Debra A. Castillo - Böcker

This book presents inter-disciplinary research on contemporary borders with contributions from scholars and cultural practitioners located in different contexts in the Americas and South Asia. There has been significant sociological work on borders; however there is a relative dearth of humanities research on contemporary border realities, particularly in South Asia.This volume introduces frameworks of critical insights and knowledge on border narratives and cultural productions. It addresses and goes beyond the impact of the partition in South Asia to train a unique comparative and aesthetic lens on borders and borderlands in relation to Latin America and the U.S.A. through oral narratives, photographs, ‘objects’, films, theatre, journals, and songs. It maps border perspectives and their reception in a framework of cultural politics. It revolves around themes such as violence and modes of survival; women’s narratives of migration, trafficking and incarceration; abduction of children; vulnerability as experience; rationalities of mass killings; and proliferation of countercultures to map border perspectives in a framework of cultural politics. First of its kind, the volume will be useful to scholars and researchers of comparative literary and cultural studies, South Asian studies, Latin American studies, border studies, arts and aesthetics, visual studies, sociology, comparative politics, international relations, and peace and conflict resolution studies.

Pursues an inquiry into the cultural and linguistic dissonances that Spanish creates in the United States.What would American literature look like in languages other than English, and what would Latin American literature look like if we understood the United States to be a Latin American country and took seriously the work by U.S. Latinos/as in Spanish? Debra A. Castillo explores these questions by highlighting the contributions of Latinos/as writing in Spanish and Spanglish. Beginning with the anonymously published 1826 novel Jicoténcal and ending with fiction published at the turn of the twenty-first century, the book details both the characters' and authors' struggles with how to define an American self. Writers from Cuba, Puerto Rico, and Mexico are featured prominently, alongside a sampling of those writers from other Latin American heritages (Peru, Colombia, Chile). Castillo concludes by offering some thoughts on U.S. curricular practice.

Pursues an inquiry into the cultural and linguistic dissonances that Spanish creates in the United States.What would American literature look like in languages other than English, and what would Latin American literature look like if we understood the United States to be a Latin American country and took seriously the work by U.S. Latinos/as in Spanish? Debra A. Castillo explores these questions by highlighting the contributions of Latinos/as writing in Spanish and Spanglish. Beginning with the anonymously published 1826 novel Jicoténcal and ending with fiction published at the turn of the twenty-first century, the book details both the characters' and authors' struggles with how to define an American self. Writers from Cuba, Puerto Rico, and Mexico are featured prominently, alongside a sampling of those writers from other Latin American heritages (Peru, Colombia, Chile). Castillo concludes by offering some thoughts on U.S. curricular practice.

Addresses the topic of prostitution and “easy women” in Mexican literature.The figure of the prostitute or sexually liberated woman not only permeates Mexican folk songs and popular movies but stands at the crossroads of its national literary culture. In Easy Women, Debra A. Castillo focuses on the prostitute, or the woman perceived as such, in order to ask why this character exerts such a hold on the Mexican imagination. Combining early twentieth-century novels, current best-selling pulp fiction, and testimonial narratives, Castillo explores how Mexican writers have positioned the “easy woman” in their works. In each example the transgressive woman-marked by an active sexuality-serves a crucial narrative function, one that both promotes and challenges myths about women on the continuum of sexual promiscuity. Ending with a discussion based on a series of in-depth interviews with sex workers in Tijuana, Castillo highlights the complexities and ambiguities of these women’s professional and personal lives. As opposed to a traditional view of these women as symbols of evil or metaphors of contagion, Castillo gives voice and agency to the silenced figure of the “easy woman,” unsettling conventional notions and opening up a freer space within which gender and sexuality can be rethought.Bridging Latin American literary and cultural criticism, gender studies, and studies of Mexican society, Easy Women provides a sophisticated and groundbreaking examination of the place of the sexually liberated woman in contemporary Mexican culture.

The first study to foreground writing by women who live at the U.S.-Mexico Border.It is a peculiar fact that U.S.-Mexico border theory is dominated by those who write about, not from, the border. By looking at the work of women writers from both sides of the border, Debra A. Castillo and MarÍa-Socorro Tabuenca CÓrdoba open border studies to a truly transnational analysis while bringing questions of gender to the fore.Border Women rethinks border theory by emphasizing women writers whose work-in Spanish, English, or a mixture of the two languages-calls into question accepted notions of border identities. These writers include those who are already well recognized internationally (Helena MarÍa Viramontes, Sheila and Sandra Ortiz Taylor, and MarÍa Novaro); those who have become part of the Chicano canon (Norma CantÚ, Alicia Gaspar de Alba, and Demetria MartÍnez); along with some of the lesser-known, yet most exciting, women’s voices from the Mexican border (Rosario Sanmiguel, Rosina Conde, and Regina Swain).

This book presents inter-disciplinary research on contemporary borders with contributions from scholars and cultural practitioners located in different contexts in the Americas and South Asia. There has been significant sociological work on borders; however there is a relative dearth of humanities research on contemporary border realities, particularly in South Asia.This volume introduces frameworks of critical insights and knowledge on border narratives and cultural productions. It addresses and goes beyond the impact of the partition in South Asia to train a unique comparative and aesthetic lens on borders and borderlands in relation to Latin America and the U.S.A. through oral narratives, photographs, ‘objects’, films, theatre, journals, and songs. It maps border perspectives and their reception in a framework of cultural politics. It revolves around themes such as violence and modes of survival; women’s narratives of migration, trafficking and incarceration; abduction of children; vulnerability as experience; rationalities of mass killings; and proliferation of countercultures to map border perspectives in a framework of cultural politics. First of its kind, the volume will be useful to scholars and researchers of comparative literary and cultural studies, South Asian studies, Latin American studies, border studies, arts and aesthetics, visual studies, sociology, comparative politics, international relations, and peace and conflict resolution studies.

How do we address the idea of the literary now at the end of the second decade in the 21st century? Many traditional categories obscure or overlook significant contemporary forms of cultural production. This volume looks at literature and culture in general in this hinge period. Latin American Literature in Transition 1980-2018 examines the ways literary culture complicates national or area studies understandings of cultural production. Topics point to fresh, intersectional understandings of cultural practice, while keeping in mind the ongoing stakes in a struggle over material and intangible cultural and political borders that are being reinforced in formidable ways.

This volume, the first of its kind, launches a conversation amongst humanities scholars doing fieldwork on the global south. The contributors reflect upon their experiences of fieldwork, the methods they improvised, their dilemmas and insights, and the ways in which fieldwork shifted their frames of analysis.

This volume, the first of its kind, launches a conversation amongst humanities scholars doing fieldwork on the global south. The contributors reflect upon their experiences of fieldwork, the methods they improvised, their dilemmas and insights, and the ways in which fieldwork shifted their frames of analysis.

Provides sophisticated theoretical approaches to Latin American cinema and sexual culture.2016 CHOICE Outstanding Academic Title Despite All Adversities examines a representative selection of notable queer films by Spanish America's most important directors since the 1950s. Each chapter focuses on a single film and offers rich and thoughtful new interpretations by a prominent scholar. The book explores films from across the region, including Tomás Gutiérrez Alea's and Juan Carlos Tabío's Fresa y chocolate (Strawberry and Chocolate, 1993), Marcelo Piñeyro's Plata quemada (Burnt Money, 2000), Barbet Schroeder's La Virgen de los Sicarios (Our Lady of the Assassins, 2000), Lucía Puenzo's XXY (XXY, 2007), Francisco J. Lombardi's No se lo digas a nadie (Don't Tell Anyone, 1998), Arturo Ripstein's El lugar sin límites (Hell Without Limits, 1978), among others. A survey of recent lesbian-themed Mexican films is also included.

Provides sophisticated theoretical approaches to Latin American cinema and sexual culture.2016 CHOICE Outstanding Academic Title Despite All Adversities examines a representative selection of notable queer films by Spanish America's most important directors since the 1950s. Each chapter focuses on a single film and offers rich and thoughtful new interpretations by a prominent scholar. The book explores films from across the region, including Tomás Gutiérrez Alea's and Juan Carlos Tabío's Fresa y chocolate (Strawberry and Chocolate, 1993), Marcelo Piñeyro's Plata quemada (Burnt Money, 2000), Barbet Schroeder's La Virgen de los Sicarios (Our Lady of the Assassins, 2000), Lucía Puenzo's XXY (XXY, 2007), Francisco J. Lombardi's No se lo digas a nadie (Don't Tell Anyone, 1998), Arturo Ripstein's El lugar sin límites (Hell Without Limits, 1978), among others. A survey of recent lesbian-themed Mexican films is also included.

Unique interdisciplinary analysis of gendered and racialized economies of care in South Asia and the Americas.South Asia and Latin America represent two epicenters of migrant care work and the globalized reproductive market. Yet scholars and the media continue to examine them in geographical and conceptual isolation. South of the Future closes both these gaps. It investigates nannying, elder care, domestic work, and other forms of migrant labor in the Americas together with the emerging "Wild West" of biotechnology and surrogacy in the Indian subcontinent. The volume is profoundly interdisciplinary and includes both prominent and emerging scholars from a wide variety of fields, including anthropology, law, literary and cultural studies, science and technology studies, and social policy. These contributors speak to the dynamic, continually changing facets of the nexus of care and value across these two key regions of the global south. By mobilizing specific locations and techno-economics and putting them into dialogue with one another, South of the Future rematerializes the gendered, racialized bodies that are far too often rendered invisible in structural analyses of the global south, or else are confined to particular geo- and biopolitical paradigms of emerging markets. Instead, these bodies occupy the center of a global, highly financialized economy of creating and sustaining life.

Unique interdisciplinary analysis of gendered and racialized economies of care in South Asia and the Americas.South Asia and Latin America represent two epicenters of migrant care work and the globalized reproductive market. Yet scholars and the media continue to examine them in geographical and conceptual isolation. South of the Future closes both these gaps. It investigates nannying, elder care, domestic work, and other forms of migrant labor in the Americas together with the emerging "Wild West" of biotechnology and surrogacy in the Indian subcontinent. The volume is profoundly interdisciplinary and includes both prominent and emerging scholars from a wide variety of fields, including anthropology, law, literary and cultural studies, science and technology studies, and social policy. These contributors speak to the dynamic, continually changing facets of the nexus of care and value across these two key regions of the global south. By mobilizing specific locations and techno-economics and putting them into dialogue with one another, South of the Future rematerializes the gendered, racialized bodies that are far too often rendered invisible in structural analyses of the global south, or else are confined to particular geo- and biopolitical paradigms of emerging markets. Instead, these bodies occupy the center of a global, highly financialized economy of creating and sustaining life.

The Scholar as Human brings together faculty from a wide range of disciplines—history; art; Africana, American, and Latinx studies; literature, law, performance and media arts, development sociology, anthropology, and Science and Technology Studies—to focus on how scholarship is informed, enlivened, deepened, and made more meaningful by each scholar's sense of identity, purpose, and place in the world. Designed to help model new paths for publicly-engaged humanities, the contributions to this groundbreaking volume are guided by one overarching question: How can scholars practice a more human scholarship?Recognizing that colleges and universities must be more responsive to the needs of both their students and surrounding communities, the essays in The Scholar as Human carve out new space for public scholars and practitioners whose rigor and passion are equally important forces in their work. Challenging the approach to research and teaching of earlier generations that valorized disinterestedness, each contributor here demonstrates how they have energized their own scholarship and its reception among their students and in the wider world through a deeper engagement with their own life stories and humanity.Contributors: Anna Sims Bartel, Debra A. Castillo, Ella Diaz, Carolina Osorio Gil, Christine Henseler, Caitlin Kane, Shawn McDaniel, A. T. Miller, Scott J. Peters, Bobby J. Smith II, José Ragas, Riché Richardson, Gerald Torres, Matthew Velasco, Sara WarnerThanks to generous funding from Cornell University, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

Scholars in COVID Times documents the new and innovative forms of scholarship, community collaboration, and teaching brought about by the COVID-19 pandemic. In this volume, Melissa Castillo Planas and Debra A. Castillo bring together a diverse range of texts, from research-based studies to self-reflective essays, to reexamine what it means to be a publicly engaged scholar in the era of COVID.Between social distancing, masking, and remote teaching—along with the devastating physical and emotional tolls on individuals and families—the disruption of COVID-19 in academia has given motivated scholars an opportunity (or necessitated them) to reconsider how they interact with and inspire students, conduct research, and continue collaborative projects. Addressing a broad range of factors, from anti-Asian racism to pedagogies of resilience and escapism, digital pen pals to international performance, the essays are connected by a flexible, creative approach to community engagement as a core aspect of research and teaching. Timely and urgent, but with long-term implications and applications, Scholars in COVID Times offers a heterogeneous vision of scholarly and pedagogical innovation in an era of contestation and crisis.