Offers a striking new interpretation of Beckett's major fiction, demonstrating how his development as a writer was shaped by shifting twentieth-century ideas about the social function of literature.Offering a striking new interpretation of Beckett's major fiction, Chronicles of Disorder demonstrates how Beckett's career as a writer developed in relation to the most enduring twentieth-century beliefs about the social function of literature, language, and narrative. Weisberg explores Beckett's emergence as a major novelist and intertwines sharp analyses of the relations between narrative form and social content in the key works of the Beckett canon. He considers how and why Beckett's work has become ahistorically-and incorrectly-subsumed into poststructuralist-inspired claims about language and narrative ideology, and he uses Beckett as a case study for tracing out the genesis of the opposition of "autonomous" and "committed" art, and how this opposition influenced the canonization of modernism in the 1950s and 1960s.
In this volume D.B. Weisberg publishes the 54 cuneiform texts, almost all legal texts, from Uruk dated to the Seleucid and Arsacid periods which are preserved in the Tablet Collection of the Oriental Institute of the University of Chicago.
In this volume D.B. Weisberg publishes the 54 cuneiform texts, almost all legal texts, from Uruk dated to the Seleucid and Arsacid periods which are preserved in the Tablet Collection of the Oriental Institute of the University of Chicago.