No philosopher could be a better example of creative thinking in action than Friedrich Nietzsche: a German iconoclast who systematically attacked the traditionally accepted views of academic philosophers, seeking to tear down their rickety platform and replace it with a platform of his own. Creative thinkers are people who redefine issues and topics in novel ways to create novel connections, explanations and hypotheses – people, in short, who can turn a topic on its head and present it in an entirely new light. Nietzsche called them “free spirits” – those unwilling to accept the dogmas of the past, wanting instead to think clearly for themselves.

In Beyond Good and Evil, Nietzsche focuses his attention on nothing less than the underlying basis of our moral assumptions, unleashing a powerful, polemical critique of the moral dogmas of the past and his own time. His book, which remains one of the most influential works of moral philosophy ever written, is not just an example of creative thinking at work, it is also a passionate argument for its importance. As Nietzsche wrote, “Morality in Europe … is the morality of herd animals.” But if one is ready to think differently and stand out from the herd, “other (and especially higher) moralities are … possible.”

Friedrich Nietzsche’s On the Genealogy of Morality is a sustained feat of incisive interpretation. Well known as one of Nietzsche’s greatest works, and as one of the most important books of nineteenth-century philosophy, On the Genealogy of Morality also provided the inspiration for the methodologies of several key philosophers of the modern age. Michel Foucault and Judith Butler, among others, cite Nietzsche as an influence specifically because of the interpretative techniques laid out in this work – techniques which are a model for the ways in which interpretation can be used to power critical thinking of the highest order.

The key aspects of interpretation are understanding, clarifying, and questioning definitions; what Nietzsche brings to the process is a sense of how important context, history and culture are to understanding any term. In the case of morals, for instance, he argues that if we are to truly understand what we mean by “good” or “evil,” we cannot ever assume the two concepts have a stable meaning, outside of a given moment in history. Indeed, to understand what they mean now, and might mean in the future, we need to trace the genealogy of concepts back to their very roots – a feat of interpretation that Nietzsche undertakes masterfully.

No philosopher could be a better example of creative thinking in action than Friedrich Nietzsche: a German iconoclast who systematically attacked the traditionally accepted views of academic philosophers, seeking to tear down their rickety platform and replace it with a platform of his own. Creative thinkers are people who redefine issues and topics in novel ways to create novel connections, explanations and hypotheses – people, in short, who can turn a topic on its head and present it in an entirely new light. Nietzsche called them “free spirits” – those unwilling to accept the dogmas of the past, wanting instead to think clearly for themselves.

In Beyond Good and Evil, Nietzsche focuses his attention on nothing less than the underlying basis of our moral assumptions, unleashing a powerful, polemical critique of the moral dogmas of the past and his own time. His book, which remains one of the most influential works of moral philosophy ever written, is not just an example of creative thinking at work, it is also a passionate argument for its importance. As Nietzsche wrote, “Morality in Europe … is the morality of herd animals.” But if one is ready to think differently and stand out from the herd, “other (and especially higher) moralities are … possible.”

Friedrich Nietzsche’s On the Genealogy of Morality is a sustained feat of incisive interpretation. Well known as one of Nietzsche’s greatest works, and as one of the most important books of nineteenth-century philosophy, On the Genealogy of Morality also provided the inspiration for the methodologies of several key philosophers of the modern age. Michel Foucault and Judith Butler, among others, cite Nietzsche as an influence specifically because of the interpretative techniques laid out in this work – techniques which are a model for the ways in which interpretation can be used to power critical thinking of the highest order.

The key aspects of interpretation are understanding, clarifying, and questioning definitions; what Nietzsche brings to the process is a sense of how important context, history and culture are to understanding any term. In the case of morals, for instance, he argues that if we are to truly understand what we mean by “good” or “evil,” we cannot ever assume the two concepts have a stable meaning, outside of a given moment in history. Indeed, to understand what they mean now, and might mean in the future, we need to trace the genealogy of concepts back to their very roots – a feat of interpretation that Nietzsche undertakes masterfully.

No philosopher could be a better example of creative thinking in action than Friedrich Nietzsche: a German iconoclast who systematically attacked the traditionally accepted views of academic philosophers, seeking to tear down their rickety platform and replace it with a platform of his own. Creative thinkers are people who redefine issues and topics in novel ways to create novel connections, explanations and hypotheses – people, in short, who can turn a topic on its head and present it in an entirely new light. Nietzsche called them “free spirits” – those unwilling to accept the dogmas of the past, wanting instead to think clearly for themselves.

In Beyond Good and Evil, Nietzsche focuses his attention on nothing less than the underlying basis of our moral assumptions, unleashing a powerful, polemical critique of the moral dogmas of the past and his own time. His book, which remains one of the most influential works of moral philosophy ever written, is not just an example of creative thinking at work, it is also a passionate argument for its importance. As Nietzsche wrote, “Morality in Europe … is the morality of herd animals.” But if one is ready to think differently and stand out from the herd, “other (and especially higher) moralities are … possible.”

Friedrich Nietzsche’s On the Genealogy of Morality is a sustained feat of incisive interpretation. Well known as one of Nietzsche’s greatest works, and as one of the most important books of nineteenth-century philosophy, On the Genealogy of Morality also provided the inspiration for the methodologies of several key philosophers of the modern age. Michel Foucault and Judith Butler, among others, cite Nietzsche as an influence specifically because of the interpretative techniques laid out in this work – techniques which are a model for the ways in which interpretation can be used to power critical thinking of the highest order.

The key aspects of interpretation are understanding, clarifying, and questioning definitions; what Nietzsche brings to the process is a sense of how important context, history and culture are to understanding any term. In the case of morals, for instance, he argues that if we are to truly understand what we mean by “good” or “evil,” we cannot ever assume the two concepts have a stable meaning, outside of a given moment in history. Indeed, to understand what they mean now, and might mean in the future, we need to trace the genealogy of concepts back to their very roots – a feat of interpretation that Nietzsche undertakes masterfully.

No philosopher could be a better example of creative thinking in action than Friedrich Nietzsche: a German iconoclast who systematically attacked the traditionally accepted views of academic philosophers, seeking to tear down their rickety platform and replace it with a platform of his own. Creative thinkers are people who redefine issues and topics in novel ways to create novel connections, explanations and hypotheses – people, in short, who can turn a topic on its head and present it in an entirely new light. Nietzsche called them “free spirits” – those unwilling to accept the dogmas of the past, wanting instead to think clearly for themselves.

In Beyond Good and Evil, Nietzsche focuses his attention on nothing less than the underlying basis of our moral assumptions, unleashing a powerful, polemical critique of the moral dogmas of the past and his own time. His book, which remains one of the most influential works of moral philosophy ever written, is not just an example of creative thinking at work, it is also a passionate argument for its importance. As Nietzsche wrote, “Morality in Europe … is the morality of herd animals.” But if one is ready to think differently and stand out from the herd, “other (and especially higher) moralities are … possible.”

Friedrich Nietzsche’s On the Genealogy of Morality is a sustained feat of incisive interpretation. Well known as one of Nietzsche’s greatest works, and as one of the most important books of nineteenth-century philosophy, On the Genealogy of Morality also provided the inspiration for the methodologies of several key philosophers of the modern age. Michel Foucault and Judith Butler, among others, cite Nietzsche as an influence specifically because of the interpretative techniques laid out in this work – techniques which are a model for the ways in which interpretation can be used to power critical thinking of the highest order.

The key aspects of interpretation are understanding, clarifying, and questioning definitions; what Nietzsche brings to the process is a sense of how important context, history and culture are to understanding any term. In the case of morals, for instance, he argues that if we are to truly understand what we mean by “good” or “evil,” we cannot ever assume the two concepts have a stable meaning, outside of a given moment in history. Indeed, to understand what they mean now, and might mean in the future, we need to trace the genealogy of concepts back to their very roots – a feat of interpretation that Nietzsche undertakes masterfully.