Dennis Reid – författare

For more than 30 years, Dennis Reid's A Concise History of Canadian Painting has been the definitive volume on the art of a nation. This narrative history begins in the late seventeenth century with the European-influenced masters of New France. From there, Reid traces the development of distinctive movements, techniques, and subjects that would come to define Canadian art in the twentieth century, and its continuous evolution in form and style in the years beyond. Reid's masterful critical eye, eloquent voice, and unrivalled historical perspective create a wide-ranging account praised by critics and readers alike. The highly anticipated third edition, fully revised throughout, brings the work up to date with a new chapter on significant artists and movements since 1980. Redesigned in full-colour, with over 220 illustrations, this attractive new edition is an indispensible guide and compelling read.

Published to coincide with a major exhibition at the Art Gallery of Ontario, Jack Chambers: Light, Spirit, Time, Place and Life is the first major volume to be published on the work of Jack Chambers, one of Canada's most recognized and broadly influential artists. Featuring a selection of some 100 works including paintings, drawings, prints, and films, and materials from the artist's extensive papers, the book focuses on Chambers's own unique brand of "perceptive realism," his use of light, place, time, and spirit, all of which were central to his work.A brilliant draughtsman and remarkable painter, Chambers spend his early adulthood travelling and studying in Europe, where he met Pablo Picasso. When he returned to his hometown of London, Ontario, in 1961, he found himself at the centre of a vibrant art scene that would become the backdrop for his films and the surrealist-influenced works based on his dream-like evocations of memory.This book draws on the large collection of the artist's work held by the AGO. Featuring more than 100 colour reproductions, an extensive chronology, and a complete catalogue of the AGO's collection of Chambers's artworks, the volume also includes critical essays by Sarah Milroy, Christopher Dewdney, Mark Cheetham, Gillian Mackay, Ross Woodman and curator-writer Dennis Reid, as well as unique personal reflections in a variety forms by writers Michael Ondaatje and Susan Crean, and painters John Scott and Eric Fischl.