Dawn Watson – författare

In a sequence of poems set in the mountainous Deep South of America, Dawn Watson vividly evokes an ominous landscape of gas stations, jackrabbits and drifting hawks, where copperhead snakes fall out of branches and ''magnolia cones / thum[p] the roofs'' of wooden outhouses.These poems, based on the writer''s time spent in Georgia, Tennessee and the Carolinas, are interwoven with pieces set in the poet''s native Belfast which speak urgently to the raw realities of sexuality, juvenile detention, and the Irish border. Many poems feature speakers driving from place to place, capturing the in-between states in which so much of experience is actually lived. Precise and strange images coalesce into physical and interior landscapes.Alternately surreal and direct, and always joyously inventive, Watson offers a clear and unsettling vision of what is and isn''t there in these anxious, contemporary times.

In a sequence of poems set in the mountainous Deep South of America, Dawn Watson vividly evokes an ominous landscape of gas stations, jackrabbits and drifting hawks, where copperhead snakes fall out of branches and ‘magnolia cones / thum[p] the roofs’ of wooden outhouses. These poems, based on the writer’s time spent in Georgia, Tennessee and the Carolinas, are interwoven with pieces set in the poet’s native Belfast which speak urgently to the raw realities of sexuality, juvenile detention, and the Irish border. Many poems feature speakers driving from place to place, capturing the in-between states in which so much of experience is actually lived. Precise and strange images coalesce into physical and interior landscapes. Alternately surreal and direct, and always joyously inventive, Watson offers a clear and unsettling vision of what is and isn’t there in these anxious, contemporary times.

Four female friends navigate the political turbulence of North Belfast in the late 80s in this extraordinary, evocative verse novelWe Play Here is a collection of four poem-stories, taking place in an underdeveloped area of Protestant North Belfast in the summer of 1988, against a background of political turbulence during the Troubles. Written from the perspectives of four female friends in the months between finishing primary school and starting high school, the girls inhabit an eerie, elemental landscape of normalised violence, poverty and neglect.This is a lyrical and graceful evocation of working-class childhood, and a radical approach to girlhood and girl-friendships,in the years before the trappings of gender make themselves strongly known.