It's 2021, and the Taliban have regained power in Afghanistan. Parvana and Shauzia, the brave protagonists of The Breadwinner, must now flee to escape new dangers from an old enemy.It has been 20 years since Parvana and Shauzia had to disguise themselves as boys to support themselves and their families. But when the Taliban were defeated in 2001, it looked as if Afghans could finally rebuild their country. Many things have changed for Parvana since then. She has married Asif, who she met in the desert as she searched for her family when she was a child. She runs a school for girls. She has a son, Rafi, who is about to fly to New York, where he will train to become a dancer. While Asif tries to get Parvana's sister, Maryam, and Rafi on one of the last flights out of Kabul, the Taliban come to the school, and Parvana must lead the girls out of Green Valley and into the mountains.Deborah Ellis is an award-winning author, a feminist and a peace activist who has spent a lot of time in Pakistan, in Afghan refugee camps.

The third book in the internationally bestselling Breadwinner series.Parvana's best friend from The Breadwinner, Shauzia, has escaped the misery of her life in Kabul, only to end up in a refugee camp in Pakistan. But she still dreams of seeing the ocean and eventually making a new life in France. But escape is not so easy. Once she leaves the camp, she has no money, no food, and only her dog Jasper for company. But Shauzia is determined to find a new future for herself.This is another deeply moving story from Deborah Ellis, which casts light for readers on the ongoing humanitarian situation in Afghanistan.

The fourth book in the internationally bestselling series that includes The Breadwinner, Parvana's Journey and Mud City.In this stunning sequel, Parvana, now fifteen, is found in a bombed-out school and held as a suspected terrorist by American troops in Afghanistan. The army major thinks she may be a terrorist working with the Taliban. Parvana does not respond to questions in any language and remains silent. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother has finally managed to open a school for girls. But even though the Taliban has been driven from the government, the country is still at war, and many continue to view the education and freedom of girls and women with suspicion and fear.

Binti's father is dying from AIDS, a disease that nobody in their town in Malawi dares name aloud. As Binti and her brother and sister slowly begin to understand what this means, they begin to realise too that not only is this what killed their mother, but that they could all be infected. But Binti's a fighter. She fought to become the child star in Malawi's most popular radio show and she's going to fight to overcome the fear and prejudice all around her.When the family are split up and sent to live with various scared and cruel relatives, Binti knows that it is up to her to reunite them. But her fight to do so means coming to a new understanding not only of herself but of human nature and realising that people are not always as they seem.

'Diego had never been in the jungle before. He'd lived with his family high in the hills, and then he was a prison kid, a city kid. His nights were bare light bulbs burning, women and children crying, guards yelling and keys clanging. He hated it, but it was what he was used to . . .'A simple error of judgement hurls Diego into a nightmare. He's been living in prison with his mother and sister, looking after them and earning money whenever he can. Until the day he accidentally breaks the rules. Suddenly the family are in trouble, and Diego needs money to save them.So when one of his friends tells Diego that he knows a job that will make them both rich, Diego gives into temptation. But the job is far different from the one he'd imagined, and Diego soon finds himself in the heart of the Bolivian jungle and the clutches of men who produce drugs for a living . . .

This beautiful graphic-novel adaptation of The Breadwinner animated film tells the story of eleven-year-old Parvana who must disguise herself as a boy to support her family during the Taliban's rule in Afghanistan.Parvana lives with her family in one room of a bombed-out apartment building in Kabul, Afghanistan's capital city. Parvana's father -- a history teacher until his school was bombed and his health destroyed -- works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. One day, he is arrested for having forbidden books, and the family is left without someone who can earn money or even shop for food.As conditions for the family grow desperate, only one solution emerges. Forbidden to earn money as a girl, Parvana must transform herself into a boy, and become the breadwinner.Deborah Ellis's beloved novel has been adapted for film by Aircraft Pictures, Cartoon Saloon and Melusine Productions in association with Angelina Jolie's production company, jolie pas productions. The animated feature film, directed by Nora Twomey, will launch in the UK in 2018.

The second book in the bestselling Breadwinner series, set in war-torn Afghanistan.Parvana's father has died, and her mother, sister and brother have gone to a faraway wedding, not knowing what has happened to the father. Parvana doesn't know where they are. She just knows she has to find them.She sets out alone, disguised as a boy, her journey becoming more perilous as the bombs begin to fall. Making her way across the desolate Afghan countryside, she meets other children who have been caught up in the war-an infant boy in a bombed-out village, a nine-year-old girl who believes she has magical powers over land mines, and a boy with one leg. The children travel together because it is easier than being alone. And, as they forge their own family in the war zone that Afghanistan has become, their resilience, imagination and luck help them to survive.

Recommended by Malala Yousafzai, The Breadwinner is the first book in Deborah Ellis's bestselling series set in Afghanistan. This award-winning novel explores loyalty, survival, family and friendship under extraordinary circumstances.Parvana's father is arrested and taken away by Taliban soldiers. Under Taliban law, women and girls are not allowed to leave the house on their own. Parvana, her mother, and sisters are prisoners in their own home. With no man to go out to buy food, they face starvation. Forbidden to earn money as a girl, Parvana must transform herself into a boy, and become the breadwinner to save her family. It is a dangerous plan, but their only chance. In fear, she goes out, and witnesses the horror of landmines, the brutality of the Taliban, and the desperation of a country trying to survive. But even in despair lies hope . . .

This is an account of the Afghan War and its tragic aftermath as told by the women who were caught up in it and became its innocent victims. The voices in this oral history will provide personal snapshots to the news reports of the Taliban activities now coming out of Afghanistan. These accounts provide an historical background to the growth of the Taliban, and reveal circumstances of the daily life of the women who must survive in this very closed society.Through the medium of oral history, this book brings to light the stories of the women who have suffered the consequences of the Afghan War and whose lives and whose daughter's lives have been changed forever. Through the voices of the Soviet women who supported their soldiers on Afghan soil, and the voices of the Afghan women scattered by circumstance around the globe, the last Cold War battle between the superpowers takes on a very personal tone. Policy decisions issued from on high became the rockets that destroyed these women physically, mentally, and emotionally. Children were killed or maimed and homes and families destroyed. Ultimately, these women were forced to flee or become invisible within their homeland. The Taliban militia rose from the dust of this war and by government decree reduced even the most educated and influential of the women to non-person status.

This is an account of the Afghan War and its tragic aftermath as told by the women who were caught up in it and became its innocent victims. The voices in this oral history will provide personal snapshots to the news reports of the Taliban activities now coming out of Afghanistan. These accounts provide an historical background to the growth of the Taliban, and reveal circumstances of the daily life of the women who must survive in this very closed society.Through the medium of oral history, this book brings to light the stories of the women who have suffered the consequences of the Afghan War and whose lives and whose daughter's lives have been changed forever. Through the voices of the Soviet women who supported their soldiers on Afghan soil, and the voices of the Afghan women scattered by circumstance around the globe, the last Cold War battle between the superpowers takes on a very personal tone. Policy decisions issued from on high became the rockets that destroyed these women physically, mentally, and emotionally. Children were killed or maimed and homes and families destroyed. Ultimately, these women were forced to flee or become invisible within their homeland. The Taliban militia rose from the dust of this war and by government decree reduced even the most educated and influential of the women to non-person status.

Deborah Ellis presents the stories of children of the war-torn Middle East, based on interviews with Israeli and Palestinian children.In a rehabilitation center for disabled children, twelve-year-old Nora says she loves the color pink and chewing gum and explains that the wheels of her wheelchair are like her legs. Eleven-year-old Mohammad describes how his house was demolished by soldiers. And we meet twelve-year-old Salam, whose older sister walked into a store in Jerusalem and blew herself up, killing herself and two people, and injuring twenty others. All these children live both ordinary and extraordinary lives. They argue with their siblings. They dream about their wishes for the future. They have also seen their homes destroyed, their families killed, and they live in the midst of constant upheaval and violence.This simple and telling book allows children everywhere to see those caught in the Israeli-Palestinian conflict as children just like themselves, but who are living far more difficult, dangerous lives.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RI.5.6Analyze multiple accounts of the same event or topic, noting important similarities and differences in the point of view they represent.CCSS.ELA-LITERACY.RI.6.3Analyze in detail how a key individual, event, or idea is introduced, illustrated, and elaborated in a text (e.g., through examples or anecdotes).CCSS.ELA-LITERACY.RI.6.6Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.

USBBY Outstanding International Books Honor ListIn this book, Deborah Ellis turns her attention to the most tragic victims of the Iraq war -- Iraqi children. She interviews young people, mostly refugees living in Jordan, but also a few who are trying to build new lives in North America. Some families have left Iraq with money; others are penniless and ill or disabled. Most of the children have parents who are working illegally or not at all, and the fear of deportation is a constant threat.Ellis provides an historical overview and brief explanations of context, but other than that allows the children to speak for themselves, with minimal editorial comment or interference. Their stories are frank, harrowing and sometimes show surprising resilience, as the children try to survive the consequences of a war in which they played no part. A glossary, map and suggestions for further information are included.

Reinvent your supply chain from the outside in – leverage customer insight, heuristics and digital tools to meet rising expectations and adapt in a volatile world.

Customers have become increasingly demanding, and the operating environment has become more turbulent and complex. Mature companies wishing to survive and thrive in the coming decades must transform themselves to become flexible and market responsive. They need to reconsider their traditional supply chains and find ways to increase the clockspeed of their operation and their decision making without creating more complexity for their staff and partners.

But where to start this transformation journey? Most of the world’s largest corporations have logistics networks and supply chains that have evolved over time, many based around systems that drive a ‘one-size-fits-all’ philosophy, which does not fit anymore. And most have not kept up with the changing cadence of their markets.

This book describes the path to a different paradigm; where a set of tailored supply chains are used for in-built flexibility and adaption as the world changes, and where internal capabilities and digital capabilities are consciously aligned with the customers and strategies they serve.

Transforming Supply Chains builds on John Gattorna’s seminal Dynamic Alignment framework; and he and his long-term collaborator Deborah Ellis review the analytics and decision-making tools needed to be effective in the digital age. Case Studies of organisations that excel using the ‘outside-in’ paradigm that they describe are scattered throughout the book; as are a series of prompts to help ‘kick start your thinking’ about your own transformation path.

Transforming Supply Chains is your guide to designing supply chains that fit, and adapt, and bring competitive advantage - whatever your business and whoever your customers.

Nine poignant and empowering short stories from the author of The Breadwinner.The seated child. With a single powerful image, Deborah Ellis draws our attention to nine children and the situations they find themselves in, often through no fault of their own. In each story, a child makes a decision and takes action, be that a tiny gesture or a life-altering choice.Jafar is a child laborer in a chair factory and longs to go to school. Sue sits on a swing as she and her brother wait to have a supervised visit with their father at the children’s aid society. Gretchen considers the lives of concentration camp victims during a school tour of Auschwitz. Mike survives seventy-two days of solitary as a young offender. Barry squirms on a food court chair as his parents tell him that they are separating. Macie sits on a too-small time-out chair while her mother receives visitors for tea. Noosala crouches in a fetid, crowded apartment in Uzbekistan, waiting for an unscrupulous refugee smuggler to decide her fate.These children find the courage to face their situations in ways large and small, in this eloquent collection from a master storyteller.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.6.3Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.CCSS.ELA-LITERACY.RL.6.6Explain how an author develops the point of view of the narrator or speaker in a text.CCSS.ELA-LITERACY.RL.6.9Compare and contrast texts in different forms or genres (e.g., stories and poems; historical novels and fantasy stories) in terms of their approaches to similar themes and topics.

From Deborah Ellis, the bestselling author of Sit and Step, comes a new short story collection about the moments when the adult world disappoints, and it’s time to pick up … and Go.Brodie’s parents and brother expect him to step up for Team Family, even when Team Family has no intention of returning the favor. Joanie is left to take a city bus for the first time with her impossibly cranky grandmother and learns to stand up for what she wants. Alone in a foreign country, without money, shelter or papers, Liberi steals an expensive purse from a tourist and then figures out what to do with his feelings of guilt. Bastien, the foster kid no one wants, discovers his own inner strength when a wildfire ravages the town. And Kelsey and his brother find themselves robbing graves in the middle of the night, but for the best possible reason.When the grownups turn their backs, the kids in these stories find a way to go forward. Sometimes it takes a little magical thinking. Sometimes a small act of bravery. Sometimes extending a hand to someone else. But always a realization that there is somewhere to go, if you pay attention, take action and refuse to give in to the dark.Key Text Featuresbiographical informationepigraphshort storiesCorrelates to the Common Core States Standards in English Language Arts:CCSS.ELA-LITERACY.RL.5.5Explain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.CCSS.ELA-LITERACY.RL.5.6Describe how a narrator's or speaker's point of view influences how events are described.CCSS.ELA-LITERACY.RL.6.2Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.

From Deborah Ellis, the bestselling author of Sit and Step, comes a new short story collection about the moments when the adult world disappoints, and it’s time to pick up … and Go.Brodie’s parents and brother expect him to step up for Team Family, even when Team Family has no intention of returning the favor. Joanie is left to take a city bus for the first time with her impossibly cranky grandmother and learns to stand up for what she wants. Alone in a foreign country, without money, shelter or papers, Liberi steals an expensive purse from a tourist and then figures out what to do with his feelings of guilt. Bastien, the foster kid no one wants, discovers his own inner strength when a wildfire ravages the town. And Kelsey and his brother find themselves robbing graves in the middle of the night, but for the best possible reason.When the grownups turn their backs, the kids in these stories find a way to go forward. Sometimes it takes a little magical thinking. Sometimes a small act of bravery. Sometimes extending a hand to someone else. But always a realization that there is somewhere to go, if you pay attention, take action and refuse to give in to the dark.Key Text Featuresbiographical informationepigraphshort storiesCorrelates to the Common Core States Standards in English Language Arts:CCSS.ELA-LITERACY.RL.5.5Explain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.CCSS.ELA-LITERACY.RL.5.6Describe how a narrator's or speaker's point of view influences how events are described.CCSS.ELA-LITERACY.RL.6.2Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.

What can you do when the adult world lets you down? Suspended from school and prone to rages, twelve-year-old Kate finds her own way to get on with her life, despite the messed-up adults around her. Her gran, for one, is stubborn and aloof — not unlike Kate herself, who has no friends, and who’s been expelled for “behavioral issues,” like the meltdowns she has had ever since her mom dumped her with her grandmother three years ago. Kate dreams that one day her mother will return for her. When that happens, they’ll need money, so Kate sets out to make some.Gran nixes her idea to sell psychiatric advice like Lucy in Peanuts (“You’re not a psychiatrist. You’ll get sued.”), so Kate decides to open a philosophy booth to provide answers to life’s big and small questions. She soon learns that adults have plenty of problems and secrets of their own, including Gran. When she finds that her grandmother has been lying to her about her mother, the two have a huge fight, and Gran says she can’t wait for Kate to finish high school so she’ll be rid of her at last. Kate decides to take matters into her own hands and discovers that to get what she wants, she may have to reach out to some unexpected people, and find a way to lay down her own anger.Key Text Featuresquotationsdialogueliterary referencessignsCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.6.2Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.CCSS.ELA-LITERACY.RL.6.5Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.

Based on interviews with a young woman forced to flee Iran because of her sexual orientation, Moon at Nine is a tense and riveting novel that shines a light on an issue of social injustice that continues to this day.Fifteen-year-old Farrin has grown up with secrets: ten years after the overthrow of the Shah, her aristocratic mother is still working against Iran's conservative revolutionary government. But when Farrin befriends Sadira, the intriguing and outgoing new student at her school for gifted girls, her own new secret is even more dangerous. Because the girls discover their relationship is more than just a friendship—and in Iran, being gay is punishable by death.

Afghanistan nach den Taliban - ein von den Amerikanern befreites und gleichzeitig besetztes Land. Mit ihrer Schule für Mädchen stoßen Parvana, ihre Mutter und einige andere Frauen auf den Widerstand der Männer aus der Umgebung. Die Drohungen nehmen zu. Als Parvanas Mutter entführt und getötet wird, entschließen sich die noch verbliebenen Kinder zur Flucht. Sie entkommen knapp, bevor die Amerikaner die Schule bombardieren. Parvana muss noch einmal zurück, weil sie die Tasche ihres Vaters vergessen hat. Sie wird von den Amerikanern festgenommen und verhört und - weil sie schweigt - als Terroristin eingestuft. Erst einer früheren Lehrerin, Mrs. Weera, gelingt es, Parvana zu befreien.

Jetzt endlich als Sammelband: Die Afghanistan-Romane der Erfolgsautorin Deborah Ellis!Parvana und ihre Freundin Shauzia erleben die Willkürherrschaft der Taliban, dann den Krieg gegen die Amerikaner. Familien müssen fliehen, werden auseinandergerissen, Kinder versuchen - völlig auf sich gestellt - irgendwie zu überleben. Jedes der beiden Mädchen muss seinen Weg allein gehen: Parvana schlägt sich in den Norden Afghanistans durch, weil sie hofft, dort ihre Mutter und ihre Geschwister wiederzufinden.Shauzia flieht nach Pakistan, um der geplanten Zwangsheirat zu entkommen.Trotz aller Rückschläge erreichen beide ihr Ziel und haben noch immer die Kraft, an ein besseres Leben und an ein Wiedersehen zu glauben.Die Trilogie ist eine Erfolgsgeschichte: Vor 10 Jahren erschien der erste Band, weltweit wurden 2 Millionen Bücher verkauft, knapp eine Million Dollar aus den Tantiemen von Deborah Ellis gingen als Spenden an Straßenkinder und an Frauenorganisationen in Afghanistan.

Afghanistan im Jahr 2021, die Taliban haben wieder die Macht an sich gerissen. Parvana hat eine Schule für Mädchen gegründet, und ihr Sohn Rafi soll in New York auf die Ballettschule kommen. Doch eine Explosion auf dem Flughafen in Kabul macht Rafis Träume zunichte, und er muss allein den Weg nach Hause finden. Gleichzeitig fliehen die Mädchen vor den Taliban in Richtung Berge, um sich eine neue Zuflucht aufzubauen. Rafi schafft es trotz aller Gräuel zurück zu seiner Mutter, mit Hilfe jener Menschen, denen Parvana früher geholfen hatte.

It's 2021, and the Taliban have regained power in Afghanistan. Parvana and Shauzia, the brave protagonists of The Breadwinner, must now flee to escape new dangers from an old enemy.It has been 20 years since Parvana and Shauzia had to disguise themselves as boys to support themselves and their families. But when the Taliban were defeated in 2001, it looked as if Afghans could finally rebuild their country. Many things have changed for Parvana since then. She has married Asif, who she met in the desert as she searched for her family when she was a child. She runs a school for girls. She has a son, Rafi, who is about to fly to New York, where he will train to become a dancer. While Asif tries to get Parvana's sister, Maryam, and Rafi on one of the last flights out of Kabul, the Taliban come to the school, and Parvana must lead the girls out of Green Valley and into the mountains.Deborah Ellis is an award-winning author, a feminist and a peace activist who has spent a lot of time in Pakistan, in Afghan refugee camps.

The third book in the internationally bestselling Breadwinner series.Parvana's best friend from The Breadwinner, Shauzia, has escaped the misery of her life in Kabul, only to end up in a refugee camp in Pakistan. But she still dreams of seeing the ocean and eventually making a new life in France. But escape is not so easy. Once she leaves the camp, she has no money, no food, and only her dog Jasper for company. But Shauzia is determined to find a new future for herself.This is another deeply moving story from Deborah Ellis, which casts light for readers on the ongoing humanitarian situation in Afghanistan.

The fourth book in the internationally bestselling series that includes The Breadwinner, Parvana's Journey and Mud City.In this stunning sequel, Parvana, now fifteen, is found in a bombed-out school and held as a suspected terrorist by American troops in Afghanistan. The army major thinks she may be a terrorist working with the Taliban. Parvana does not respond to questions in any language and remains silent. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother has finally managed to open a school for girls. But even though the Taliban has been driven from the government, the country is still at war, and many continue to view the education and freedom of girls and women with suspicion and fear.

Binti's father is dying from AIDS, a disease that nobody in their town in Malawi dares name aloud. As Binti and her brother and sister slowly begin to understand what this means, they begin to realise too that not only is this what killed their mother, but that they could all be infected. But Binti's a fighter. She fought to become the child star in Malawi's most popular radio show and she's going to fight to overcome the fear and prejudice all around her.When the family are split up and sent to live with various scared and cruel relatives, Binti knows that it is up to her to reunite them. But her fight to do so means coming to a new understanding not only of herself but of human nature and realising that people are not always as they seem.

'Diego had never been in the jungle before. He'd lived with his family high in the hills, and then he was a prison kid, a city kid. His nights were bare light bulbs burning, women and children crying, guards yelling and keys clanging. He hated it, but it was what he was used to . . .'A simple error of judgement hurls Diego into a nightmare. He's been living in prison with his mother and sister, looking after them and earning money whenever he can. Until the day he accidentally breaks the rules. Suddenly the family are in trouble, and Diego needs money to save them.So when one of his friends tells Diego that he knows a job that will make them both rich, Diego gives into temptation. But the job is far different from the one he'd imagined, and Diego soon finds himself in the heart of the Bolivian jungle and the clutches of men who produce drugs for a living . . .

This beautiful graphic-novel adaptation of The Breadwinner animated film tells the story of eleven-year-old Parvana who must disguise herself as a boy to support her family during the Taliban's rule in Afghanistan.Parvana lives with her family in one room of a bombed-out apartment building in Kabul, Afghanistan's capital city. Parvana's father -- a history teacher until his school was bombed and his health destroyed -- works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. One day, he is arrested for having forbidden books, and the family is left without someone who can earn money or even shop for food.As conditions for the family grow desperate, only one solution emerges. Forbidden to earn money as a girl, Parvana must transform herself into a boy, and become the breadwinner.Deborah Ellis's beloved novel has been adapted for film by Aircraft Pictures, Cartoon Saloon and Melusine Productions in association with Angelina Jolie's production company, jolie pas productions. The animated feature film, directed by Nora Twomey, will launch in the UK in 2018.

The second book in the bestselling Breadwinner series, set in war-torn Afghanistan.Parvana's father has died, and her mother, sister and brother have gone to a faraway wedding, not knowing what has happened to the father. Parvana doesn't know where they are. She just knows she has to find them.She sets out alone, disguised as a boy, her journey becoming more perilous as the bombs begin to fall. Making her way across the desolate Afghan countryside, she meets other children who have been caught up in the war-an infant boy in a bombed-out village, a nine-year-old girl who believes she has magical powers over land mines, and a boy with one leg. The children travel together because it is easier than being alone. And, as they forge their own family in the war zone that Afghanistan has become, their resilience, imagination and luck help them to survive.

Recommended by Malala Yousafzai, The Breadwinner is the first book in Deborah Ellis's bestselling series set in Afghanistan. This award-winning novel explores loyalty, survival, family and friendship under extraordinary circumstances.Parvana's father is arrested and taken away by Taliban soldiers. Under Taliban law, women and girls are not allowed to leave the house on their own. Parvana, her mother, and sisters are prisoners in their own home. With no man to go out to buy food, they face starvation. Forbidden to earn money as a girl, Parvana must transform herself into a boy, and become the breadwinner to save her family. It is a dangerous plan, but their only chance. In fear, she goes out, and witnesses the horror of landmines, the brutality of the Taliban, and the desperation of a country trying to survive. But even in despair lies hope . . .

This is an account of the Afghan War and its tragic aftermath as told by the women who were caught up in it and became its innocent victims. The voices in this oral history will provide personal snapshots to the news reports of the Taliban activities now coming out of Afghanistan. These accounts provide an historical background to the growth of the Taliban, and reveal circumstances of the daily life of the women who must survive in this very closed society.Through the medium of oral history, this book brings to light the stories of the women who have suffered the consequences of the Afghan War and whose lives and whose daughter's lives have been changed forever. Through the voices of the Soviet women who supported their soldiers on Afghan soil, and the voices of the Afghan women scattered by circumstance around the globe, the last Cold War battle between the superpowers takes on a very personal tone. Policy decisions issued from on high became the rockets that destroyed these women physically, mentally, and emotionally. Children were killed or maimed and homes and families destroyed. Ultimately, these women were forced to flee or become invisible within their homeland. The Taliban militia rose from the dust of this war and by government decree reduced even the most educated and influential of the women to non-person status.

This is an account of the Afghan War and its tragic aftermath as told by the women who were caught up in it and became its innocent victims. The voices in this oral history will provide personal snapshots to the news reports of the Taliban activities now coming out of Afghanistan. These accounts provide an historical background to the growth of the Taliban, and reveal circumstances of the daily life of the women who must survive in this very closed society.Through the medium of oral history, this book brings to light the stories of the women who have suffered the consequences of the Afghan War and whose lives and whose daughter's lives have been changed forever. Through the voices of the Soviet women who supported their soldiers on Afghan soil, and the voices of the Afghan women scattered by circumstance around the globe, the last Cold War battle between the superpowers takes on a very personal tone. Policy decisions issued from on high became the rockets that destroyed these women physically, mentally, and emotionally. Children were killed or maimed and homes and families destroyed. Ultimately, these women were forced to flee or become invisible within their homeland. The Taliban militia rose from the dust of this war and by government decree reduced even the most educated and influential of the women to non-person status.

Deborah Ellis presents the stories of children of the war-torn Middle East, based on interviews with Israeli and Palestinian children.In a rehabilitation center for disabled children, twelve-year-old Nora says she loves the color pink and chewing gum and explains that the wheels of her wheelchair are like her legs. Eleven-year-old Mohammad describes how his house was demolished by soldiers. And we meet twelve-year-old Salam, whose older sister walked into a store in Jerusalem and blew herself up, killing herself and two people, and injuring twenty others. All these children live both ordinary and extraordinary lives. They argue with their siblings. They dream about their wishes for the future. They have also seen their homes destroyed, their families killed, and they live in the midst of constant upheaval and violence.This simple and telling book allows children everywhere to see those caught in the Israeli-Palestinian conflict as children just like themselves, but who are living far more difficult, dangerous lives.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RI.5.6Analyze multiple accounts of the same event or topic, noting important similarities and differences in the point of view they represent.CCSS.ELA-LITERACY.RI.6.3Analyze in detail how a key individual, event, or idea is introduced, illustrated, and elaborated in a text (e.g., through examples or anecdotes).CCSS.ELA-LITERACY.RI.6.6Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.

USBBY Outstanding International Books Honor ListIn this book, Deborah Ellis turns her attention to the most tragic victims of the Iraq war -- Iraqi children. She interviews young people, mostly refugees living in Jordan, but also a few who are trying to build new lives in North America. Some families have left Iraq with money; others are penniless and ill or disabled. Most of the children have parents who are working illegally or not at all, and the fear of deportation is a constant threat.Ellis provides an historical overview and brief explanations of context, but other than that allows the children to speak for themselves, with minimal editorial comment or interference. Their stories are frank, harrowing and sometimes show surprising resilience, as the children try to survive the consequences of a war in which they played no part. A glossary, map and suggestions for further information are included.

Reinvent your supply chain from the outside in – leverage customer insight, heuristics and digital tools to meet rising expectations and adapt in a volatile world.

Customers have become increasingly demanding, and the operating environment has become more turbulent and complex. Mature companies wishing to survive and thrive in the coming decades must transform themselves to become flexible and market responsive. They need to reconsider their traditional supply chains and find ways to increase the clockspeed of their operation and their decision making without creating more complexity for their staff and partners.

But where to start this transformation journey? Most of the world’s largest corporations have logistics networks and supply chains that have evolved over time, many based around systems that drive a ‘one-size-fits-all’ philosophy, which does not fit anymore. And most have not kept up with the changing cadence of their markets.

This book describes the path to a different paradigm; where a set of tailored supply chains are used for in-built flexibility and adaption as the world changes, and where internal capabilities and digital capabilities are consciously aligned with the customers and strategies they serve.

Transforming Supply Chains builds on John Gattorna’s seminal Dynamic Alignment framework; and he and his long-term collaborator Deborah Ellis review the analytics and decision-making tools needed to be effective in the digital age. Case Studies of organisations that excel using the ‘outside-in’ paradigm that they describe are scattered throughout the book; as are a series of prompts to help ‘kick start your thinking’ about your own transformation path.

Transforming Supply Chains is your guide to designing supply chains that fit, and adapt, and bring competitive advantage - whatever your business and whoever your customers.

Nine poignant and empowering short stories from the author of The Breadwinner.The seated child. With a single powerful image, Deborah Ellis draws our attention to nine children and the situations they find themselves in, often through no fault of their own. In each story, a child makes a decision and takes action, be that a tiny gesture or a life-altering choice.Jafar is a child laborer in a chair factory and longs to go to school. Sue sits on a swing as she and her brother wait to have a supervised visit with their father at the children’s aid society. Gretchen considers the lives of concentration camp victims during a school tour of Auschwitz. Mike survives seventy-two days of solitary as a young offender. Barry squirms on a food court chair as his parents tell him that they are separating. Macie sits on a too-small time-out chair while her mother receives visitors for tea. Noosala crouches in a fetid, crowded apartment in Uzbekistan, waiting for an unscrupulous refugee smuggler to decide her fate.These children find the courage to face their situations in ways large and small, in this eloquent collection from a master storyteller.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.6.3Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.CCSS.ELA-LITERACY.RL.6.6Explain how an author develops the point of view of the narrator or speaker in a text.CCSS.ELA-LITERACY.RL.6.9Compare and contrast texts in different forms or genres (e.g., stories and poems; historical novels and fantasy stories) in terms of their approaches to similar themes and topics.

From Deborah Ellis, the bestselling author of Sit and Step, comes a new short story collection about the moments when the adult world disappoints, and it’s time to pick up … and Go.Brodie’s parents and brother expect him to step up for Team Family, even when Team Family has no intention of returning the favor. Joanie is left to take a city bus for the first time with her impossibly cranky grandmother and learns to stand up for what she wants. Alone in a foreign country, without money, shelter or papers, Liberi steals an expensive purse from a tourist and then figures out what to do with his feelings of guilt. Bastien, the foster kid no one wants, discovers his own inner strength when a wildfire ravages the town. And Kelsey and his brother find themselves robbing graves in the middle of the night, but for the best possible reason.When the grownups turn their backs, the kids in these stories find a way to go forward. Sometimes it takes a little magical thinking. Sometimes a small act of bravery. Sometimes extending a hand to someone else. But always a realization that there is somewhere to go, if you pay attention, take action and refuse to give in to the dark.Key Text Featuresbiographical informationepigraphshort storiesCorrelates to the Common Core States Standards in English Language Arts:CCSS.ELA-LITERACY.RL.5.5Explain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.CCSS.ELA-LITERACY.RL.5.6Describe how a narrator's or speaker's point of view influences how events are described.CCSS.ELA-LITERACY.RL.6.2Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.

From Deborah Ellis, the bestselling author of Sit and Step, comes a new short story collection about the moments when the adult world disappoints, and it’s time to pick up … and Go.Brodie’s parents and brother expect him to step up for Team Family, even when Team Family has no intention of returning the favor. Joanie is left to take a city bus for the first time with her impossibly cranky grandmother and learns to stand up for what she wants. Alone in a foreign country, without money, shelter or papers, Liberi steals an expensive purse from a tourist and then figures out what to do with his feelings of guilt. Bastien, the foster kid no one wants, discovers his own inner strength when a wildfire ravages the town. And Kelsey and his brother find themselves robbing graves in the middle of the night, but for the best possible reason.When the grownups turn their backs, the kids in these stories find a way to go forward. Sometimes it takes a little magical thinking. Sometimes a small act of bravery. Sometimes extending a hand to someone else. But always a realization that there is somewhere to go, if you pay attention, take action and refuse to give in to the dark.Key Text Featuresbiographical informationepigraphshort storiesCorrelates to the Common Core States Standards in English Language Arts:CCSS.ELA-LITERACY.RL.5.5Explain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem.CCSS.ELA-LITERACY.RL.5.6Describe how a narrator's or speaker's point of view influences how events are described.CCSS.ELA-LITERACY.RL.6.2Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.

What can you do when the adult world lets you down? Suspended from school and prone to rages, twelve-year-old Kate finds her own way to get on with her life, despite the messed-up adults around her. Her gran, for one, is stubborn and aloof — not unlike Kate herself, who has no friends, and who’s been expelled for “behavioral issues,” like the meltdowns she has had ever since her mom dumped her with her grandmother three years ago. Kate dreams that one day her mother will return for her. When that happens, they’ll need money, so Kate sets out to make some.Gran nixes her idea to sell psychiatric advice like Lucy in Peanuts (“You’re not a psychiatrist. You’ll get sued.”), so Kate decides to open a philosophy booth to provide answers to life’s big and small questions. She soon learns that adults have plenty of problems and secrets of their own, including Gran. When she finds that her grandmother has been lying to her about her mother, the two have a huge fight, and Gran says she can’t wait for Kate to finish high school so she’ll be rid of her at last. Kate decides to take matters into her own hands and discovers that to get what she wants, she may have to reach out to some unexpected people, and find a way to lay down her own anger.Key Text Featuresquotationsdialogueliterary referencessignsCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.6.2Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.CCSS.ELA-LITERACY.RL.6.5Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot.

Based on interviews with a young woman forced to flee Iran because of her sexual orientation, Moon at Nine is a tense and riveting novel that shines a light on an issue of social injustice that continues to this day.Fifteen-year-old Farrin has grown up with secrets: ten years after the overthrow of the Shah, her aristocratic mother is still working against Iran's conservative revolutionary government. But when Farrin befriends Sadira, the intriguing and outgoing new student at her school for gifted girls, her own new secret is even more dangerous. Because the girls discover their relationship is more than just a friendship—and in Iran, being gay is punishable by death.

Afghanistan nach den Taliban - ein von den Amerikanern befreites und gleichzeitig besetztes Land. Mit ihrer Schule für Mädchen stoßen Parvana, ihre Mutter und einige andere Frauen auf den Widerstand der Männer aus der Umgebung. Die Drohungen nehmen zu. Als Parvanas Mutter entführt und getötet wird, entschließen sich die noch verbliebenen Kinder zur Flucht. Sie entkommen knapp, bevor die Amerikaner die Schule bombardieren. Parvana muss noch einmal zurück, weil sie die Tasche ihres Vaters vergessen hat. Sie wird von den Amerikanern festgenommen und verhört und - weil sie schweigt - als Terroristin eingestuft. Erst einer früheren Lehrerin, Mrs. Weera, gelingt es, Parvana zu befreien.

Jetzt endlich als Sammelband: Die Afghanistan-Romane der Erfolgsautorin Deborah Ellis!Parvana und ihre Freundin Shauzia erleben die Willkürherrschaft der Taliban, dann den Krieg gegen die Amerikaner. Familien müssen fliehen, werden auseinandergerissen, Kinder versuchen - völlig auf sich gestellt - irgendwie zu überleben. Jedes der beiden Mädchen muss seinen Weg allein gehen: Parvana schlägt sich in den Norden Afghanistans durch, weil sie hofft, dort ihre Mutter und ihre Geschwister wiederzufinden.Shauzia flieht nach Pakistan, um der geplanten Zwangsheirat zu entkommen.Trotz aller Rückschläge erreichen beide ihr Ziel und haben noch immer die Kraft, an ein besseres Leben und an ein Wiedersehen zu glauben.Die Trilogie ist eine Erfolgsgeschichte: Vor 10 Jahren erschien der erste Band, weltweit wurden 2 Millionen Bücher verkauft, knapp eine Million Dollar aus den Tantiemen von Deborah Ellis gingen als Spenden an Straßenkinder und an Frauenorganisationen in Afghanistan.

Afghanistan im Jahr 2021, die Taliban haben wieder die Macht an sich gerissen. Parvana hat eine Schule für Mädchen gegründet, und ihr Sohn Rafi soll in New York auf die Ballettschule kommen. Doch eine Explosion auf dem Flughafen in Kabul macht Rafis Träume zunichte, und er muss allein den Weg nach Hause finden. Gleichzeitig fliehen die Mädchen vor den Taliban in Richtung Berge, um sich eine neue Zuflucht aufzubauen. Rafi schafft es trotz aller Gräuel zurück zu seiner Mutter, mit Hilfe jener Menschen, denen Parvana früher geholfen hatte.