David Tucker – författare

In October and November of 2001, small numbers of soldiers from the Army Special Forces entered Afghanistan, linked up with elements of the Northern Alliance (an assortment of Afghanis opposed to the Taliban), and, in a remarkably short period of time, destroyed the Taliban regime. Trained to work with indigenous forces and personnel like the Northern Alliance, these soldiers, sometimes riding on horseback, combined modern military technology with ancient techniques of central Asian warfare in what was later described as "the first cavalry charge of the twenty-first century." In this engaging book, two national security experts and Department of Defense insiders put the exploits of America's special operation forces in historical and strategic context. David Tucker and Christopher J. Lamb offer an incisive overview of America's turbulent experience with special operations. Using in-depth interviews with special operators at the forefront of the current war on terrorism and providing a detailed account of how they are selected and trained, the authors illustrate the diversity of modern special operations forces and the strategic value of their unique attributes.From the first chapter, this book builds toward a set of recommendations for reforms that would allow special operations forces to make a greater contribution to the war on terrorism and play a more strategic role in safeguarding the nation's security. Along the way, the authors explain why special operations forces are:" Distinguished by characteristics not equally valued by their own leadership" Strategically crucial because of two mutually supporting but undeniably distinct sets of capabilities not found in conventional forces" Not to be confused with the CIA and so-called paramilitary forces, nor with the Marines and other elite forces" Unable to learn from the 1993 failed intervention in Somalia and the national-oversight issues it revealed" Better integrated into the nation's military strategy and operations than ever before but confused about their core missions in the war on terror" Not "transformed" for future challenges as many assert but rather in need of organizational reforms to realize their strategic potential Despite longstanding and growing public fascination with special operators, these individuals and the organizations that employ them are little understood.With this book, Tucker and Lamb dispel common misconceptions and offer a penetrating analysis of how these unique and valuable forces can be employed to even better effect in the future.

In this book, two national-security experts put the exploits of America’s special operation forces in historical and strategic context. David Tucker and Christopher J. Lamb offer an incisive overview of America’s turbulent experience with special operations. Starting with in-depth interviews with special operators, the authors illustrate the diversity of modern special operations forces and the strategic value of their unique attributes.Despite longstanding and growing public fascination with special operators, these forces and their contribution to national security are poorly understood. With this book, Tucker and Lamb dispel common misconceptions and offer a penetrating analysis of how these unique and valuable forces can be employed to even better effect in the future. The book builds toward a comprehensive assessment of the strategic utility of special operations forces, which it then considers in light of the demands of future warfare. This second edition of United States Special Operations Forces, revised throughout to account for lessons learned in the twelve years since its first publication, includes two new case studies, one on High Value Target Teams and another on Village Stability Operations, and two new appendixes charting the evolution of special operation missions and the best literature on all aspects of U.S. special operation forces.

In this book, two national-security experts put the exploits of America’s special operation forces in historical and strategic context. David Tucker and Christopher J. Lamb offer an incisive overview of America’s turbulent experience with special operations. Starting with in-depth interviews with special operators, the authors illustrate the diversity of modern special operations forces and the strategic value of their unique attributes.Despite longstanding and growing public fascination with special operators, these forces and their contribution to national security are poorly understood. With this book, Tucker and Lamb dispel common misconceptions and offer a penetrating analysis of how these unique and valuable forces can be employed to even better effect in the future. The book builds toward a comprehensive assessment of the strategic utility of special operations forces, which it then considers in light of the demands of future warfare. This second edition of United States Special Operations Forces, revised throughout to account for lessons learned in the twelve years since its first publication, includes two new case studies, one on High Value Target Teams and another on Village Stability Operations, and two new appendixes charting the evolution of special operation missions and the best literature on all aspects of U.S. special operation forces.

As a profession that works directly to improve the human condition, social work has made a special effort to integrate social science knowledge with its methods for identifying and dealing with human problems. This book is about the relationship between the systematic study of human problems and actions to improve them. The group of experts do not provide practical instructions; they do not provide advice on how to conduct evaluation studies or how to solve the problem of homelessness. Instead, the contributors examine the questions and issues that arise, and the knowledge gained, when purposeful attempts are made to understand and solve human problems using the best available social science knowledge.The issue of the integration of social work and the social sciences has not been examined in any depth in current research. The social sciences have evolved steadily through the years and social workers have increasingly relied on them—both substantively as well as in terms of research methodologies. In turn, social work has contributed to this dialogue by providing challenging research questions, in formulating critiques of social science theory and methodology, and in emphasizing the need to study social problems in their complex environments. The book's goal is to define how social work and the social sciences can continue to build on a clear sense of the issues and developments common to both.

Over the past 25 years, the United States government has developed, through trial and error, both an understanding of terrorism and the means to deal with it. Using information collected in interviews with key decisionmakers from the Nixon to the Clinton administrations, David Tucker draws both strategic and tactical lessons from the United States' encounters with various terrorist groups. These lessons can be usefully applied to future counterterrorism efforts, as well as to other aspects of national security policy in a post-Cold War world where major conflicts will continue to be played out in numerous small struggles. This study will be must-reading for scholars and professionals in international relations, foreign policy, and military/political affairs.

Enlightened Republicanism is the first book-length study of Thomas Jefferson's Notes on the State of Virginia, which has often been used as a treasury of quotations from which historians, political scientists, and literary scholars have borrowed in order to prove one point or another about America or Jefferson himself. David Tucker examines Jefferson's work as a whole, arguing that the it was carefully structured. He proceeds to demonstrate that only a deeper understanding of this structure as an integral part of Jefferson's argument can give the reader a true comprehension of Notes on the State of Virginia. Enlightened republicanism, as Jefferson defined it, was revolutionary, as it fundamentally changed the goals of government and the practice of politics to bring them into accord as much as possible with the complex and varied demands of nature.

London Walks is the award-winning original walking tour company. Written by the expert and knowledgeable guides who lead the walks, London Stories is the perfect way to discover the rich history of London and its hidden gems, including:Sinister London - haunted London and Jack the Ripper.Literary London - from Shakespeare to Dickens.Public Houses - the old pubs of Soho. Mystery and Secrets - the city's hidden past.A Tale of Two Cities - Westminster and the Square Mile.Perfect for tourists who want to experience London life beyond Trafalgar Square as well as for Londoners keen to step off the Circle Line and discover the secrets on their own doorstep, London Stories offers a fascinating glimpse into the capital's rich history. With photos, maps and illustrations to bring the stories to life, London Stories is for those who love London, written by those who know it best.

Using espionage as a test case, The End of Intelligence criticizes claims that the recent information revolution has weakened the state, revolutionized warfare, and changed the balance of power between states and non-state actors—and it assesses the potential for realizing any hopes we might have for reforming intelligence and espionage. Examining espionage, counterintelligence, and covert action, the book argues that, contrary to prevailing views, the information revolution is increasing the power of states relative to non-state actors and threatening privacy more than secrecy. Arguing that intelligence organizations may be taken as the paradigmatic organizations of the information age, author David Tucker shows the limits of information gathering and analysis even in these organizations, where failures at self-knowledge point to broader limits on human knowledge—even in our supposed age of transparency. He argues that, in this complex context, both intuitive judgment and morality remain as important as ever and undervalued by those arguing for the transformative effects of information. This book will challenge what we think we know about the power of information and the state, and about the likely twenty-first century fate of secrecy and privacy.

Using espionage as a test case, The End of Intelligence criticizes claims that the recent information revolution has weakened the state, revolutionized warfare, and changed the balance of power between states and non-state actors—and it assesses the potential for realizing any hopes we might have for reforming intelligence and espionage. Examining espionage, counterintelligence, and covert action, the book argues that, contrary to prevailing views, the information revolution is increasing the power of states relative to non-state actors and threatening privacy more than secrecy. Arguing that intelligence organizations may be taken as the paradigmatic organizations of the information age, author David Tucker shows the limits of information gathering and analysis even in these organizations, where failures at self-knowledge point to broader limits on human knowledge—even in our supposed age of transparency. He argues that, in this complex context, both intuitive judgment and morality remain as important as ever and undervalued by those arguing for the transformative effects of information. This book will challenge what we think we know about the power of information and the state, and about the likely twenty-first century fate of secrecy and privacy.

The instalments of Ezra Pound's life-project, The Cantos, composed during his incarceration in Washington after the Second World War were to have served as a "Paradiso" for his epic. Beautiful and tormented, enigmatic and irascible by turns, they express the poet's struggle to reconcile his striving for justice with his extreme Right politics. In heavily coded language, Pound was writing activist political poetry. Through an in-depth reading of the "Washington Cantos" this book reveals the ways in which Pound integrated into his verse themes and ideas that remain central to American far-right ideology to this day: States' Rights, White-supremacy and racial segregation, the usurpation of the Constitution by the Supreme Court, and history as racial struggle.Pound's struggle was also personal. These poems also celebrate his passion for his muse and lover, Sheri Martinelli, as he tries to teach her his politics and, in the final poems, mount his legal defence against the unresolved treason charges hanging over his head.Reading the poetry alongside correspondence and unpublished archival writings, Ezra Pound’s Washington Cantos and the Struggle for Light is an important new work on a poet who stands at the heart of 20th-century Modernism. Building on his previous book John Kasper and Ezra Pound: Saving the Republic (Bloomsbury, 2015), Alec Marsh explores the way the political ideas revealed in Pound’s correspondence manifested themselves in his later poetry.

James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce’s work, from his narrator's furtive proto-photographic framing in Silhouettes (c. 1897), to the aggressively-minded 'Tulloch-Turnbull girl with her coldblood kodak' in Finnegans Wake (1939).Through an exploration of Joyce's manuscripts and photographic and newspaper archival material, as well as the full range of his major works, this book sheds new light on his sustained interest in this visual medium. This project takes Joyce’s intention in Dubliners (1914) to ‘betray the soul of that hemiplegia or paralysis which many consider a city’ as key to his interaction with photography, which in his literature occupies a dual position between stasis and innovation.

Winner of the DHLSNA Biennial Award for a Book by a Newly Published ScholarExploring draft manuscripts, alternative texts and publishers’ typescripts, The Many Drafts of D. H. Lawrence reveals new insights into the writings and writing practices of one of the most important writers of the 20th century. Focusing on the most productive years of Lawrence’s writing life, between 1909 and 1926 – a time that saw the writing of major novels such as Women in Love and the controversial The Plumed Serpent, as well as his first major short story collection – this book is the first to apply analytical methods from the field of genetic criticism to the archives of this canonical modernist author.The book unearths and re-evaluates a variety of themes including the body, death, love, trauma, depression, memory, the sublime, selfhood, and endings, and includes original transcriptions as well as reproductions from the manuscripts themselves. By charting Lawrence’s writing processes, the book also highlights how the very distinction between ‘process’ and ‘product’ became a central theme in his work.

Winner of the DHLSNA Biennial Award for a Book by a Newly Published ScholarExploring draft manuscripts, alternative texts and publishers’ typescripts, The Many Drafts of D. H. Lawrence reveals new insights into the writings and writing practices of one of the most important writers of the 20th century. Focusing on the most productive years of Lawrence’s writing life, between 1909 and 1926 – a time that saw the writing of major novels such as Women in Love and the controversial The Plumed Serpent, as well as his first major short story collection – this book is the first to apply analytical methods from the field of genetic criticism to the archives of this canonical modernist author.The book unearths and re-evaluates a variety of themes including the body, death, love, trauma, depression, memory, the sublime, selfhood, and endings, and includes original transcriptions as well as reproductions from the manuscripts themselves. By charting Lawrence’s writing processes, the book also highlights how the very distinction between ‘process’ and ‘product’ became a central theme in his work.

Knitting together two fascinating but entirely distinct lives, this ingeniously structured braided biography tells the story of the lives and work of two women, each a cultural icon in her own country yet lesser known in the other's. Australian poet Judith Wright and Canadian painter Emily Carr broke new ground for female artists in the British colonies and influenced the political and social debates about environment and indigenous rights that have shaped Australia and Canada in the 21st century. In telling their story/ies, this book charts the battle for recognition of their modernist art and vision, pointing out significant moments of similarity in their lives and work. Although separated by thousands of miles, their experience of colonial modernity was startlingly analogous, as white settler women bent on forging artistic careers in a male-dominated world and sphere rigged against them. Through all this, though, their cultural importance endures; two remarkable women whose poetry and painting still speak to us today of their passionate belief in the transformative power of art.

The figures of Michael Robartes and Owen Aherne appear throughout the writing of the great Irish poet W.B. Yeats, featuring in his poems, short fictions, dialogues and as authorities in notes to his work. Bringing together into one volume published and unpublished writings featuring these two enigmatic figures, W.B. Yeats’s Robartes-Aherne Writings traces their history and the development of Yeats’s mystical thought that culminated (twice) in the publication of his visionary work A Vision (1925, 1937).Including reproductions of manuscript and notebook pages as well as transcriptions and extracts from a wide range of Yeats’s mystical writings and substantial commentary and annotation throughout, this book is an essential resource for scholars of Yeats’s thought, his stylistic evolution and the esoteric influences on modernist writing in the early 20th century.

Samuel Beckett’s private writings and public work show his deep interest in the workings of the human mind. Samuel Beckett and Psychology is an innovative study of the author’s engagement with key concepts in early experimental psychology and rapidly developing scientific ideas about perception, attention and mental imagery. Through innovative new readings of Beckett’s later dramatic and prose works, the book reveals the links between his aesthetic method and the methodologies of experimental psychology through the 20th century. Covering important later works including Happy Days, Not I and Footfalls, Samuel Beckett and Psychology sheds important new light on Beckett’s depictions of the workings of the embodied mind.

This book uses Ezra Pound’s The Cantos as a lens to understand modernism’s ambition to revolutionize literature through mythical and scientific methods. Homer’s Odyssey plays a unique methodological and structural role in The Cantos. The Cantos translates, interprets, abridges, adapts, critiques, parodies, trivializes, allegorizes, and “ritualizes” the Odyssey. Partly inspired by Joyce’s use of different literary styles or “technics” in Ulysses, and partly inspired by medieval classicism and 19th century philology, Pound uses a plethora of methods to translate Homer and other classical texts. This book argues that The Cantos is a modernist vision of the Matter of Troy, a term used by medieval authors to designate the cycle of texts based on the Trojan war and its aftereffects, including the nostoi (returns) of the Greek heroes.This is the first study to explore how medieval classicism and translation informs Pound’s mythical method and to systematically outline the variety and evolution of Pound’s Odyssey translations in The Cantos.

In this provocative history, David Tucker argues that "irregular warfare"-including terrorism, guerrilla warfare, and other insurgency tactics-is intimately linked to the rise and decline of Euro-American empire around the globe. Tracing the evolution of resistance warfare from the age of the conquistadors through the United States' recent ventures in Afghanistan and Iraq, Revolution and Resistance demonstrates that contemporary conflicts in the Middle East, Africa, and Asia are simply the final stages in the unraveling of Euro-American imperialism. Tucker explores why it was so difficult for indigenous people and states to resist imperial power, which possessed superior military technology and was driven by a curious moral imperative to conquer. He also explains how native populations eventually learned to fight back by successfully combining guerrilla warfare with political warfare. By exploiting certain Euro-American weaknesses-above all, the instability created by the fading rationale for empire-insurgents were able to subvert imperialism by using its own ideologies against it.Tucker also examines how the development of free trade and world finance began to undermine the need for direct political control of foreign territory. Touching on Pontiac's Rebellion of 1763, Abd el-Kader's jihad in nineteenth-century Algeria, the national liberation movements that arose in twentieth-century Palestine, Vietnam, and Ireland, and contemporary terrorist activity, Revolution and Resistance shows how changing means have been used to wage the same struggle. Emphasizing moral rather than economic or technological explanations for the rise and fall of Euro-American imperialism, this concise, comprehensive book is required reading for anyone seeking to understand the character of contemporary conflict.

In this title, terrorism, sabotage, and subversion are analyzed to challenge the dominant views that a 'new conflict' is now posing unprecedented threats to U.S. homeland security. Since 9/11, the dominant view is that we have entered an era of 'new conflict' in which technology has empowered non-state actors who now pose unprecedented and unmanageable threats to U.S. national security. This unique work studies a range of threats, from homegrown and foreign terrorism to the possibility of cyber- or Chinese sabotage and fears of religious subversion to challenge every aspects of this 'new conflict' argument and expose its underlying exaggerations and misunderstandings. Examining such issues as political violence, the role of religion in terrorism, the impact of technology, and the political aspects of homeland security, this unique survey demonstrates how such activities as terrorism are limited by their clandestine nature. It also addresses why we need to switch our strategic focus and increase the role citizens have in dealing with such threats. This historically informed and critical analysis fills a void in the debates on the threats and conflicts that the U.S. confronts at home and abroad and will appeal to anyone interested in national security and terrorism.

"Samuel Beckett once wrote that were he in the unfortunate position of a critic studying his work, one of his points of departure would be the ideas of the seventeenth-century philosopher, Arnold Geulincx. Samuel Beckett and Arnold Geulincx: Tracing a literary fantasia is the first full-length study to document the extent of the influence Geulincxs philosophy had on Becketts prose and late drama. Establishing itself as a reference point for Becketts published and unpublished writings, David Tuckers study presents a clear, chronological exploration of Becketts engagement with Geulincx, and of how this engagement marks, and is marked by, broader changes in Becketts aesthetic thinking. By positioning close, interpretative philosophical readings alongside analyses of archival materials, Tucker sets out an affirmative and reconciliatory approach to divergent strands in contemporary Beckett Studies."

In this title, terrorism, sabotage, and subversion are analyzed to challenge the dominant views that a 'new conflict' is now posing unprecedented threats to U.S. homeland security. Since 9/11, the dominant view is that we have entered an era of 'new conflict' in which technology has empowered non-state actors who now pose unprecedented and unmanageable threats to U.S. national security. This unique work studies a range of threats, from homegrown and foreign terrorism to the possibility of cyber- or Chinese sabotage and fears of religious subversion to challenge every aspects of this 'new conflict' argument and expose its underlying exaggerations and misunderstandings. Examining such issues as political violence, the role of religion in terrorism, the impact of technology, and the political aspects of homeland security, this unique survey demonstrates how such activities as terrorism are limited by their clandestine nature. It also addresses why we need to switch our strategic focus and increase the role citizens have in dealing with such threats. This historically informed and critical analysis fills a void in the debates on the threats and conflicts that the U.S. confronts at home and abroad and will appeal to anyone interested in national security and terrorism.

amuel Beckett once wrote that were he in the ‘unfortunate position' of a critic studying his work, one of his points of departure would be the ideas of the 17th-century philosopher, Arnold Geulincx. Samuel Beckett and Arnold Geulincx: Tracing ‘a literary fantasia' is the first full-length study to document the extent of the influence Geulincx's philosophy had on Beckett's prose and late drama. Establishing itself as a reference point for Beckett's published and unpublished writings, David Tucker's study presents a clear, chronological exploration of Beckett's engagement with Geulincx, and of how this engagement marks, and is marked by, broader changes in Beckett's aesthetic thinking. By positioning close, interpretative philosophical readings alongside analyses of archival materials, Tucker sets out an affirmative and reconciliatory approach to divergent strands in contemporary Beckett Studies.

Beckett’s relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett’s drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain.Ranging from studies of the first English tour of Waiting for Godot in 1955 to Talawa’s 2012 all-black co-production of the same play, Staging Samuel Beckett in Great Britain excavates a host of archival resources in order to historicize how Beckett’s drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as Krapp’s Last Tape; presents Beckett’s working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett’s drama in Scotland and how the plays have been staged in London’s West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett’s drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain’s regions.With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett’s reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, Staging Samuel Beckett in Ireland and Northern Ireland it will prove a terrific resource for students, scholars and theatre practitioners.

Beckett’s relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett’s drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain.Ranging from studies of the first English tour of Waiting for Godot in 1955 to Talawa’s 2012 all-black co-production of the same play, Staging Samuel Beckett in Great Britain excavates a host of archival resources in order to historicize how Beckett’s drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as Krapp’s Last Tape; presents Beckett’s working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett’s drama in Scotland and how the plays have been staged in London’s West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett’s drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain’s regions.With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett’s reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, Staging Samuel Beckett in Ireland and Northern Ireland it will prove a terrific resource for students, scholars and theatre practitioners.

This is the first full-length study to focus on Samuel Beckett’s drama as it has been staged in Ireland and Northern Ireland. While Beckett’s relationship with his native land was a complex one, the importance of his drama as a creative force both historically and in contemporary practice in those regions cannot be underestimated. The volume brings to light unexamined and little-known productions, for example Beckett’s drama in the Irish language, Druid Theatre Company’s productions, and Beckett at Dublin’s Focus Theatre, as well as previously unpublished archival materials. Leading scholars, such as Anna McMullan and Anthony Roche, and renowned dramatic interpreters of Beckett’s work, such as Barry McGovern, explore Beckett’s drama within the context of Irish creative theatrical practice and heritage, and point towards the theatrical and performance legacies that follow in its wake. Production analyses are mapped on to the political, economic and cultural contexts of Ireland and the North so that readers are invited to experience Beckett’s drama as resonating in new ways, through theatre practice, against the complex and connected histories of these lands.