The Irish in the Atlantic World presents a transnational and comparative view of the Irish historical and cultural experiences as phenomena transcending traditional chronological, topical, and ethnic paradigms. Edited by David T. Gleeson, this collection of essays offers a robust new vision of the global nature of the Irish diaspora within the Atlantic context from the eighteenth century to the present and makes original inroads for new research in Irish studies.

These essays from an international cast of scholars vary in their subject matter from investigations into links between Irish popular music and the United States—including the popularity of American blues music in Belfast during the 1960s and the influences of Celtic balladry on contemporary singer Van Morrison—to a discussion of the migration of Protestant Orangemen to America and the transplanting of their distinctive non-Catholic organizations. Other chapters explore the influence of American politics on the formation of the Irish Free State in 1922, manifestations of nineteenth-century temperance and abolition movements in Irish communities, links between slavery and Irish nationalism in the formation of Irish identity in the American South, the impact of yellow fever on Irish and black labor competition on Charleston''s waterfront, the fate of the Irish community at Saint Croix in the Danish West Indies, and other topics. These multidisciplinary essays offer fruitful explanations of how ideas and experiences from around the Atlantic influenced the politics, economics, and culture of Ireland, the Irish people, and the societies where Irish people settled. Taken collectively, these pieces map the web of connectivity between Irish communities at home and abroad as sites of ongoing negotiation in the development of a transatlantic Irish identity.

Ten scholars examine English identity, what makes it distinct, and its role in shaping American culture

To many, English immigrants contributed nothing substantial to the varied palette of ethnicity in North America. While there is wide recognition of German American, French American, African American, and Native American cultures, discussion of English Americans as a distinct ethnic group is rare. Yet the historians writing in English Ethnicity and Culture in North America show that the English were clearly immigrants too in a strange land, adding their own hues to the American and Canadian characters.

In this collection, editor David T. Gleeson and other contributors explore some of the continued links between England, its people, and its culture with North America in the nineteenth and twentieth centuries. These essays challenge the established view of the English having no "ethnicity," highlighting the vibrancy of the English and their culture in North America. The selections also challenge the prevailing notion of the English as "invisible immigrants." Recognizing the English as a distinct ethnic group, similar to the Irish, Scots, and Germans, also has implications for understanding American identity by providing a clearer picture of how Americans often have defined themselves in the context of Old World cultural traditions.

Several contributors to English Ethnicity and Culture in North America track the English in North America from Episcopal pulpits to cricket fields and dance floors. For example Donald M. MacRaild and Tanja Bueltmann explore the role of St. George societies before and after the American Revolution in asserting a separate English identity across class boundaries. In addition Kathryn Lamontagne looks at English ethnicity in the working-class culture and labor union activities of workers in Fall River, Massachusetts. Ultimately all the work included here challenges the idea of a coherent, comfortable Anglo-cultural mainstream and indicates the fluid and adaptable nature of what it meant and means to be English in North America.

The Irish in the Atlantic World presents a transnational and comparative view of the Irish historical and cultural experiences as phenomena transcending traditional chronological, topical, and ethnic paradigms. Edited by David T. Gleeson, this collection of essays offers a robust new vision of the global nature of the Irish diaspora within the Atlantic context from the eighteenth century to the present and makes original inroads for new research in Irish studies.

These essays from an international cast of scholars vary in their subject matter from investigations into links between Irish popular music and the United States—including the popularity of American blues music in Belfast during the 1960s and the influences of Celtic balladry on contemporary singer Van Morrison—to a discussion of the migration of Protestant Orangemen to America and the transplanting of their distinctive non-Catholic organizations. Other chapters explore the influence of American politics on the formation of the Irish Free State in 1922, manifestations of nineteenth-century temperance and abolition movements in Irish communities, links between slavery and Irish nationalism in the formation of Irish identity in the American South, the impact of yellow fever on Irish and black labor competition on Charleston''s waterfront, the fate of the Irish community at Saint Croix in the Danish West Indies, and other topics. These multidisciplinary essays offer fruitful explanations of how ideas and experiences from around the Atlantic influenced the politics, economics, and culture of Ireland, the Irish people, and the societies where Irish people settled. Taken collectively, these pieces map the web of connectivity between Irish communities at home and abroad as sites of ongoing negotiation in the development of a transatlantic Irish identity.

Ten scholars examine English identity, what makes it distinct, and its role in shaping American culture

To many, English immigrants contributed nothing substantial to the varied palette of ethnicity in North America. While there is wide recognition of German American, French American, African American, and Native American cultures, discussion of English Americans as a distinct ethnic group is rare. Yet the historians writing in English Ethnicity and Culture in North America show that the English were clearly immigrants too in a strange land, adding their own hues to the American and Canadian characters.

In this collection, editor David T. Gleeson and other contributors explore some of the continued links between England, its people, and its culture with North America in the nineteenth and twentieth centuries. These essays challenge the established view of the English having no "ethnicity," highlighting the vibrancy of the English and their culture in North America. The selections also challenge the prevailing notion of the English as "invisible immigrants." Recognizing the English as a distinct ethnic group, similar to the Irish, Scots, and Germans, also has implications for understanding American identity by providing a clearer picture of how Americans often have defined themselves in the context of Old World cultural traditions.

Several contributors to English Ethnicity and Culture in North America track the English in North America from Episcopal pulpits to cricket fields and dance floors. For example Donald M. MacRaild and Tanja Bueltmann explore the role of St. George societies before and after the American Revolution in asserting a separate English identity across class boundaries. In addition Kathryn Lamontagne looks at English ethnicity in the working-class culture and labor union activities of workers in Fall River, Massachusetts. Ultimately all the work included here challenges the idea of a coherent, comfortable Anglo-cultural mainstream and indicates the fluid and adaptable nature of what it meant and means to be English in North America.