Dionne Brand - Böcker

An immense achievement, comprising a decades-long career - new and collected poetry from one of Canada's most honoured and significant poetsSpanning almost four decades, Dionne Brand's poetry has given rise to whole new grammars and vocabularies. With a profound alertness that is attuned to this world and open to some other, possibly future, time and place, Brand's ongoing labours of witness and imagination speak directly to where and how we live and reach beyond those worlds, their enclosures, and their violences.Nomenclature: New and Collected Poems begins with a new long poem, the titular "Nomenclature for the Time Being," in which Dionne Brand's diaspora consciousness dismantles our quotidian disasters. In addition to this searing new work, Nomenclature collects eight volumes of Brand's poetry published between 1982 and 2010 and includes a critical introduction by the literary scholar and theorist Christina Sharpe.Nomenclature: New and Collected Poems, features the searching and centering cantos of Primitive Offensive; the sharp musical conversations of Winter Epigrams and Epigrams to Ernesto Cardenal in Defense of Claudia; the documentary losses of revolutions in Chronicles of the Hostile Sun, in which "The street was empty/with all of us standing there." No Language Is Neutral connects language, coloniality, and sexuality. Land to Light On explores intimacies and disaffections with nationality and the nation-state, while in thirsty a cold-eyed flâneur surveys the workings of the city. In Inventory, written during the Gulf Wars, the poet is "the wars' last and late night witness," her job not to soothe but to "revise and revise this bristling list/hourly." Ossuaries' futurist speaker rounds out the collection, and threads multiple temporal worlds - past, present, and future.This masterwork displays Dionne Brand's ongoing body of thought - trenchant, lyrical, absonant, discordant, and meaning-making. Nomenclature: New and Collected Poems is classic and living, a record of one of the great writers of our age.

Written with lyrical fire in a chorus of vividly rendered voices, Dionne Brand's second novel is an epic of the African diaspora across the globe. It begins in 1824 on Trinidad, where Marie-Ursule, queen of a secret slave society called the Sans Peur Regiment, plots a mass suicide. The end of the Sans Peur is also the beginning of a new world, for Marie-Ursule cannot kill her young daughter, Bola -- who escapes to live free and bear a dynasty of descendants who spill out across the Caribbean, North America, and Europe. Haunted by a legacy of passion and oppression, the children of Bola pass through two world wars and into the confusion, estrangement, and violence of the late twentieth century. "[Brand has] a lush and exuberant style that may put some readers in mind of Toni Morrison or Edwidge Danticat." -- William Ferguson, The New York Times Book Review; "A delicately structured, beautifully written novel infused with rare emotional clarity." —Julie Wheelwright, The Independent (London); "Rich, elegiac, almost biblical in its rhythms . . . One of the essential works of our times." — The Globe & Mail (Toronto)In 1824 on the island of Trinidad, Marie Ursule, queen of a secret society of militant slaves called the Sans Peur Regiment, plots a mass suicide, a quietly brazen act of revolt. The end of the Sans Peur is also the beginning of a new world, for Marie Ursule cannot kill her young daughter, Bola, who escapes to live free and bear a dynasty of descendants who spill out across the Caribbean, North America, and Europe. Haunted by a legacy of passion and oppression, the children of Bola pass through two world wars and into the confusion, estrangement, and violence of the late twentieth century. There is Samuel, the soldier who goes to war to defend Mother England and returns with a broken spirit; Cordelia, a woman who has spent her life suppressing the fiery desire that finally catches her, unabated, in her fiftieth year; Priest, the “badjohn” who leaves the islands for a gangster life ranging from Miami to Brooklyn; and Adrian, who ends up a junkie on the streets of Amsterdam. And still in Trinidad there is the second Bola, who lives alone in the family home, wandering among the dead and waiting for the generations of her ancestors to join her.

Ars Poetica in 59 Versos.

The selections in Fierce Departures, drawn from Dionne Brand's work since 1997, delineate with searing eloquence how history marks and dislocates peoples of the African diaspora, how nations, concretely and conceptually, fail to create safe haven, and how human desire persists nevertheless. Through a widening canvas, Brand unfolds the (im)possibilities of belonging for those whom history has dispossessed. Yet she also shows how Canada, and in particular Toronto, remade by those who alight on it, is a place of contingency. Known for her linguistic intensity and lyric brilliance, Brand consoles through the beauty of her work and disturbs with its uncompromising demand for ethical witness. In her introduction, editor Leslie C. Sanders traces the evolution of Brand's poetic concerns and changing vision. In particular, she observes Brand's complex use of landscape and language to delineate the ethical and emotional issues around the desire for place. She argues that Brand reformulates Northrop Frye's question ""Where is here?,"" disturbing and expanding the national imaginary. As afterword, Brand has selected passages from her evocative collection of essays A Map to the Door of No Return. Read as an ars poetica, the passages summon the presences of those whose lives are circumscribed by the histories the poet narrates as her own.

One of Canada's most distinguished poets, Dionne Brand explores and chronicles how history shapes human existence, in particular the lives of those ruptured and scattered by New World slaveries and modern crises. This republication of three early volumes presents a view of the trajectory of her poetic journey. Read retrospectively, the earlier work is haunting, a testament to a historical moment in which change seemed possible, even imminent, a belief nourished by the various social movements that galvanized a generation. Individually and as a whole, Brand's work charts a collective as well as a personal journey, delving into the burdens of history and the fugitive, contingent, dynamic, and mutable geographies of the African diaspora. She locates herself within matrices of language, place, gender, sexuality, and politics and maps what she calls the ""murmurous genealogy"" of her city, Toronto, and the denizen-citizenship of the contemporary global.