introduction doesn't offer a history of science fiction, but instead ties examples of science fiction to different historical moments, in order to demonstrate how science fiction has evolved over time. David Seed looks not only at literature, but also at drama and poetry, as well as film. Examining recurrent themes in science fiction he looks at voyages into space, the concept of the alien and alternative social identities, the role of technology in science fiction, and its relation to time - in the past, present, and future. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

As much as any individual, Ray Bradbury brought science fiction's ideas into the mainstream. Yet he transcended the genre in both form and popularity, using its trappings to explore timely social concerns and the kaleidoscope of human experience while in the process becoming one of America's most beloved authors.  David Seed follows Bradbury's long career from the early short story masterpieces through his work in a wide variety of broadcast and film genres to the influential cultural commentary he spread via essays, speeches, and interviews. Mining Bradbury's classics and hard-to-find archival, literary, and cultural materials, Seed analyzes how the author's views on technology, authoritarianism, and censorship affected his art; how his Midwest of dream and dread brought his work to life; and the ways film and television influenced his creative process and visually-oriented prose style. The result is a passionate statement on Bradbury's status as an essential literary writer deserving of a place in the cultural history of his time.

As much as any individual, Ray Bradbury brought science fiction's ideas into the mainstream. Yet he transcended the genre in both form and popularity, using its trappings to explore timely social concerns and the kaleidoscope of human experience while in the process becoming one of America's most beloved authors.  David Seed follows Bradbury's long career from the early short story masterpieces through his work in a wide variety of broadcast and film genres to the influential cultural commentary he spread via essays, speeches, and interviews. Mining Bradbury's classics and hard-to-find archival, literary, and cultural materials, Seed analyzes how the author's views on technology, authoritarianism, and censorship affected his art; how his Midwest of dream and dread brought his work to life; and the ways film and television influenced his creative process and visually-oriented prose style. The result is a passionate statement on Bradbury's status as an essential literary writer deserving of a place in the cultural history of his time.

Level 7 is the diary of Officer X-127, who is assigned to stand guard at the ""Push Buttons,"" a machine devised to activate the atomic destruction of the enemy, in the country's deepest bomb shelter. Four thousand feet underground, Level 7 has been built to withstand the most devastating attack and to be self-sufficient for 500 years. Selected according to a psychological profile that assures their willingness to destroy all life on Earth, those who are sent down may never return.

This volume brings together essays by specialists in different disciplines on the cultural expression of apocalypse, in particular in anglophone science fiction of the nineteenth and twentieth centuries.

These volumes presents a selection from the American and British fiction of the nineteenth century which was evolving into what we now know as science fiction. Taking Frankenstein as its formative work, it assembles stories and excerpts from narratives exploring the complex impact of new technologies like the telegraph and later the cinema, or new scientific practices like mesmerism (hypnotism) and microscopy. The selected authors range from those famous within the realist tradition like George Eliot and Mark Twain to scientists like the physician Silas Weir Mitchell and the inventor Thomas Edison. They repeatedly destabilize their narratives so that some come to resemble scientific records and frequently leave their endings unresolved, encouraging the reader to speculate about their subjects, which include extensions to the senses, new inventions, and challenges to individual autonomy. Many focus on experiments but might combine scientific enquiry with the supernatural, producing hybrid narratives as a result which are difficult to classify.

This volume presents a selection from the American and British fiction of the nineteenth century which was evolving into what we now know as science fiction. Taking Frankenstein as its formative work, it assembles stories and excerpts from narratives exploring the complex impact of new technologies like the telegraph and later the cinema, or new scientific practices like mesmerism (hypnotism) and microscopy. The selected authors range from those famous within the realist tradition like George Eliot and Mark Twain to scientists like the physician Silas Weir Mitchell and the inventor Thomas Edison. They repeatedly destabilize their narratives so that some come to resemble scientific records and frequently leave their endings unresolved, encouraging the reader to speculate about their subjects, which include extensions to the senses, new inventions, and challenges to individual autonomy. Many focus on experiments but might combine scientific enquiry with the supernatural, producing hybrid narratives as a result which are difficult to classify.

This volume presents a selection from the American and British fiction of the nineteenth century which was evolving into what we now know as science fiction. Taking Frankenstein as its formative work, it assembles stories and excerpts from narratives exploring the complex impact of new technologies like the telegraph and later the cinema, or new scientific practices like mesmerism (hypnotism) and microscopy. The selected authors range from those famous within the realist tradition like George Eliot and Mark Twain to scientists like the physician Silas Weir Mitchell and the inventor Thomas Edison. They repeatedly destabilize their narratives so that some come to resemble scientific records and frequently leave their endings unresolved, encouraging the reader to speculate about their subjects, which include extensions to the senses, new inventions, and challenges to individual autonomy. Many focus on experiments but might combine scientific enquiry with the supernatural, producing hybrid narratives as a result which are difficult to classify.

This study examines the US fiction and related films which makes a series of interventions in the cultural debate over the threat of nuclear terrorism.

This volume brings together essays by specialists in different disciplines on the cultural expression of apocalypse, in particular in anglophone science fiction of the nineteenth and twentieth centuries.

This study examines the US fiction and related films which makes a series of interventions in the cultural debate over the threat of nuclear terrorism. It traces the beginnings of this anxiety from the 1970s, which increased during the 1990s after the collapse of the Soviet Union. The traumatic events of 9/11 became a major reference point for this fiction, which expressed the fear that of a second and worse 9/11. The study examines narratives of conspiracies which are detected and forestalled, and of others which lead to the worst of all outcomes – nuclear detonations, sometimes delivered by suitcase nukes. In some of these narratives the very fate of the nation hangs in the balance in the face of nuclear apocalypse. The discussion considers cases of attacks by electromagnetic pulse (EMP), cyberterrorism and even bioterrorism. Some of the authors examined are present or former politicians, members of the CIA, and former president, Bill Clinton.

A Companion to Science Fiction assembles essays by an international range of scholars which discuss the contexts, themes and methods used by science fiction writers. This Companion conveys the scale and variety of science fiction.Shows how science fiction has been used as a means of debating cultural issues.Essays by an international range of scholars discuss the contexts, themes and methods used by science fiction writers.Addresses general topics, such as the history and origins of the genre, its engagement with science and gender, and national variations of science fiction around the English-speaking world.Maps out connections between science fiction, television, the cinema, virtual reality technology, and other aspects of the culture.Includes a section focusing on major figures, such as H.G. Wells, Arthur C. Clarke, and Ursula Le Guin.Offers close readings of particular novels, from Mary Shelley's Frankenstein to Margaret Atwood's The Handmaid's Tale.

Through a wide-ranging series of essays and relevant readings, A Companion to Twentieth-Century United States Fiction presents an overview of American fiction published since the conclusion of the First World War.  Features a wide-ranging series of essays by American, British, and European specialists in a variety of literary fieldsWritten in an approachable and accessible styleCovers both classic literary figures and contemporary novelistsProvides extensive suggestions for further reading at the end of each essay

A Companion to Science Fiction assembles essays by an international range of scholars which discuss the contexts, themes and methods used by science fiction writers. This Companion conveys the scale and variety of science fiction.Shows how science fiction has been used as a means of debating cultural issues.Essays by an international range of scholars discuss the contexts, themes and methods used by science fiction writers.Addresses general topics, such as the history and origins of the genre, its engagement with science and gender, and national variations of science fiction around the English-speaking world.Maps out connections between science fiction, television, the cinema, virtual reality technology, and other aspects of the culture.Includes a section focusing on major figures, such as H.G. Wells, Arthur C. Clarke, and Ursula Le Guin.Offers close readings of particular novels, from Mary Shelley's Frankenstein to Margaret Atwood's The Handmaid's Tale.

American Science Fiction--in both literature and film--has played a key role in the portrayal of the fears inherent in the Cold War. The end of this era heralds the need for a reassessment of the literary output of the forty-year period since 1945. Working through a series of key texts, American Science Fiction and the Cold War investigates the political inflections put on American narratives in the post-war decades by Cold War cultural circumstances. Nuclear holocaust, Russian invasion, and the perceived rise of totalitarianism in American society are key elements in the author's exploration of science fiction narratives that include Fahrenheit 451, Invasion of the Body Snatchers, and Dr. Strangelove.

The contemporary perspectives – fiction, first-hand accounts, reportage and photographs - found in the pages of this collection give a unique insight into the experiences and suffering of those affected by the American Civil War. The essays and recollections detail some of the earliest attempts by medical professionals to understand and help the wounded, and look at how writers and poets were influenced by their own involvement as nurses, combatants and observers. So alongside the medical observations of figures such as Silas Weir Mitchell and William Keen, you’ll find memoirs of writers including Louisa May Alcott, Ambrose Bierce and Walt Whitman.By presenting the wide range of frequently traumatic experiences by writers, medical staff, and of course the often ignored common foot soldiers on both sides, this volume will complement the older emphasis on military history and will appeal to readers of the evolution of medicine, of the literature the time, of social anthropology, and of the whole complex issue of how the war was represented and debated from many different perspectives.While a century and a half of developments in medicine, social care and science mean that the level of support and technology available to amputees is now incomparable to that in the mid-nineteenth century, the insights into the lives and thoughts of those devastated by psychological traumas, complex emotions and difficulties in adjusting to life after limb loss remain just as relevant today. Phenomena explored in the book, such as ‘Phantom Limb Syndrome’, continue to be the subject of medical and academic research in the twenty-first century.

Liverpool was the first British port of call for most American travellers throughout the nineteenth century. Many left accounts of their experiences in the city, providing fascinating glimpses of a Liverpool life that has now disappeared. The excerpts collected here give a series of American views of Liverpool and demonstrate the rich variety of cultural contacts between the two nations during the nineteenth century.

This is the first book-length academic study of the work of John Wyndham, a formative figure in postwar British science fictiob. It explores his beginnings in the 1930s and then offers a novel-by-novel examination of his key works, including his short stories. This is complemented by a discussion of his evolving view of science fiction, as revealed through his essays and reviews. In addition, the book reprints for the first time one of Wyndham’s key essays on the genre, 'Science-Fiction: Space-Opera', written in 1955.

This is the first book-length academic study of the work of John Wyndham, a formative figure in postwar British science fictiob. It explores his beginnings in the 1930s and then offers a novel-by-novel examination of his key works, including his short stories. This is complemented by a discussion of his evolving view of science fiction, as revealed through his essays and reviews. In addition, the book reprints for the first time one of Wyndham’s key essays on the genre, 'Science-Fiction: Space-Opera', written in 1955.

Essays on the links between film and fiction, and their mutual influence.Fiction and film interrelate closely to each other, and the specially commissioned essays in this volume all consider different aspects of this relationship. Beginning with discussions of Dickens and Victorian literature, the contributors, all leading scholars in this field, demonstrate how visual devices like the magic lantern caught the interest of writers and affected their choice of subject and method. The impact of the cinema on the British modernistsis then discussed, and the remaining essays provide detailed case studies on such subjects as Hemingway, Updike, and the depiction of women in contemporary fiction and film.

The subject of this timely book is that body of fiction which speculates in narrative form about the nature of wars likely to break out in the near or distant future. Although earlier instances occur, the origins of this mode lie primarily in the late nineteenth century but writing about future wars continues to this day with notable fiction on the conflicts in Iraq and Afghanistan.Ranging widely across periods and conflicts real and imagined, and boasting contributions from the late I. F. Clarke, H. Bruce Franklin and Patrick Parrinder, Future Wars explores the fascinating process of interaction between politics and literature, science fiction and war in a range of classic texts. Individual essays explore Reagan’s ‘star wars’ project, nuclear fiction, Martian invasion, and the Pax Americana among other topics. The use of future war scenarios in military planning dates back to the nineteenth century. Future Wars concludes with an assessment by an officer in the U.S. Army of the continuing usefulness of future wars fiction.