Deryck Cooke – författare
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3 produkter
3 produkter
Häftad, Engelska, 1979
1 368 kr
Skickas inom 5-8 vardagar
Wagner's Ring is a great masterpiece. But because of the work's rich complexity it is difficult to think sensibly about its text and music. Deryck Cooke, author of The Language of Music and completer of Mahler's Tenth Symphony, displays his masterly common sense in this study of how and why The Ring took the shape it did. It is only a portion of the enormous book he had planned: his untimely death prevented his writing an analysis of the music. But it covers the first two operas of the cycle (Rheingold and The Valkyrie) and even as it stands gives a fresh understanding and appreciation to every lover of Wagner's music.
Häftad, Engelska, 1989
1 335 kr
Skickas inom 5-8 vardagar
This important and controversial book has come to be regarded as a modern classic. Originally published in 1959, it has exerted a profound influence on all subsequent discussion in the field of musical aesthetics. The author's thesis is that the main characteristic of music is to express and evoke emotion, and that all composers whose music has a tonal basis have used the same, or closely similar, melodic phrases, harmonies, and rhythms to express and evoke the same emotions. He supports this view with numerous musical examples, varying from plainsong to Stravinsky. Based on this evidence he argues that music is a language in the quite specific sense that idioms can be identified and a list of meanings compiled. While acknowledging that a 'dictionary' of the language of music cannot easily be provided, he attempts to supply what could at least be regarded as a 'phrase book'. The enlightening analysis of two complete symphonies by Mozart and Vaughan Williams demonstrates the expressive function of musical form, the latter being an element which the author considers inseparable from musical content.
Häftad, Engelska, 2008
236 kr
Skickas inom 10-15 vardagar
The legendary musicologist Hans Keller described his friend and colleague Deryck Cooke as 'one of our time's two or three major analytic intellects'. The posthumous collection of his writings which comprises Vindications, published by Faber in 1982, was selected both from Cooke's published and unpublished articles and from his many radio talks. His was a constantly enquiring mind, and the subjects of the essays range widely: from the four composers Cooke cared for most passionately - Wagner, Bruckner, Mahler and Delius - to a justification of the Lennon-McCartney songs (a superb piece of no-nonsense analysis) and an illuminating radio talk on Wuthering Heights. His insights always offer new perspectives, while the longest essay in the book, 'The Unity of Beethoven's Late Quartets', puts forward an important and cogent theory which challenges most accepted views of these great works. Deryck Cooke's sadly early death, at the age of 57, deprived us of one of the century's major thinkers about music, who still had much to offer. With a moving and informative Foreword by the writer and broadcaster, Brian Magee, Vindications stands alongside Cooke's The Language of Music as a major contribution to musical literature.