Diego Armus – författare

Challenging traditional approaches to medical history, Disease in the History of Modern Latin America advances understandings of disease as a social and cultural construction in Latin America. This innovative collection provides a vivid look at the latest research in the cultural history of medicine through insightful essays about how disease-whether it be cholera or aids, leprosy or mental illness-was experienced and managed in different Latin American countries and regions, at different times from the late nineteenth century to the present. Based on the idea that the meanings of sickness-and health-are contestable and subject to controversy, Disease in the History of Modern Latin America displays the richness of an interdisciplinary approach to social and cultural history. Examining diseases in Mexico, Brazil, Argentina, Colombia, Peru, and Bolivia, the contributors explore the production of scientific knowledge, literary metaphors for illness, domestic public health efforts, and initiatives shaped by the agendas of international agencies. They also analyze the connections between ideas of sexuality, disease, nation, and modernity; the instrumental role of certain illnesses in state-building processes; welfare efforts sponsored by the state and led by the medical professions; and the boundaries between individual and state responsibilities regarding sickness and health. Diego Armus’s introduction contextualizes the essays within the history of medicine, the history of public health, and the sociocultural history of disease. Contributors. Diego Armus, Anne-Emanuelle Birn, Kathleen Elaine Bliss, Ann S. Blum, Marilia Coutinho, Marcus Cueto, Patrick Larvie, Gabriela Nouzeilles, Diana ObregÓn, Nancy Lays Stepan, Ann Zulawski

Challenging traditional approaches to medical history, Disease in the History of Modern Latin America advances understandings of disease as a social and cultural construction in Latin America. This innovative collection provides a vivid look at the latest research in the cultural history of medicine through insightful essays about how disease-whether it be cholera or aids, leprosy or mental illness-was experienced and managed in different Latin American countries and regions, at different times from the late nineteenth century to the present. Based on the idea that the meanings of sickness-and health-are contestable and subject to controversy, Disease in the History of Modern Latin America displays the richness of an interdisciplinary approach to social and cultural history. Examining diseases in Mexico, Brazil, Argentina, Colombia, Peru, and Bolivia, the contributors explore the production of scientific knowledge, literary metaphors for illness, domestic public health efforts, and initiatives shaped by the agendas of international agencies. They also analyze the connections between ideas of sexuality, disease, nation, and modernity; the instrumental role of certain illnesses in state-building processes; welfare efforts sponsored by the state and led by the medical professions; and the boundaries between individual and state responsibilities regarding sickness and health. Diego Armus’s introduction contextualizes the essays within the history of medicine, the history of public health, and the sociocultural history of disease. Contributors. Diego Armus, Anne-Emanuelle Birn, Kathleen Elaine Bliss, Ann S. Blum, Marilia Coutinho, Marcus Cueto, Patrick Larvie, Gabriela Nouzeilles, Diana ObregÓn, Nancy Lays Stepan, Ann Zulawski

For decades, tuberculosis in Buenos Aires was more than a dangerous bacillus. It was also an anxious state of mind shaped not only by fears of contagion and death but also by broader social and cultural concerns. These worries included changing work routines, rapid urban growth and its consequences for housing and living conditions, efforts to build a healthy “national race,” and shifting notions of normality and pathology. In The Ailing City, the historian Diego Armus explores the metaphors, state policies, and experiences associated with tuberculosis in Buenos Aires between 1870 and 1950. During those years, the disease was conspicuous and frightening, and biomedicine was unable to offer an effective cure. Against the background of the global history of tuberculosis, Armus focuses on the making and consolidation of medicalized urban life in the Argentine capital. He discusses the state’s intrusion into private lives and the ways that those suffering from the disease accommodated and resisted official attempts to care for them and to reform and control their morality, sociability, sexuality, and daily habits. The Ailing City is based on an impressive array of sources, including literature, journalism, labor press, medical journals, tango lyrics, films, advertising, imagery, statistics, official reports, and oral history. It offers a unique perspective on the emergence of modernity in a cosmopolitan city on the periphery of world capitalism.

Challenging traditional approaches to medical history, Disease in the History of Modern Latin America advances understandings of disease as a social and cultural construction in Latin America. This innovative collection provides a vivid look at the latest research in the cultural history of medicine through insightful essays about how disease—whether it be cholera or aids, leprosy or mental illness—was experienced and managed in different Latin American countries and regions, at different times from the late nineteenth century to the present.

Based on the idea that the meanings of sickness—and health—are contestable and subject to controversy, Disease in the History of Modern Latin America displays the richness of an interdisciplinary approach to social and cultural history. Examining diseases in Mexico, Brazil, Argentina, Colombia, Peru, and Bolivia, the contributors explore the production of scientific knowledge, literary metaphors for illness, domestic public health efforts, and initiatives shaped by the agendas of international agencies. They also analyze the connections between ideas of sexuality, disease, nation, and modernity; the instrumental role of certain illnesses in state-building processes; welfare efforts sponsored by the state and led by the medical professions; and the boundaries between individual and state responsibilities regarding sickness and health. Diego Armus’s introduction contextualizes the essays within the history of medicine, the history of public health, and the sociocultural history of disease.Contributors. Diego Armus, Anne-Emanuelle Birn, Kathleen Elaine Bliss, Ann S. Blum, Marilia Coutinho, Marcus Cueto, Patrick Larvie, Gabriela Nouzeilles, Diana Obregón, Nancy Lays Stepan, Ann Zulawski

For decades, tuberculosis in Buenos Aires was more than a dangerous bacillus. It was also an anxious state of mind shaped not only by fears of contagion and death but also by broader social and cultural concerns. These worries included changing work routines, rapid urban growth and its consequences for housing and living conditions, efforts to build a healthy “national race,” and shifting notions of normality and pathology. In The Ailing City, the historian Diego Armus explores the metaphors, state policies, and experiences associated with tuberculosis in Buenos Aires between 1870 and 1950. During those years, the disease was conspicuous and frightening, and biomedicine was unable to offer an effective cure. Against the background of the global history of tuberculosis, Armus focuses on the making and consolidation of medicalized urban life in the Argentine capital. He discusses the state’s intrusion into private lives and the ways that those suffering from the disease accommodated and resisted official attempts to care for them and to reform and control their morality, sociability, sexuality, and daily habits. The Ailing City is based on an impressive array of sources, including literature, journalism, labor press, medical journals, tango lyrics, films, advertising, imagery, statistics, official reports, and oral history. It offers a unique perspective on the emergence of modernity in a cosmopolitan city on the periphery of world capitalism.

Health practitioners working in gray zones, or between official and unofficial medicines, played a fundamental role in shaping Latin America from the colonial period onward. The Gray Zones of Medicine offers a human, relatable, complex examination of the history of health and healing in Latin America across five centuries. Contributors uncover how biographical narratives of individual actors—outside those of hegemonic biomedical knowledge, careers of successful doctors, public health initiatives, and research and medical institutions—can provide a unique window into larger social, cultural, political, and economic historical changes and continuities in the region. They reveal the power of such stories to illuminate intricacies and resilient features of the history of health and disease, and they demonstrate the importance of escaping analytical constraints posed by binary frameworks of legality/illegality, learned/popular, and orthodoxy/heterodoxy when writing about the past. Through an accessible and story-like format, this book unlocks the potential of historical narratives of healings to understand and give nuance to processes too frequently articulated through intellectual medical histories or the lenses of empires, nation-states, and their institutions.

The Buenos Aires Reader offers an insider’s look at the diverse lived experiences of the people, politics, and culture of Argentina’s capital city primarily from the nineteenth century to the present. Refuting the tired clichÉ that Buenos Aires is the “Paris of South America,” this book gives a nuanced view of a city that has long been attentive to international trends yet never ceases to celebrate its local culture. The vibrant opinions, reflections, and voices of Buenos Aires come to life through selections that range from songs, poems, letters, and essays to interviews, cartoons, paintings, and historical documents, many of which have been translated into English for the first time. These selections tell the story of the city’s culture of protest and celebration, its passion for soccer and sport, its gastronomy and food traditions, its legendary nightlife, and its musical, literary, and artistic cultures. Providing an unparalleled look at Buenos Aires’s history, culture, and politics, this volume is an ideal companion for anyone interested in this dynamic, disruptive, and inventive city.

The Buenos Aires Reader offers an insider’s look at the diverse lived experiences of the people, politics, and culture of Argentina’s capital city primarily from the nineteenth century to the present. Refuting the tired clichÉ that Buenos Aires is the “Paris of South America,” this book gives a nuanced view of a city that has long been attentive to international trends yet never ceases to celebrate its local culture. The vibrant opinions, reflections, and voices of Buenos Aires come to life through selections that range from songs, poems, letters, and essays to interviews, cartoons, paintings, and historical documents, many of which have been translated into English for the first time. These selections tell the story of the city’s culture of protest and celebration, its passion for soccer and sport, its gastronomy and food traditions, its legendary nightlife, and its musical, literary, and artistic cultures. Providing an unparalleled look at Buenos Aires’s history, culture, and politics, this volume is an ideal companion for anyone interested in this dynamic, disruptive, and inventive city.

The Buenos Aires Reader offers an insider’s look at the diverse lived experiences of the people, politics, and culture of Argentina’s capital city primarily from the nineteenth century to the present. Refuting the tired cliché that Buenos Aires is the “Paris of South America,” this book gives a nuanced view of a city that has long been attentive to international trends yet never ceases to celebrate its local culture. The vibrant opinions, reflections, and voices of Buenos Aires come to life through selections that range from songs, poems, letters, and essays to interviews, cartoons, paintings, and historical documents, many of which have been translated into English for the first time. These selections tell the story of the city’s culture of protest and celebration, its passion for soccer and sport, its gastronomy and food traditions, its legendary nightlife, and its musical, literary, and artistic cultures. Providing an unparalleled look at Buenos Aires’s history, culture, and politics, this volume is an ideal companion for anyone interested in this dynamic, disruptive, and inventive city.

El fútbol es mucho más que un deporte. Es un modo de ejercitar el cuerpo, un producto de consumo masivo, un espectáculo, un negocio, un tema de conversación, un tópico literario y mediático, un fenómeno global, un modo de control social, una expresión popular mas o menos autónoma, un maleable recurso en la articulación de identidades sociales, étnico-raciales, nacionales y de género… Del football al fútbol/futebol: historias argentinas, brasileras y uruguayas en el siglo XX estudia la popularización y criollización del football, su transformación en fútbol en Argentina y Uruguay, y en futebol en Brasil, su consolidación como deporte profesional y de masas, y como espectáculo y fuente de perdurables pasiones.

Al otro lado del cuerpo: estudios biopolíticos en América Latina es el resultado de una iniciativa surgida hace unos años con el propósito de reunir perspectivas históricas críticas, analíticas y genealógicas sobre la relación entre la historia de las ciencias, el saber médico y diversas prácticas de poder. Al concebir esta compilación tuvimos en mente varias ideas. Una de ellas fue reunir avances de investigaciones hechas en América Latina que exploraran aspectos significativos en la región: los principios de la diferencia, su gestión, el control de poblaciones y las formas de vincularlos como fenómenos biopolíticos. El segundo objetivo fue contar con un conjunto de trabajos que propusieran perspectivas sobre transformaciones, inflexiones y continuidades nacionales y regionales entre el siglo xvi y el presente. Esperamos que este sea un aporte al esfuerzo de comprender mejor las particularidades de los proyectos nacionales modernos en torno de los vínculos de raza, higiene, cuerpo y cultura, y que estas características también faciliten reconocer las fuerzas transversales.Si bien el libro no propone una perspectiva integrada, un propósito más es que se pueda consultar en diferentes países para conocer el desarrollo de más orientaciones de investigación y sirva para robustecer el estudio de la relación entre sociedad, biopolítica y cuerpo en América Latina.Agradecemos a María Fernanda Vásquez Velásquez y a Juan Camilo Escobar Villegas por sus decisivos aportes en la concepción de este proyecto, y a Nicolás Sánchez por la revisión de los artículos. En la Universidad de Medellín, Leonardo López acompañó el proceso de edición y en la Facultad de Ciencias Sociales de la Universidad de los Andes el comité editorial se hizo cargo de que el libro encontrara su rumbo. El equipo de Ediciones Uniandes tuvo a su cargo la revisión y armada del libro. El Departamento de Ciencias Sociales y Humanas de la Universidad de Medellín y el Departamento de Lenguajes y Estudios Socioculturales de la Universidad de los Andes nos brindaron su respaldo incondicional. Les expresamos a todos nuestra gratitud.

En 1925, el diario La Nación señalaba que la Madre María "ofrecía a todos, ricos y pobres, lo que la ciencia no puede ofrecer y la religión se niega a dar". Si bien desde el siglo xviii la medicina comenzó a delimitar su objeto de estudio y buscó oficializarse, no siempre logró desplazar a las artes de curar, prácticas y saberes interesados en brindar algún tipo de cura y atención a las dolencias de las personas.¿Qué ocurre cuando las instituciones del sistema de salud son insuficientes o inaccesibles, o cuando la gente desconfía de ellas? ¿Qué sucede fuera de esos ámbitos? ¿Qué hacer con malestares y enfermedades frente a los cuales la medicina diplomada no logra articular respuestas efectivas?Diego Armus reúne aquí una serie de ensayos que muestra que quienes practican las artes de curar han participado desde hace siglos en las trayectorias terapéuticas de personas ricas y pobres, instruidas o no, poderosas o desvalidas. Evidencia también la perdurable presencia de estos híbridos en la atención de la salud de vastos sectores de la sociedad argentina desde mediados del siglo xix hasta la actualidad. Se trata de tradiciones y culturas de atención que no son estáticas, sino el resultado de muy variadas mixturas, intercambios y reinterpretaciones.Sanadores, parteras, curanderos y médicas demuestra que la medicina y la medicalización conforman un terreno incierto, vacilante y en constante disputa. Intentar curarse e intentar curar han sido, son y seguirán siendo empeños marcados por las más diversas ofertas de atención.Escriben en este libro: Ignacio Allievi, María Silvia Di Liscia, Mauro Vallejo, Mirta Fleitas, María Dolores Rivero, Paula Sedran, Juan Bubello, Daniela Edelvis Testa, Adrián Carbonetti, María Laura Rodríguez, Nicolás Viotti, Mariana Bordes, Betina Freidin, Ana Lucía Olmos Álvarez y Karina Felitti.