David Wojahn – författare

Winner of the 1981 Yale Series of Younger Poets competition  “David Wojahn’s poems concern themselves with emotive basics: leaving home, watching those we love age and die, the inescapable drone of our mortality. Yet as poems, they are far from usual. They help us welcome inside, again and again, the most personal of feelings.”—Richard Hugo, poet and judge of the competition

David Wojahn examines the state of American verse as it enters the first decades of a new millennium, focusing on both the challenges and opportunities of an ancient art as it tries to adapt to the cultural, technological, and political transformations of our turbulent era. Each of these nine essays makes an impassioned and nuanced argument against the so-called marginalization of poetry in contemporary American culture. Among the work included is a penetrating essay on the role of politics in contemporary verse, a querulous examination of the rise of what Wojahn terms “the Google poem,” and a meditation on poetry and “self-doubt.” Among the figures he considers are American poets such as Hayden Carruth, John Berryman, Linda Bierds, and Tom Sleigh, as well as crucial modern international poets, among them Nazim Hikmet, Zbigniew Herbert, C.P. Cavafy, and Tomas Transtromer. These are personable, opinionated, and, above all, readable essays by a widely admired poet-critic.

Late Empire, David Wojahn’s most wide-ranging collection of poetry, affirms his status as one of the most compelling and original voices of his generation. In these poems, private history and public history mingle and merge in a way that is by turns deeply personal and elegiac. Centered around tow masterful elegies for the writers parents, the poems also treat an array of subjects familiar to us from news events but rarely examined by contemporary poetry.

The Falling Hour is the fifth collection of poetry by David Wojahn, one of the most highly regarded poets of his generation. It is a fiercly elegiac and even apocalyptic book, culminating in a series of blistering elegies written after the sudden death of Wojahn’s wife, the poet Linda Hull. In these poems, the process of mourning and lamentation is examined in all of its intricacy, rage, and sorrowful ambivalence.

Interrogation Palace is a career-spanning selection of work from an important American poet, drawing upon each of David Wojahn’s six previous collections and a substantial gathering of new work. Moving fluently from personal history to public history, and from high culture to popular culture, Wojahn’s searching and restless poetry has been considerably acclaimed, both for the candor of its testimony and the authority of its formal invention. He is above all an elegiac poet, tender and ferocious by turns, whether mourning the loss of family and loved ones or the hopes and aspirations of the baby-boomer era. Interrogation Palace confirms David Wojahn’s status as one of the most inventive, passionate, and ambitious figures of his generation.

World Tree is in many respects, David Wojahn’s most ambitious collection to date; especially notable is a 25-poem sequence of ekphrastic poems, “Ochre,” which is accompanied by a haunting series of drawings and photographs of Neolithic Art and anonymous turn of the last century snapshots.Wojahn continues to explore the themes and approaches which he is known for, among them the junctures between the personal and political, a giddy mixing of high and pop culture references, and a deep emotional engagement with whatever material he is writing about.Winner of the 2012 Lenore Marshall Poetry Prize from the Academy of American Poets