David St John – författare

A haunting and inventive book length sequence of poems from the distinguished author of Study for the World''s Body.

The Face is both fiercely lyrical and intimately conversational. Coming to terms with the failure of a great love, the speaker descends into his own dark night of the soul. Here are poems that explore the drama of the shattered self in a variety of voices, calling on memory to speak and imagination to make beauty from the shards. Slowly, the speaker reassembles his life and again finds faith in himself and the world. These poems reveal a swirling cinematic poetry of visionary scope; meditative and confessional in some moments, ironic and playful in others.

Deeply passionate and raw in its candour, The Face may be for this generation of poets what Lowell''s Life Studies and Ashbery''s Self–Portrait in a Convex Mirror were.

A haunting and intimately observed new collection from David St. John, a poet of soaring imagination and passionate candor

In The Last Troubadour, David St. John has given us a collection of new and selected poems of astonishing beauty, precise and keenly observed but also touched with sensuality and deep feeling. Nothing is too small to escape notice (in “Guitar” St. John reflects on the beauty of that word) or too large to be explored-the suicide of a friend, the illness of a lover, or the texture of longing and desire. A sharp observer of landscapes within and without, St. John directs his empathetic gaze and vivid, inventive voice to investigating both the darkest and the most inspiring parts of being human, the small moments between friends and lovers as well as the groundswells that alter lives.

 At times lyrical, sometimes conversational, occasionally wry and playful, St. John’s poetry reveals an expansive vision animated by “intimacy and subtlety, and by a disturbing force, the work of an urgent sensibility and a true ear.” (W.S. Merwin) The beauty, music, and artistry of David St. John’s widely admired work is fully on display in this masterful collection.

Providing an overview of essential topics in multicultural psychology, Humanistic Approaches to Multiculturalism and Diversity focuses on the intersection of humanistic psychology and multiculturalism, including history, theory, research, and practice.

The authors examine the unique contributions of humanistic psychology to multicultural psychology on topics often ignored, such as cultural empathy and indigenous psychology and diversity. The book critiques and rectifies previous failures to adequately engage multicultural issues by providing methods for integrating multicultural psychology and humanistic therapy. Readers will find that each chapter advances scholarship through a dialogue with multicultural perspectives and builds a foundation for future scholarship and clinical practice.

This book will be of great interest to mental health professionals interested in humanistic and existential psychology.

Providing an overview of essential topics in multicultural psychology, Humanistic Approaches to Multiculturalism and Diversity focuses on the intersection of humanistic psychology and multiculturalism, including history, theory, research, and practice.

The authors examine the unique contributions of humanistic psychology to multicultural psychology on topics often ignored, such as cultural empathy and indigenous psychology and diversity. The book critiques and rectifies previous failures to adequately engage multicultural issues by providing methods for integrating multicultural psychology and humanistic therapy. Readers will find that each chapter advances scholarship through a dialogue with multicultural perspectives and builds a foundation for future scholarship and clinical practice.

This book will be of great interest to mental health professionals interested in humanistic and existential psychology.

As cigar smoke hangs heavy in Mark Twains sitting room, the members of the Monday Evening Club eagerly await his presentation, which they think will be the reading of his paper The Decay of the Art of Lying. Instead, Twain changes his mind and enthralls his audience with the true tale of one mans unconventional and fascinating journey through life.

It is 1849 when a thirty-one-year-old Jewish South African immigrant sails into San Francisco Bay with forty thousand dollars in his pocket, coming to join the Gold Rush but eventually finding his fortune in real estate and commerce. Just a few short years after Joshua Norton finally realizes success, however, he fails beyond his darkest nightmares. Now delusional and nearly penniless, he proclaims himself the Emperor of the United States as he aimlessly wanders the streets of San Francisco. As Emperor Norton unintentionally becomes a vital part of the young city, the people afford him the respect of a true monarch as he issues proclamations that, under his fictional rule, bring a much-needed renaissance of civility to society.

An Emperor Among Us tells the intriguing tale of a remarkable eccentric who wove a unique, gentle, and civilized thread into the rough and tumble fabric of early San Francisco.