David Stuttard – författare

An arresting visual tour of the great sites of ancient Greece, told through its city states and the monuments they built to endure through the ages. ‘We have raised ... monuments that those alive today look on with wonder, as those in generations still to come will wonder, too.’ More than 2,000 years later, the words uttered by the Athenian politician Pericles have been proven correct many times over. Ancient Greece continues to captivate, and its monuments still inspire awe. But what is it that makes something ‘Greek’? Exploring ancient Greece through its monuments – from the Parthenon in Athens to the sanctuary of Apollo at Delphi and the Temple of Zeus at Olympia – classicist David Stuttard reveals the values that united the disparate Greek world and made their mark on history. New digital reconstructions bring ancient Greece to life via buildings and monuments that still survive and can be visited today.

All Roads Lead to Rome, as the famous saying goes. The sites and events throughout the ancient world provided Romans with a rich tapestry to weave the stories of their past. Rome itself was a melting pot of peoples from across the Mediterranean and beyond, each bringing their myths and legends of heroes and heroines, gods and goddesses. Whether for aristocrats dressing up for banquet, or bloodthirsty audiences in the amphitheatres thrilled to watch condemned criminals forced to enact the roles of mythological creatures, Roman myths formed the backdrop to the rituals and customs of everyday life. Offering a fresh approach to Roman mythology, each site begins with a brief, evocative description of the location and landscape, followed by its associated myths and stories, as well as any rituals performed there in antiquity. Drawing on the great works of Dionysius of Halicarnassus and Plutarch, Ovid, Horace and Virgil, and with maps, illustrations and a gazetteer giving practical information about the sites today, this is a fresh look at a subject of great fascination.

Roman Britain was created not by impersonal historical forces, but by men and women, each driven by ambition, aspiration and passion. The Romans Who Shaped Britain explores the narrative of Britannia through the lives of its emperors, commanders, governors, officials and rebels. This rich cast of characters includes some, such as Caesar, Agricola and Boudica, who may be familiar; and others, such as Carausius, Magnentius or Valentinus, who deserve to be more so. Their lives and actions are set against the backdrop of an evolving landscape, in which Iron Age shrines were being replaced by marble temples, industrial-scale factories and granaries were springing up across the countryside and a triumphal arch towered into the Kent sky to mark Rome’s domination. Fast-moving, vivid and compelling, The Romans Who Shaped Britain , by setting out the story as a single narrative, above all reminds us of the truly epic nature of the history of Britannia.

The political leaders, writers, artists and philosophers of ancient Greece turned a small group of city states into a pan-Mediterranean civilization, whose legacy can be found everywhere today. But who were these people, what do we know of their lives and how did they interact with one another? In this original new approach to telling the Greek story, David Stuttard weaves together the lives of fifty movers and shakers of the Greek world into a continuous, chronologically organized narrative, from the early tyrant rulers Peisistratus and Polycrates, through the stirrings of democracy under Cleisthenes to the rise of Macedon under Philip II and Alexander the Great and the eventual decline of the Greek world as Rome rose.With 29 illustrations, 25 in colour

The Greek myths have a universal appeal, reaching far beyond the time and physical place in which they were created. But many are firmly rooted in specific settings: Thebes dominates the tragedy of Oedipus; Mycenae broods over the fates of Agamemnon and Electra; Knossos boasts the scene of Theseus’ slaying of the Minotaur; Tiryns was where Heracles set out from on each of his twelve labours. Here, the reader is taken on a tour of 22 destinations in Greece and Turkey, from Mount Olympus to Homer’s Hades, recounting the tales from Greek mythology and the history associated with each, evoking their atmosphere and highlighting features that visitors can still see today. Drawing on a wide range of Classical sources, with quotations newly translated by the author and freshly illustrated with specially commissioned drawings, this book is both a useful visitor’s guide to famous sites connected with Greek mythology and an enthralling imaginative journey for the armchair traveller.

A new perspective on ancient Athens at the height of its powers, reinterpreting the city’s supposed “Golden Age” as a period of ruinous culture wars.The age of Pericles, in the fifth century BC, is often described as the Golden Age of Athens. The city witnessed a flowering of philosophy, art, and architecture—including an ambitious building program, with the Parthenon its centerpiece. But as David Stuttard shows in this vivid account, the seemingly triumphant city was in fact riven by conflict and contradiction. Though nominally a democracy, Athens led a tyrannical empire. And for Pericles and his circle, the Parthenon was less a holy place than a propaganda vehicle. Its sculptures carried the message that Athenians, beloved by the gods, were nearly divine in their own right—which to many Greeks smacked of hubris.As long as things went well, Athenian democracy appeared to prosper. But just a year after the Parthenon was finished, Athens was at war with Sparta; a plague killed a third of the population, including Pericles; and earthquakes razed much of the city. In the wake of what seemed like divine retribution, popular outrage against those accused of undermining state religion was so strong that it took the execution of Socrates to lance the boil.Hubris offers dramatic portraits of key figures like Pheidias, who sculpted the monumental statue of Athena yet fell prey to charges of impiety; Themistocles, who built the Athenian navy but died an exile in enemy lands; and Alcibiades, the psychopathic playboy whose mercurial ego hastened his city’s defeat. To understand the Parthenon and the Athens that built it, Stuttard reasons, we must recognize the tensions among the city’s rivalrous families, generations, and social classes, whose visions of their place in the world ultimately proved incompatible.

Alcibiades was one of the most dazzling figures of the Golden Age of Athens. A ward of Pericles and a friend of Socrates, he was spectacularly rich, bewitchingly handsome and charismatic, a skilled general, and a ruthless politician. He was also a serial traitor, infamous for his dizzying changes of loyalty in the Peloponnesian War. Nemesis tells the story of this extraordinary life and the turbulent world that Alcibiades set out to conquer.David Stuttard recreates ancient Athens at the height of its glory as he follows Alcibiades from childhood to political power. Outraged by Alcibiades’ celebrity lifestyle, his enemies sought every chance to undermine him. Eventually, facing a capital charge of impiety, Alcibiades escaped to the enemy, Sparta. There he traded military intelligence for safety until, suspected of seducing a Spartan queen, he was forced to flee again—this time to Greece’s long-term foes, the Persians. Miraculously, though, he engineered a recall to Athens as Supreme Commander, but—suffering a reversal—he took flight to Thrace, where he lived as a warlord. At last in Anatolia, tracked by his enemies, he died naked and alone in a hail of arrows.As he follows Alcibiades’ journeys crisscrossing the Mediterranean from mainland Greece to Syracuse, Sardis, and Byzantium, Stuttard weaves together the threads of Alcibiades’ adventures against a backdrop of cultural splendor and international chaos. Navigating often contradictory evidence, Nemesis provides a coherent and spellbinding account of a life that has gripped historians, storytellers, and artists for more than two thousand years.

A Times Literary Supplement Best Book of the YearA vivid, novelistic history of the rise of Athens from relative obscurity to the edge of its golden age, told through the lives of Miltiades and Cimon, the father and son whose defiance of Persia vaulted Athens to a leading place in the Greek world.When we think of ancient Greece we think first of Athens: its power, prestige, and revolutionary impact on art, philosophy, and politics. But on the verge of the fifth century BCE, only fifty years before its zenith, Athens was just another Greek city-state in the shadow of Sparta. It would take a catastrophe, the Persian invasions, to push Athens to the fore. In Phoenix, David Stuttard traces Athens’s rise through the lives of two men who spearheaded resistance to Persia: Miltiades, hero of the Battle of Marathon, and his son Cimon, Athens’s dominant leader before Pericles.Miltiades’s career was checkered. An Athenian provincial overlord forced into Persian vassalage, he joined a rebellion against the Persians then fled Great King Darius’s retaliation. Miltiades would later die in prison. But before that, he led Athens to victory over the invading Persians at Marathon. Cimon entered history when the Persians returned; he responded by encouraging a tactical evacuation of Athens as a prelude to decisive victory at sea. Over the next decades, while Greek city-states squabbled, Athens revitalized under Cimon’s inspired leadership. The city vaulted to the head of a powerful empire and the threshold of a golden age. Cimon proved not only an able strategist and administrator but also a peacemaker, whose policies stabilized Athens’s relationship with Sparta.The period preceding Athens’s golden age is rarely described in detail. Stuttard tells the tale with narrative power and historical acumen, recreating vividly the turbulent world of the Eastern Mediterranean in one of its most decisive periods.

Power; the power of the gods; the power of Greek cities; the power of the human body: all these were celebrated at the ancient Olympic Games. Ancient Olympia symbolized excellence and supremacy in every sense of the word, not only athletic, but also political. Every four years, this international festival – carefully timed to coincide with the August full moon – drew the strongest and fastest athletic champions, hoping to win glory for their city-state. With them came the ruling elite, equally intent on displaying their city’s power and prestige by excelling at the Games. After the athletic contests, Olympia also served as the ideal forum for political parleys and alliances. This absorbing narrative, told from a spectator’s viewpoint, revolves around the Games of 416 BC – a turning point in Greek politics when a cold war between Athens and other major cities was about to erupt into bloody fighting. The reader vividly experiences what it was like to be there, to witness the rituals, official banquets, bloody contests, victory celebrations and subsequent political parleys.

The Parthenon is one of the world’s most iconic buildings: today, its silhouette symbolizes Greece. Built on the rocky acropolis of Athens in the aftermath of the devastating invasion of Xerxes, the Parthenon was part temple to Athene, part war memorial, part treasure trove of some of the most outstanding art of its age. Parthenon: Power and Politics on the Acropolis takes the reader through the dramatic story of the conception and creation of the Parthenon, setting it against a turbule nt historical background and rooting the building firmly in the real and mythological landscape of Athens. Written as a pacy, narrative history, the text features a cast of memorable characters, including Themistocles, the general whose decision to eva cuat e Athens led to the Persian sack of the acropolis; Pericl es, visionary statesman and mastermind of the Athens’ building project; and Pheidi as, who created the cult statue of Athene, and narrowly escaped impeachment for embezzlement. Beautifully illustrated with evocative site photography, details from the Parthenon sculptures and other related artworks from the superb collection of the British Museum, this book explores the Parthenon as the spiritual heart of a network of commanding buildings, de vised by Pericles and continued by his successors to promote the power of Athens as leader of the Greek world.

Antigone is one of the most influential and thought-provoking of all Greek tragedies. Set in a newly victorious society, where possibilities seem boundless and mankind can overcome all boundaries except death, the action is focussed through the prism of Creon, a remarkable anti-hero – a politician who, in crisis, makes a reckless decision, whose pride (or insecurity) prevents him from backing down until it is too late, and who thereby ends up losing everything. Not just the story of a girl who confronts the state, Antigone is an exploration of inherent human conflicts – between men and women, young and old, power and powerlessness, civil law and the ‘unwritten laws’ of nature. Lauded in Antiquity, it has influenced drama and philosophy throughout history into the modern age.With an introduction discussing the nature of the community for which Antigone was written, this collection of essays by 12 leading academics from across the world draws together many of the themes explored in Antigone, from Sophocles’ use of mythology, his contemporaries’ reactions and later reception, to questions of religion and ritual, family life and incest, ecology and the environment. The essays are accompanied by David Stuttard’s performer-friendly, accurate and easily accessible English translation.

Ajax is perhaps the earliest of Sophocles’ tragedies, yet the issues at its heart remain profoundly resonant today. Set in the Greek encampment during the siege of Troy, it traces not just the story of a respected war hero’s mental breakdown but (like Sophocles’ Antigone) the treatment of an enemy’s remains and the management of his memory. Pitting the fate of the individual against not just his own community but the cosmic world of the divine, it explores questions of loyalty and power, compassion and control, integrity and political expediency – and ultimately what it is to be human. In Antiquity the fate of Ajax fascinated writers and artists alike. Today it has assumed a new importance with Sophocles’ play being used to help treat military veterans suffering from PTSD.This collection of 12 essays by leading academics from across the UK, US and Ireland draws together many of the themes explored in Ajax, from how Sophocles exploits audiences’ awareness of mythology and visual arts, to questions of politics and religion, staging and characterization, changing perceptions of the heroic, and the therapeutic use to which the play is put today. The essays are accompanied by David Stuttard’s introduction and performer-friendly, accurate and easily accessible English translation.

Antigone is one of the most influential and thought-provoking of all Greek tragedies. Set in a newly victorious society, where possibilities seem boundless and mankind can overcome all boundaries except death, the action is focussed through the prism of Creon, a remarkable anti-hero – a politician who, in crisis, makes a reckless decision, whose pride (or insecurity) prevents him from backing down until it is too late, and who thereby ends up losing everything. Not just the story of a girl who confronts the state, Antigone is an exploration of inherent human conflicts – between men and women, young and old, power and powerlessness, civil law and the ‘unwritten laws’ of nature. Lauded in Antiquity, it has influenced drama and philosophy throughout history into the modern age.With an introduction discussing the nature of the community for which Antigone was written, this collection of essays by 12 leading academics from across the world draws together many of the themes explored in Antigone, from Sophocles’ use of mythology, his contemporaries’ reactions and later reception, to questions of religion and ritual, family life and incest, ecology and the environment. The essays are accompanied by David Stuttard’s performer-friendly, accurate and easily accessible English translation.

Agamemnon is the first of the three plays within the Oresteia trilogy and is considered to be one of Aeschylus’ greatest works. This collection of 12 essays, written by prominent international academics, brings together a wide range of topics surrounding Agamemnon from its relationship with ancient myth and ritual to its modern reception. There is a diverse array of discussion on the salient themes of murder, choice and divine agency. Other essays also offer new approaches to understanding the notions of wealth and the natural world which imbue the play, as well as a study of the philosophical and moral questions of choice and revenge.Arguments are contextualized in terms of performance, history and society, discussing what the play meant to ancient audiences and how it is now received in the modern theatre. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume includes a performer-friendly and accessible English translation by David Stuttard.

Ajax is perhaps the earliest of Sophocles’ tragedies, yet the issues at its heart remain profoundly resonant today. Set in the Greek encampment during the siege of Troy, it traces not just the story of a respected war hero’s mental breakdown but (like Sophocles’ Antigone) the treatment of an enemy’s remains and the management of his memory. Pitting the fate of the individual against not just his own community but the cosmic world of the divine, it explores questions of loyalty and power, compassion and control, integrity and political expediency – and ultimately what it is to be human. In Antiquity the fate of Ajax fascinated writers and artists alike. Today it has assumed a new importance with Sophocles’ play being used to help treat military veterans suffering from PTSD.This collection of 12 essays by leading academics from across the UK, US and Ireland draws together many of the themes explored in Ajax, from how Sophocles exploits audiences’ awareness of mythology and visual arts, to questions of politics and religion, staging and characterization, changing perceptions of the heroic, and the therapeutic use to which the play is put today. The essays are accompanied by David Stuttard’s introduction and performer-friendly, accurate and easily accessible English translation.

Agamemnon is the first of the three plays within the Oresteia trilogy and is considered to be one of Aeschylus’ greatest works. This collection of 12 essays, written by prominent international academics, brings together a wide range of topics surrounding Agamemnon from its relationship with ancient myth and ritual to its modern reception. There is a diverse array of discussion on the salient themes of murder, choice and divine agency. Other essays also offer new approaches to understanding the notions of wealth and the natural world which imbue the play, as well as a study of the philosophical and moral questions of choice and revenge.Arguments are contextualized in terms of performance, history and society, discussing what the play meant to ancient audiences and how it is now received in the modern theatre. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume includes a performer-friendly and accessible English translation by David Stuttard.

Aeschylus’ Persians is unique in being the only extant Greek tragedy on an historical subject: Greece’s victory in 480 BC over the great Persian King, Xerxes, eight years before the play was written and first performed in 472 BC. Looking at Persians examines how Aeschylus responded to such a turning point in Athenian history and how his audience may have reacted to his play. As well as considering the play’s relationship with earlier lost tragedies and discussing its central themes, including war, nature and the value of human life, the volume considers how Persians may have been staged in fifth-century Athens and how it has been performed today.The twelve essays presented here are written by prominent international academics and offer insightful analyses of the play from the perspectives of performance, history and society. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume also includes an accurate, accessible and performance-friendly English translation of Persians by David Stuttard.

Aeschylus’ Persians is unique in being the only extant Greek tragedy on an historical subject: Greece’s victory in 480 BC over the great Persian King, Xerxes, eight years before the play was written and first performed in 472 BC. Looking at Persians examines how Aeschylus responded to such a turning point in Athenian history and how his audience may have reacted to his play. As well as considering the play’s relationship with earlier lost tragedies and discussing its central themes, including war, nature and the value of human life, the volume considers how Persians may have been staged in fifth-century Athens and how it has been performed today.The twelve essays presented here are written by prominent international academics and offer insightful analyses of the play from the perspectives of performance, history and society. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume also includes an accurate, accessible and performance-friendly English translation of Persians by David Stuttard.

This vital and accessible overview of Greek drama from its origins to its later reception includes chapters on authors and plays in their social and religious context as well as key aspects such as structure, character, staging and music. With contributions by 14 international scholars, world experts in their field, it provides readers with clear, authoritative, up-to-date considerations of both the theory and practice of Greek drama.While each chapter can stand in isolation, the overall structure takes readers on a natural progression – beginning with sources of evidence and origins, considering the major genres and their authors, examining the traditional Aristotelean components of drama in the context of performance, and ending with later reception. In doing so, it explores Greek drama as at once a religious act, a stage for political propaganda, an opportunity for questioning social issues and pure entertainment – a stunning melange of poetry, music, dance and visual spectacle, specific to, yet transcending, its immediate context. Written for students, practitioners and a general readership, it forms part of Bloomsbury’s Looking at… series, appealing to the same readership and providing context to existing volumes which focus on individual plays.

This is a vital and accessible overview of Greek drama from its origins to its later reception, including chapters on authors and dramas in their social and religious context as well as key aspects such as structure, character, staging and music. With contributions by 13 international scholars, world experts in their field, it provides readers with clear, authoritative, up-to-date considerations of both the theory and practice of Greek drama. While each chapter can stand in isolation, the overall structure takes readers on a natural progression – beginning with sources of evidence and origins, considering the major genres and their authors, examining the traditional Aristotelean components of drama in the context of performance, and ending with later reception. In doing so, it explores Greek drama as at once a religious act, a stage for political propaganda, an opportunity for questioning social issues, and pure entertainment – a stunning melange of poetry, music, dance, and visual spectacle, specific to, yet transcending, its immediate context. Written for students, practitioners and a general readership, it forms part of Bloomsbury’s Looking at… series, appealing to the same readership and providing context to existing volumes which focus on individual plays.

Written at a time of great social upheaval, Hippolytus is one of the most studied plays in Greek drama. This volume examines how Euripides responded to contemporary ideas and events, and how his audience may have reacted to his play. As well as considering the play’s relationship with earlier lost tragedies and discussing many of its characters and central themes including its relationship with religion and evolving medical theories, this volume considers how Hippolytus may have been staged in fifth-century Athens and its reception from antiquity until today.This collection of ten essays is written by prominent international academics and offers insightful analyses of the play from the perspectives of performance, history and society. Intended for readers ranging from sixth-form students and undergraduates to teachers and those interested in drama (including practitioners), it includes an introduction alongside an accurate yet accessible translation.

Euripides' Medea is one of the most often read, studied and performed of all Greek tragedies. A searingly cruel story of a woman's brutal revenge on a husband who has rejected her for a younger and richer bride, it is unusual among Greek dramas for its acute portrayal of female psychology. Medea can appear at once timeless and strikingly modern. Yet, the play is very much a product of the political and social world of fifth century Athens and an understanding of its original context, as well as a consideration of the responses of later ages, is crucial to appreciating this work and its legacy. This collection of essays by leading academics addresses these issues, exploring key themes such as revenge, character, mythology, the end of the play, the chorus and Medea's role as a witch. Other essays look at the play's context, religious connotations, stagecraft and reception. The essays are accompanied by David Stuttard's English translation of the play, which is performer-friendly, accessible yet accurate and closely faithful to the original.

Euripides' Medea is one of the most often read, studied and performed of all Greek tragedies. A searingly cruel story of a woman's brutal revenge on a husband who has rejected her for a younger and richer bride, it is unusual among Greek dramas for its acute portrayal of female psychology. Medea can appear at once timeless and strikingly modern. Yet, the play is very much a product of the political and social world of fifth century Athens and an understanding of its original context, as well as a consideration of the responses of later ages, is crucial to appreciating this work and its legacy. This collection of essays by leading academics addresses these issues, exploring key themes such as revenge, character, mythology, the end of the play, the chorus and Medea's role as a witch. Other essays look at the play's context, religious connotations, stagecraft and reception. The essays are accompanied by David Stuttard's English translation of the play, which is performer-friendly, accessible yet accurate and closely faithful to the original.

Bacchae is one of the most troubling yet intriguing of Greek tragedies. Written during Euripides’ self-imposed exile in Macedonia, it tells of the brutal murder and dismemberment of Pentheus by his mother and aunts who, driven temporarily insane, have joined the Bacchae (devotees of the god Dionysus, or Bacchus). The startling plot, driven by Dionysus' desire to punish his family for refusing to accept his divinity, and culminating in the excruciating pathos of a mother’s realization that she has killed her son, has held audiences transfixed since its original performance (when it won first prize). It is one of the most performed and studied plays in the Greek tragic corpus, with a strong history of reception down to the present day.This collection of essays by eminent academics gathered from across the globe explores the themes, staging and reception of the play, with essays on the characters Dionysus and Pentheus, the role of the chorus of Bacchae, key themes such as revenge, women and religion, and the historical and literary contexts of the play. The essays are accompanied by David Stuttard's English translation which is performer-friendly, accessible and closely accurate to the original.

Bacchae is one of the most troubling yet intriguing of Greek tragedies. Written during Euripides’ self-imposed exile in Macedonia, it tells of the brutal murder and dismemberment of Pentheus by his mother and aunts who, driven temporarily insane, have joined the Bacchae (devotees of the god Dionysus, or Bacchus). The startling plot, driven by Dionysus' desire to punish his family for refusing to accept his divinity, and culminating in the excruciating pathos of a mother’s realization that she has killed her son, has held audiences transfixed since its original performance (when it won first prize). It is one of the most performed and studied plays in the Greek tragic corpus, with a strong history of reception down to the present day.This collection of essays by eminent academics gathered from across the globe explores the themes, staging and reception of the play, with essays on the characters Dionysus and Pentheus, the role of the chorus of Bacchae, key themes such as revenge, women and religion, and the historical and literary contexts of the play. The essays are accompanied by David Stuttard's English translation which is performer-friendly, accessible and closely accurate to the original.