Diana Holmes – författare
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25 produkter
25 produkter
E-bok
PDF, Engelska, 2006334 kr
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Romance in modern times is the most widely read yet the most critically despised of genres. Associated almost entirely with women, as readers and as writers, its popularity has been argued by gender traditionalists to confirm women''s innate sentimentality, while feminist critics have often condemned the genre as a dangerous opiate for the female masses. This study adopts the more positive perspective of critics such as Janice Radway, and takes seriously the pleasure that women readers consistently seem to find in romance. Drawing on the social constructionist feminism of Simone de Beauvoir, the psychoanalytical theories of Jessica Benjamin, and a range of social theorists from Bourdieu to Zygmunt Bauman, the book uncovers the history of romantic fiction in France from the late nineteenth to the early twenty-first century, and explores its place in women''s lives and imaginations. Romance is not defined - as it usually is - solely in terms of its mass-market form. Rather, the history of women''s popular fiction is traced in its full context, as one dimension of a literary story that encompasses the mainstream or ''middlebrow'' as well as ''high'' culture. Thus this study ranges from the formula romance (from the pious but popular Delly to global brand Harlequin), through ''middlebrow'' bestsellers like Marcelle Tinayre, Françoise Sagan, Régine Deforges, to critically esteemed stories of love in the work of such authors as Colette, Simone de Beauvoir, Elsa Triolet, and Camille Laurens. Criss-crossing the boundaries of taste and class, as well as those of sexual orientation, the romance has been at times reactionary, at others progressive, utopian, and contestatory. It has played an important part in the lives of twentieth-century women, providing both a source of imaginative escape, and a fictional space in which to rehearse and make sense of identity, relationship, and desire.
Inbunden, Engelska, 2006
811 kr
Skickas inom 3-6 vardagar
Romance in modern times is the most widely read yet the most critically despised of genres. Associated almost entirely with women, as readers and as writers, its popularity has been argued by gender traditionalists to confirm women's innate sentimentality, while feminist critics have often condemned the genre as a dangerous opiate for the female masses. This study adopts the more positive perspective of critics such as Janice Radway, and takes seriously the pleasure that women readers consistently seem to find in romance. Drawing on the social constructionist feminism of Simone de Beauvoir, the psychoanalytical theories of Jessica Benjamin, and a range of social theorists from Bourdieu to Zygmunt Bauman, the book uncovers the history of romantic fiction in France from the late nineteenth to the early twenty-first century, and explores its place in women's lives and imaginations. Romance is not defined - as it usually is - solely in terms of its mass-market form. Rather, the history of women's popular fiction is traced in its full context, as one dimension of a literary story that encompasses the mainstream or 'middlebrow' as well as 'high' culture. Thus this study ranges from the formula romance (from the pious but popular Delly to global brand Harlequin), through 'middlebrow' bestsellers like Marcelle Tinayre, Françoise Sagan, Régine Deforges, to critically esteemed stories of love in the work of such authors as Colette, Simone de Beauvoir, Elsa Triolet, and Camille Laurens. Criss-crossing the boundaries of taste and class, as well as those of sexual orientation, the romance has been at times reactionary, at others progressive, utopian, and contestatory. It has played an important part in the lives of twentieth-century women, providing both a source of imaginative escape, and a fictional space in which to rehearse and make sense of identity, relationship, and desire.
Häftad, Engelska, 2020
527 kr
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This book brings together a series of challenging essays which explore the complex intersections of feminism, narrative and genre. The essays were written as tributes to the leading feminist scholar Elizabeth Fallaize.
Häftad, Engelska, 1998
383 kr
Skickas inom 5-8 vardagar
First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
Häftad, Engelska, 2000
361 kr
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Cinema provides entertainment, but it also communicates a set of values, a vision of the world or an ideology. From its beginnings more than a century ago, European cinema has dealt with the tension between these two functions in a variety of ways: at the extremes, dictatorial regimes have sweetened the pill of ideology with the sugar of entertainment. Meanwhile, spectators have persisted in seeking out, above all, the pleasure film can provide.Now available again in paperback, this book explores the complex relationship between entertainment, ideology and audiences in European film, through studies that range from the Stalinist musicals of the 1930s, to cinematic representations of masculinity under Franco, to recent French films and their Hollywood remakes.Diverse and entertaining, this study is addressed to students of film – especially French, German, Russian or Spanish – and to those readers and academics interested in both the history of cinema and in European culture.
Inbunden, Engelska, 2012
1 254 kr
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Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné.In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
Inbunden, Engelska, 2010
1 158 kr
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Chantal Akerman is widely acclaimed as one of the most original and important directors working in Europe today. A towering figure in women’s and feminist film-making, she has produced a diverse and intensely personal body of work ranging from minimalist portraits of the everyday to exuberant romantic comedies, and from documentaries and musicals to installation art. This book traces the director’s career at the crossroads between experimental and mainstream cinema, contextualising her work within the American avant-garde of the 1970s, European anti-naturalism, feminism and the post-modern aesthetics. While offering an in-depth analysis of her multi-faceted film style, it also stresses the social and ethical dimension of her work, especially as regards her representation of marginal groups and her exploration of exilic and diasporic identities. Particular attention is given to the inscription of the Holocaust and of Jewish memory in her films.
Inbunden, Engelska, 2012
1 192 kr
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This groundbreaking book is about what ‘popular culture’ means in France, and how the term’s shifting meanings have been negotiated and contested. It represents the first theoretically informed study of the way that popular culture is lived, imagined, fought over and negotiated in modern and contemporary France.It covers a wide range of overarching concerns: the roles of state policy, the market, political ideologies, changing social contexts and new technologies in the construction of the popular. But it also provides a set of specific case studies showing how popular songs, stories, films, TV programmes and language styles have become indispensable elements of ‘culture’ in France. Deploying yet also rethinking a ‘Cultural Studies’ approach to the popular, the book therefore challenges dominant views of what French culture really means today.
Inbunden, Engelska, 2012
1 158 kr
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This book provides a scholarly yet accessible account of the work of Marcel Carné, one of the great directors of classical French cinema and the key figure behind the poetic realist film movement of the 1930s. His films, a number of which were made in collaboration with the poet-turned-scriptwriter Jacques Prévert, include such well-known works as Le Quai des brumes, Le Jour se lève and Les Enfants du paradis. As the first book to be written on Carné for a number of years, it offers a fresh perspective on his cinema, particularly through a re-examination of his post-war work – although many of these films were very popular and offer a fascinating insight into France at the time, they have, until now, largely been neglected.Adopting a carefully crafted aesthetic, his films explore a tension between pessimism and entrapment on the one hand, and transcendence, idealised romantic love and a populist celebration of working-class life on the other. His career traversed key moments in French cinema, including poetic realism, the tradition of quality and the French New Wave, and spanned important historical moments such as the Popular Front of the 1930s, the Second World War and France’s post-war modernisation. This book will be of interest to scholars, students and film-lovers alike.
E-bok
Engelska, 2008260 kr
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The 1950s and 1960s were a key moment in the development of postwar France. The period was one of rapid change, derived from post-World War II economic and social modernization; yet many traditional characteristics were retained. By analyzing the eruption of the new postwar world in the context of a France that was both modern and traditional, we can see how these worlds met and interacted, and how they set the scene for the turbulent 1960s and 70s. The examination of the development of mass culture in post-war France, undertaken in this volume, offers a valuable insight into the shifts that took place. By exploring stardom from the domain of cinema and other fields, represented here by famous figures such as Brigitte Bardot, Johnny Hallyday or Jean-Luc Godard, and less conventionally treated areas of enquiry (politics [de Gaulle], literary [Françoise Sagan], and intellectual culture [Lévi-Strauss]) the reader is provided with a broad understanding of the mechanisms of popularity and success, and their cultural, social, and political roles. The picture that emerges shows that many cultural articulations remained or became identifiably "French," in spite of the American mass-culture origins of these social, economic, and cultural transformations.
Häftad, Engelska, 2011
364 kr
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The 1950s and 1960s were a key moment in the development of postwar France. The period was one of rapid change, derived from post-World War II economic and social modernization; yet many traditional characteristics were retained. By analyzing the eruption of the new postwar world in the context of a France that was both modern and traditional, we can see how these worlds met and interacted, and how they set the scene for the turbulent 1960s and 70s. The examination of the development of mass culture in post-war France, undertaken in this volume, offers a valuable insight into the shifts that took place. By exploring stardom from the domain of cinema and other fields, represented here by famous figures such as Brigitte Bardot, Johnny Hallyday or Jean-Luc Godard, and less conventionally treated areas of enquiry (politics [de Gaulle], literary [Françoise Sagan], and intellectual culture [Lévi-Strauss]) the reader is provided with a broad understanding of the mechanisms of popularity and success, and their cultural, social, and political roles. The picture that emerges shows that many cultural articulations remained or became identifiably "French," in spite of the American mass-culture origins of these social, economic, and cultural transformations.
E-bok
Engelska, 2006283 kr
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The Third Republic, known as the ‘belle époque’, was a period of lively, articulate and surprisingly radical feminist activity in France, borne out of the contradiction between the Republican ideals of liberty, equality and fraternity and the reality of intense and systematic gender discrimination. Yet, it also was a period of intense and varied artistic production, with women disproving the critical nearconsensus that art was a masculine activity by writing, painting, performing, sculpting, and even displaying an interest in the new "seventh art" of cinema. This book explores all these facets of the period, weaving them into a complex, multi-stranded argument about the importance of this rich period of French women’s history.
E-bok
Engelska, 2017580 kr
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"Women, Genre and Circumstance brings together a series of challenging essays which explore the complex intersections of feminism, narrative and genre. Drawing on a wide range of 19th and 20th century texts novels, short stories and films they interrogate the relationship between womens situation and writing practice, and representations of history, memory, love, old age; they pursue questions of narrative form and its meanings, particularly the distinctive features of the short story. The politics of feminist criticism and careful attention to the operations of narrative combine in a sustained exploration of the aesthetics and ethics of fictional practices, and their role in the negotiation of gender and circumstance. The essays were written as tributes to the leading feminist scholar Elizabeth Fallaize. The contributors are Margaret Atack, Colin Davis, Suzanne Dow, Alison Finch, Diana Holmes, Diana Knight, Michele Le Doeuff, Toril Moi, Gill Rye, Judith Still, and Ursula Tidd."
E-bok
PDF, Engelska, 2017580 kr
Läs direkt efter köp
"Women, Genre and Circumstance brings together a series of challenging essays which explore the complex intersections of feminism, narrative and genre. Drawing on a wide range of 19th and 20th century texts novels, short stories and films they interrogate the relationship between womens situation and writing practice, and representations of history, memory, love, old age; they pursue questions of narrative form and its meanings, particularly the distinctive features of the short story. The politics of feminist criticism and careful attention to the operations of narrative combine in a sustained exploration of the aesthetics and ethics of fictional practices, and their role in the negotiation of gender and circumstance. The essays were written as tributes to the leading feminist scholar Elizabeth Fallaize. The contributors are Margaret Atack, Colin Davis, Suzanne Dow, Alison Finch, Diana Holmes, Diana Knight, Michele Le Doeuff, Toril Moi, Gill Rye, Judith Still, and Ursula Tidd."
E-bok
PDF, Engelska, 2019221 kr
Läs direkt efter köp
First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
Del 57 - Contemporary French and Francophone Cultures
Middlebrow Matters
Women's reading and the literary canon in France since the Belle Époque
Inbunden, Engelska, 2018
948 kr
Skickas inom 5-8 vardagar
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.Shortlisted for the 2019 R. Gapper book prizeWinner of the Aldo and Jeanne Scaglione Prize for French and Francophone Studies, 2018.This is the first book to study the middlebrow novel in France. Middlebrow is a derogatory word that connotes blandness, mediocrity and a failed aspiration to ‘high’ culture. However, when appropriated as a positive term to denote that wide swathe of literature between the challenging experimentalism of the high and the formulaic tendency of the popular, it enables a rethinking of the literary canon from the point of view of what most readers actually read, a criterion curiously absent from dominant definitions of literary value. Since women have long formed a majority of the reading public, this perspective immediately feminises what has always been a very male canon. Opening with a theorisation of the concept of middlebrow that mounts a defence of some literary qualities disdained by modernism, the book then focuses on a series of case studies of periods (the Belle Époque, inter-war, early twenty-first century), authors (including Colette, Irène Nemirovsky, Françoise Sagan, Anna Gavalda) and the middlebrow nature of literary prizes. It concludes with a double reading of a single text, from the perspective of an academic critic, and from that of a middlebrow reader.
Del 66 - Contemporary French and Francophone Cultures
Making Waves
French Feminisms and their Legacies 1975-2015
Inbunden, Engelska, 2019
1 937 kr
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French feminism was central to the theory and culture of Second Wave feminism as an international movement, and 1975 was a key year for the women’s movement in France. Through a critical review of the politics, activism and cultural creativity of that moment, from the perspective of both preceding and subsequent ‘waves’ of feminism, this book evaluates the legacies of 1975, and their strengths and limitations as new questions and new conjunctures have come into play. Edited and written by an international group of feminist scholars, it offers both a critical re-evaluation of a vital moment in women’s cultural history, and a new analysis of the relationship between second wave agendas and contemporary feminist politics and culture.
Del 66 - Contemporary French and Francophone Cultures
Making Waves
French Feminisms and their Legacies 1975-2015
Häftad, Engelska, 2022
449 kr
Skickas inom 5-8 vardagar
French feminism was central to the theory and culture of Second Wave feminism as an international movement, and 1975 was a key year for the women’s movement in France. Through a critical review of the politics, activism and cultural creativity of that moment, from the perspective of both preceding and subsequent ‘waves’ of feminism, this book evaluates the legacies of 1975, and their strengths and limitations as new questions and new conjunctures have come into play. Edited and written by an international group of feminist scholars, it offers both a critical re-evaluation of a vital moment in women’s cultural history, and a new analysis of the relationship between second wave agendas and contemporary feminist politics and culture.
Inbunden, Engelska, 2008
1 999 kr
Skickas inom 3-6 vardagar
The 1950s and 1960s were a key moment in the development of postwar France. The period was one of rapid change, derived from post-World War II economic and social modernization; yet many traditional characteristics were retained. By analyzing the eruption of the new postwar world in the context of a France that was both modern and traditional, we can see how these worlds met and interacted, and how they set the scene for the turbulent 1960s and 70s. The examination of the development of mass culture in post-war France, undertaken in this volume, offers a valuable insight into the shifts that took place. By exploring stardom from the domain of cinema and other fields, represented here by famous figures such as Brigitte Bardot, Johnny Hallyday or Jean-Luc Godard, and less conventionally treated areas of enquiry (politics [de Gaulle], literary [Francoise Sagan], and intellectual culture [Levi-Strauss]), the reader is provided with a broad understanding of the mechanisms of popularity and success, and their cultural, social, and political roles.The picture that emerges shows that many cultural articulations remained or became identifiably "French," in spite of the American mass-culture origins of these social, economic, and cultural transformations.
Inbunden, Engelska, 2006
2 212 kr
Skickas inom 3-6 vardagar
The Third Republic, known as the ‘belle époque’, was a period of lively, articulate and surprisingly radical feminist activity in France, borne out of the contradiction between the Republican ideals of liberty, equality and fraternity and the reality of intense and systematic gender discrimination. Yet, it also was a period of intense and varied artistic production, with women disproving the critical nearconsensus that art was a masculine activity by writing, painting, performing, sculpting, and even displaying an interest in the new "seventh art" of cinema. This book explores all these facets of the period, weaving them into a complex, multi-stranded argument about the importance of this rich period of French women’s history.
Häftad, Engelska, 2007
521 kr
Skickas inom 3-6 vardagar
The Third Republic, known as the ‘belle époque’, was a period of lively, articulate and surprisingly radical feminist activity in France, borne out of the contradiction between the Republican ideals of liberty, equality and fraternity and the reality of intense and systematic gender discrimination. Yet, it also was a period of intense and varied artistic production, with women disproving the critical nearconsensus that art was a masculine activity by writing, painting, performing, sculpting, and even displaying an interest in the new "seventh art" of cinema. This book explores all these facets of the period, weaving them into a complex, multi-stranded argument about the importance of this rich period of French women’s history.
E-bok
PDF, Engelska, 2000387 kr
Läs direkt efter köp
A wide range of French women writers are surveyed, including Sand, Colette, Beauvoir and Duras among the "canonized", and many marginalized or forgotten and contemporary names not yet widely known outside France. These writers are seen within the political, economic and cultural context of women''s lives and how these have changed across a century-and-a-half. Underpinning the whole account is the relationship between gender and language, between politics sexual and textual.
Inbunden, Engelska, 2001
1 924 kr
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Prosecuted for obscenity in her novel Monsieur Venus, Marguerite Eymery (pen name Rachilde), an apparently genteel young woman from a provincial bourgeois family, burst onto the French literary scene in 1884 amid scandal. This story of a sadistic transvestite and her pretty male lover was the first in a long series of novels, plays and stories dealing often in the most macabre and sensationalistic terms with sadism, gender inversion, and sexual desire. At the heart of the French literary world, Rachilde's life and writing defied patriarchal rules, particularly in relation to female sexuality, but she consistently and vehemently rejected feminism. Her extraordinary life and work, including a vast output as a literary reviewer, offer a prism through which to view the vibrant social and cultural history of France from the belle epoque to the Second World War. This book is the first serious critical study of Rachilde's work. Exploring the interwoven themes of French naturalism, modernism, decadence and feminism, it will be essential reading for anyone interested in French culture, literature and sexuality at the turn of the twentieth century.
Inbunden, Engelska, 2012
1 010 kr
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This book brings together a series of challenging essays which explore the complex intersections of feminism, narrative and genre. The essays were written as tributes to the leading feminist scholar Elizabeth Fallaize.
Del 127 - Modern French Identities
French Feminisms 1975 and After
New Readings, New Texts
Häftad, Engelska, 2017
599 kr
Skickas
This volume explores contemporary French women’s writing through the prism of one of the defining moments of modern feminism: the writings of the 1970s that came to be known as «French feminism». With their exhilarating renewal of the rules of fiction, and a sophisticated theoretical approach to gender, representation and textuality, Hélène Cixous and others became internationally recognised for their work, at a time when the women’s movement was also a driving force for social change. Taking its cue from Les Femmes s’entêtent, a multi-authored analysis of the situation of women and a celebration of women’s creativity, this collection offers new readings of Monique Wittig, Emma Santos and Hélène Cixous, followed by essays on Nina Bouraoui, Michèle Perrein and Ying Chen, Marguerite Duras and Mireille Best, and Valentine Goby. A contextualising introduction establishes the theoretical and cultural framework of the volume with a critical re-evaluation of this key moment in the history of feminist thought and women’s writing, pursuing its various legacies and examining the ways theoretical and empirical developments in queer studies, postcolonial studies and postmodernist philosophies have extended, inflected and challenged feminist work.