David Stirrup – författare

Louise Erdrich is one of the most critically and commercially successful Native American writers. This book is the first fully comprehensive treatment of Erdrich’s writing, analysing the textual complexities and diverse contexts of her work to date. Drawing on the critical archive relating to Erdrich’s work and Native American literature, Stirrup explores the full depth and range of her authorship. Breaking Erdrich’s oeuvre into several groupings - poetry, early and late fiction, memoir and children’s writing - Stirrup develops individual readings of both the critical arguments and the texts themselves. He argues that Erdrich’s work has developed an increasing political acuity to the relationship between ethics and aesthetics in Native American literatures. Erdrich’s insistence on being read as an American writer is shown to be in constant and mutually-inflecting dialogue with her Ojibwe heritage.This sophisticated analysis is of use to students and readers at all levels of engagement with Erdrich’s writing.

A celebration of Anishinaabe intellectual tradition.Enduring Critical Poses examines the stories, poems, plays, and histories centered in the Great Lakes region of North America, where the Anishinaabeg live in a space Basil Johnston referred to as "Maazikamikwe," a maternal earth. The Anishinaabeg are a confederacy of many communities, including the Odawa, Saulteaux, Ojibwe, Potawatomi, Oji-Cree, and Algonquin peoples, who share cultural practices and related languages. Bringing together senior scholars and new voices on the Anishinaabe intellectual landscape, this volume specifically explores Ojibwe, Odawa, and Potawatomi culture, language, and literary heritage. Through a tribal-centric framework, the contributors connect various branches of Native American literary studies and celebrate Anishinaabe narrative diversity to offer a single, overarching story of Anishinaabe survival and endurance.

A celebration of Anishinaabe intellectual tradition.Enduring Critical Poses examines the stories, poems, plays, and histories centered in the Great Lakes region of North America, where the Anishinaabeg live in a space Basil Johnston referred to as "Maazikamikwe," a maternal earth. The Anishinaabeg are a confederacy of many communities, including the Odawa, Saulteaux, Ojibwe, Potawatomi, Oji-Cree, and Algonquin peoples, who share cultural practices and related languages. Bringing together senior scholars and new voices on the Anishinaabe intellectual landscape, this volume specifically explores Ojibwe, Odawa, and Potawatomi culture, language, and literary heritage. Through a tribal-centric framework, the contributors connect various branches of Native American literary studies and celebrate Anishinaabe narrative diversity to offer a single, overarching story of Anishinaabe survival and endurance.

Moving beyond border studies paradigms dominated by the Mexico–US border, this collection aims to contextualise cultures and communities within a wider global understanding of border thinking. It builds on recent considerations of, and changes to, the cultural life of (and across) the Canada–US border, to prioritise theoretical reflections on representations, identities and policies. Approaching the border as a place, a theory, a practice and a process, this collection draws attention to the ways in which aspects of the Canada–US border itself (re)frame discussions of the borderlands as sites that continue to evoke, invoke and provoke ideas of nation and post nationalism; negotiation and imposition; resistance and refusal.

Moving beyond border studies paradigms dominated by the Mexico US border, this collection aims to contextualise cultures and communities within a wider global understanding of border thinking. It builds on recent considerations of, and changes to, the cultural life of (and across) the Canada US border, to prioritise theoretical reflections on representations, identities and policies. Approaching the border as a place, a theory, a practice and a process, this collection draws attention to the ways in which aspects of the Canada US border itself (re)frame discussions of the borderlands as sites that continue to evoke, invoke and provoke ideas of nation and post nationalism; negotiation and imposition; resistance and refusal.

The essays collected in offer close analysis of an array of cultural representations of the Canada-US border, in both site-specificity and in the ways in which they reveal and conceal cultural similarities and differences. Contributors focus on a range of regional sites along the border and examine a rich variety of expressive forms, including poetry, fiction, drama, visual art, television, and cinema produced on both sides of the 49th parallel.The field of border studies has hitherto neglected the Canada-US border as a site of cultural interest, tending to examine only its role in transnational policy, economic cycles, and legal and political frameworks. Border studies has long been rooted in the US-Mexico divide; shifting the locus of that discussion north to the 49th parallel, the contributors ask what added complications a site-specific analysis of culture at the Canada-US border can bring to the conversation. In so doing, this collection responds to the demands of Hemispheric American Studies to broaden considerations of the significance of American culture to the Americas as a whole - bringing Canadian Studies into dialogue with the dominantly US-centric critical theory in questions of citizenship, globalization, Indigenous mobilization, hemispheric exchange, and transnationalism.