Diana Brydon – författare

Both as a concept and a set of social relationships, community is central to contemporary debates about globalization. Faced with finding a livable response to globalization, many communities are renegotiating their identities and functions and, in some instances, entirely new communities are being formed. Yet there is no clear consensus on why community matters or on how globalization affects particular communities.Renegotiating Community asks what happens to the autonomy of individuals and communities under the influence of globalization. Original case studies show how a range of communities are renegotiating the meanings of community and autonomy while living with, and sometimes challenging, the processes of globalization. By addressing the coercive and comforting dimensions of community – as well as the need to reconcile conflicting claims to autonomy – this book redraws the conceptual maps through which community, globalization, and autonomy are understood.

Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian.Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.

First published in 2004. This is Volume V of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part eleven on Globalization, Transculturation and Neo-Colonialism; and part twelve on Postcolonial Theory and The Disciplines.

First published in 2004. This is Volume I of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part one framing the field; part two Marxist, Liberation and Resistance Theory and also part three on Manifestos.

First published in 2004. This is Volume II of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part four National, Third World and Postcolonial Identities, part five covering Colonial Discourse Analysis.

First published in 2004. This is Volume V of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part eleven on Globalization, Transculturation and Neo-Colonialism; and part twelve on Postcolonial Theory and The Disciplines.

First published in 2004. This is Volume I of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part one framing the field; part two Marxist, Liberation and Resistance Theory and also part three on Manifestos.

First published in 2004. This is Volume II of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part four National, Third World and Postcolonial Identities, part five covering Colonial Discourse Analysis.

Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian.Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.

This collection features essays on Nova Scotia-born poet, playwright and literary critic George Elliott Clarke. Instrtumental in promoting the writing of writers of African descent, Clarke''s work has won awards including the Governor General''s Award for poetry. He is also the recipient of seven honorary doctorates.

What are the fictions that shape Canadian engagements with the global? What frictions emerge from these encounters? In negotiating aesthetic and political approaches to Canadian cultural production within contexts of global circulation, this collection argues for the value of attending to narratorial, lyric, and theatrical conventions in dialogue with questions of epistemological and social justice. Using the twinned framing devices of crosstalk and cross-sighting, the contributing authors attend to how the interplay of the verbal and the visual maps public spheres of creative engagement today. Individual chapters present a range of methodological approaches to understanding national culture and creative labour in global contexts. Through their collective enactment of methodological crosstalk, they demonstrate the productivity of scholarly debate across differences of outlook, culture, and training. In highlighting convergences and disagreements, the book sharpens our understanding of how literary and critical conventions and theories operate within and across cultures.