Deborah Rogers – författare

Ann Radcliffe was one of the most influential women writers of the 18th century. Best known as the author of The Italian and The Mysteries of Udolpho, she contributed to the rise of the English novel and the development of the female gothic. This book brings together, for the first time, almost one hundred documents on her work, including contemporary reviews, letters, diary entries, the most important critical assessments, and several new pieces. The volume begins with an extensive introductory essay on Radcliffe's work and the critical reception of it. The chapters that follow consist of chronologically arranged critical analyses of particular works by Radcliffe. Several chapters then present general critical responses to her writings. The book concludes with a bibliography of selected additional readings.

Arguably the most popular novelist of her day and the mother of the female Gothic literary tradition, Ann Radcliffe (1764-1823) has received varying amounts of critical attention and is now being recognized for her important contribution to English literature. This volume recounts what little is known about her life and provides an extensive bibliographic overview of works by and about her. Included are annotated entries for editions and translations, reviews, critical studies of Radcliffe, and adaptations of her works.Ann Radcliffe wrote some of the most electrifying and popular novels of her day. Not only is she one of the most important Mothers of the novel, she almost singlehandedly developed the Female Gothic to explore female experience. This form has achieved almost mythical status.This volume is an indispensible guide to the life and work of this pioneering woman novelist. A biography provides new information on Radcliffe from a source that has been virtually ignored, the one substantial extant manuscript, her forty-two leaf commonplace book, which is in deteriorating condition. The remainder of the book is an extensive annotated bibliography of works by Radcliffe and critical studies of her writing. Included are entries for early and modern editions, early reviews, and bibliographic studies. Two chapters are devoted to 20th-century critical studies of Radcliffe, in response to the growing amount of material being written about her. Appendices record her artistic legacy as presented in adaptations, imitations, parodies, and abridgments; and the volume includes a list of works falsely attributed to her.