Dick Davis – författare

Believed by scholars to be the inspiration for "Tristan and Isolde", "Vis and Ramin" was written between 1050 and 1055 and is considered the first epic Persian romance. At the heart of the story is Vis, daughter of the queen of Mah and promised to Mobad, King of Marv. Against a background of court intrigue, broken promises, and open conflict, Vis finds herself escorted to her future husband by his brother, Ramin - an impetuous prince who cannot help falling in love with his charge and jeopardizing the fate of two realms. "Vis and Ramin", a masterpiece of psychological perceptiveness, is an epic with timeless appeal.

A pioneer in the financial media, Dick Davis has interacted with the investing public for over forty years. With his new book, he continues this trend. The first part of The Dick Davis Dividend contains an easy-to-read, yet profound discussion of the essentials of investing—focusing on the savvy veteran’s often unconventional, core beliefs. While the second part of this engaging guide makes a compelling case for combining both passive investing via index funds and active investing via stocks and mutual funds.

A pioneer in the financial media, Dick Davis has interacted with the investing public for over forty years. With his new book, he continues this trend. The first part of The Dick Davis Dividend contains an easy-to-read, yet profound discussion of the essentials of investing—focusing on the savvy veteran’s often unconventional, core beliefs. While the second part of this engaging guide makes a compelling case for combining both passive investing via index funds and active investing via stocks and mutual funds.

There are worlds within our own in which even the smallest victories are hard won, the tender moment is almost unbearable, and the understated rings like a bell. Belonging, a new collection by British poet Dick Davis, is an extended visit to these worlds.Deepened by his dry wit and the formal rigor of his verse, the poems of Belonging negotiate their way among personal and political divides—generations in a family, man and woman, and the tentative present and our inherited pasts.But behind much of the writing there is also a desire for a kind of idealized belonging—to a clerisy of civilized and humane decency which can be found intermittently in all cultures and is the monopoly of none. Davis's own cosmopolitan background provides the context for many of the poems, yet he is concerned always to find the humanly universal within the local and anecdotal—a hope realized in these careful and incandescent poems.

There are worlds within our own in which even the smallest victories are hard won, the tender moment is almost unbearable, and the understated rings like a bell. Belonging, a new collection by British poet Dick Davis, is an extended visit to these worlds.Deepened by his dry wit and the formal rigor of his verse, the poems of Belonging negotiate their way among personal and political divides—generations in a family, man and woman, and the tentative present and our inherited pasts.But behind much of the writing there is also a desire for a kind of idealized belonging—to a clerisy of civilized and humane decency which can be found intermittently in all cultures and is the monopoly of none. Davis's own cosmopolitan background provides the context for many of the poems, yet he is concerned always to find the humanly universal within the local and anecdotal—a hope realized in these careful and incandescent poems.

In his new collection of poems, Dick Davis, the acclaimed author of Belonging, addresses themes that he has long worked with—travel, the experience of being a stranger, the clash of cultures, the vagaries of love, the pleasures and epiphanies of meaning that art allows us. But A Trick of Sunlight introduces a new theme that revolves around the idea of happiness—is it possible, must it be illusory, is its fleetingness an essential part of its nature so that disillusion is inevitable?Many of the poems are shaded by the poet's awareness of growing older, and by the ways that this both shuts down many of life's possibilities and frees us from their demands. The levity of some verses here is something of a departure for Davis, but his insights can be mordant too, revealing darknesses as often as they invoke frivolity.As Davis's readers have come to expect, the poems in A Trick of Sunlight. aim at the aesthetic satisfactions that accompany accurate observations expressed with wit, intelligence, and grace. But they achieve as well an immediacy and rawness of vision that seem to belie his careful craft.

In his new collection of poems, Dick Davis, the acclaimed author of Belonging, addresses themes that he has long worked with—travel, the experience of being a stranger, the clash of cultures, the vagaries of love, the pleasures and epiphanies of meaning that art allows us. But A Trick of Sunlight introduces a new theme that revolves around the idea of happiness—is it possible, must it be illusory, is its fleetingness an essential part of its nature so that disillusion is inevitable?Many of the poems are shaded by the poet's awareness of growing older, and by the ways that this both shuts down many of life's possibilities and frees us from their demands. The levity of some verses here is something of a departure for Davis, but his insights can be mordant too, revealing darknesses as often as they invoke frivolity.As Davis's readers have come to expect, the poems in A Trick of Sunlight. aim at the aesthetic satisfactions that accompany accurate observations expressed with wit, intelligence, and grace. But they achieve as well an immediacy and rawness of vision that seem to belie his careful craft.

There are worlds within our own in which even the smallest victories are hard won, the tender moment is almost unbearable, and the understated rings like a bell. Belonging, a new collection by British poet Dick Davis, is an extended visit to these worlds.Deepened by his dry wit and the formal rigor of his verse, the poems of Belonging negotiate their way among personal and political divides—generations in a family, man and woman, and the tentative present and our inherited pasts.But behind much of the writing there is also a desire for a kind of idealized belonging—to a clerisy of civilized and humane decency which can be found intermittently in all cultures and is the monopoly of none. Davis's own cosmopolitan background provides the context for many of the poems, yet he is concerned always to find the humanly universal within the local and anecdotal—a hope realized in these careful and incandescent poems.

In his new collection of poems, Dick Davis, the acclaimed author of Belonging, addresses themes that he has long worked with—travel, the experience of being a stranger, the clash of cultures, the vagaries of love, the pleasures and epiphanies of meaning that art allows us. But A Trick of Sunlight introduces a new theme that revolves around the idea of happiness—is it possible, must it be illusory, is its fleetingness an essential part of its nature so that disillusion is inevitable?Many of the poems are shaded by the poet's awareness of growing older, and by the ways that this both shuts down many of life's possibilities and frees us from their demands. The levity of some verses here is something of a departure for Davis, but his insights can be mordant too, revealing darknesses as often as they invoke frivolity.As Davis's readers have come to expect, the poems in A Trick of Sunlight. aim at the aesthetic satisfactions that accompany accurate observations expressed with wit, intelligence, and grace. But they achieve as well an immediacy and rawness of vision that seem to belie his careful craft.

Wine is seen as the natural partner of many great cuisines, but few people associate it with Persian food, one of the world’s most sophisticated culinary traditions. The ties, in fact, are age-old. From Persia to Napa: Wine at the Persian Table weaves together history, poetry, a look at modern viniculture, and a wealth of recipes and wine pairings to celebrate the rightful relationship of wine and food on the Persian table“Whoever seeks the origins of wine must be crazy,” a Persian poet once declared, implying that simple enjoyment of this greatest gift of the grape ought to be enough. Since he wrote those words, however, winemaking has been traced all the way back to the northern uplands of the Fertile Crescent some seven millennia ago, the start of a journey that would take it across the Near East and then into Europe in the dawning years of civilization. Iran was one of the nurseries of the wine grape, and, as empires rose and fell there, princes, priests, poets and people in ordinary walks of life all embraced wine in various ways. After Islam came to Iran, wine drinking sometimes slipped from public view, but it never disappeared. In this lavishly illustrated book, Najmieh Batmanglij explores that long and eventful history, then shifts her story to California’s famed Napa Valley, half a world away. There, in a kind of up-to-the-minute homage to the past, an Iranian-American named Darioush Khaledi uses the latest vinicultural techniques to make superb wines at a winery reminiscent of Persepolis, the ceremonial capital of the ancient Persian empire.The final section of the book offers 80 recipes, a guide to Persian hospitality, both old and new, and seasonal menus for various occasions. Grapes play a role in most of the recipes, whether in the form of the fruit, the leaf, the juice, the syrup, unripe grapes or their juice (verjuice), vinegar or wine. Although these recipes are presented for the modern table, they are traditional—based on sources as various as a tenth-century Persian cookbook or the culinary archives of a sixteenth-century Persian court.The book has two special sections. One, written by Dick Davis, a leading authority on Persian literature, discusses the unique links between poetry and wine-drinking in Persian culture. The other, by wine-and-food expert Burke Owens, offers guidelines for pairing wine with the distinctive ingredients used in Persian cooking. He has also provided wine suggestions for each recipe.

In Love in Another Language Dick Davis is shown to be the outstanding formal poet of his generation, a master of rhyme and metre, a poet worthy of keeping company with the best lyric writers in our tradition. His Collected Poems draws on eight previous publications and includes a section of new work. Davis has also established himself as `the leading translator of Persian literature in our time' (Washington Post) and this volume includes a selection of his celebrated translations.Davis's original poems evoke the experiences of travel and of living in a culture in which one is a stranger, where empathy is at once difficult and necessary. His translations can be read as a record of his attempts at such empathy, in poetic terms, across centuries and cultures.