Deni Ellis Bechard – författare

My Favourite Crime ranges across the world and over a wide array of contemporary issues. Divided into five sections, all united by a recurring consideration of how writing helps transform our understanding of our family, of ourselves, and of the world, the book addresses such disparate topics as: the author’s tumultuous relationship with his father, exploring his struggle to make sense of his father’s criminality as well as his own, and the temptation to lapse back into crime when one has been raised with it; the illuminated gospels on Patmos, the Greek island where Saint John composed the Book of Revelation and where refugees are locked up without food or water; an American soldier transitioning between genders while serving in Afghanistan; children accused of sorcery and exorcised in Kinshasa’s revival churches; and Indian women’s responses to their country’s rampant rape culture. Including articles about Cuba, Colombia, Iraq, Rwanda, Afghanistan, the Democratic Republic of the Congo, Québec, and the United States, My Favourite Crime is current, engaged, compelling writing not to be missed.

Kuei, My Friend is an engaging book of letters: a literary and political encounter between Innu poet Natasha Kanapé Fontaine and Québécois-American novelist Deni Ellis Béchard. Choosing the epistolary form, they decided to engage together in a frank conversation about racism and reconciliation.Intentionally positioned within the contexts of the Idle No More movement, Canada’s Truth and Reconciliation Commission, and the National Inquiry into Missing or Murdered Aboriginal Women and Girls, the letters in Kuei, My Friend pose questions in a reciprocal manner: how can we coexist if our common history involves collective and personal episodes of shame, injury, and anger? how can we counteract misunderstandings of the Other, which so often lead to contempt and rejection? how can we educate non-Indigenous communities about the impact of cultural genocide on the First Peoples and the invisible privileges resulting from historical modes of domination?In an attempt to open a sincere and productive dialogue, Kanapé Fontaine and Ellis Béchard use their personal stories to understand words and behaviours that are racist or that result from racism. With the affection and intimacy of a friend writing to a friend, Natasha recounts to her addressee her discovery of the residential schools, her obsession with the Oka Crisis of 1990, and her life on the Pessamit reserve. Reciprocating, Deni talks about his father’s racism, the segregation of African-Americans and civil rights, and his identity as a Québécois living in the English-speaking world. By sharing honestly even their most painful memories, these two writers offer an accessible, humanist book on the social bridge-building and respect for difference. Kuei, My Friend is accompanied by a chronology of events, a glossary of relevant terms in the Innu language, and, most importantly, a detailed teacher’s guide that includes topics of discussion, questions, and suggested reflections for examination in a classroom setting.

From the author of Into the Sun and Vandal Love, acclaimed for “prose that’s both lyrical and gritty, able to evoke big emotions with exquisite intimacy” (O, The Oprah Magazine), White is a riveting novel that explores whiteness, modern humanitarianism, and the lies of American exceptionalism and white supremacy.Assigned to write an exposé on Richmond Hew, the conservation world’s most elusive and corrupt humanitarian worker, an intrepid journalist finds himself on a plane to the Democratic Republic of the Congo – a country he thinks he understands. But when he meets Sola, a woman searching for a rootless white orphan who believes herself possessed by a skin-stealing demon, he slowly uncovers a tapestry of corruption and racial tensions generations in the making.This harrowing search leads him into an underground network of sinners and saints – and everything in between: an anthropologist who treats orphans like test subjects; a community of charismatic Congolese preachers; street children who share accounts of sexual abuse and abandonment; a renowned and revered conservationist who suddenly vanishes. And then there is the journalist himself, Deni Béchard, lost in his own misunderstanding of privilege and the myth of whiteness, and plagued by traumatic memories of his father. At first seemingly unrelated, these disparate elements coalesce one by one into a map of Richmond Hew’s movements.Fevered and dreamlike, White offers readers a poignant re-entry into the haunting and psychologically complex world of Joseph Conrad’s Heart of Darkness.