Donald E. Westlake – författare

When plotting a murder (figuratively speaking), the mystery writer has at hand any number of M.O.s, including such tried and true conventions as the locked room, the unbreakable alibi, the double bluff, and the mistaken identity. Now, in Murderous Schemes, renowned mystery writers Donald E. Westlake and J. Madison Davis offer an illuminating look at eight such mystery conventions, illustrating each with four short stories written by some of the masters of the form. The resulting collection of thirty-two tales spans a hundred and fifty years of crime fiction and includes virtually every style imaginable, from the hard-boiled detective story to the cozy armchair mystery.the differences between American and British detective fiction, and they illuminate the evolution of crime writing over time. Here is a glorious treasure chest of tales that cover every crime in the book, written by a who's who of crime fiction--Edgar Allan Poe, Wilkie Collins, Arthur Conan Doyle, G. K. Chesterton, Raymond Chandler, Dorothy L. Sayers, Chester Himes, Edward D. Hoch, and Lawrence Block, to name but a few.Bringing together a century and a half of superb crime stories, Murderous Schemes is a glorious collection that will inform and delight anyone who loves mystery and mayhem.

When plotting a murder (figuratively speaking), the mystery writer has at hand any number of M.O.s, including such tried and true conventions as the locked room, the unbreakable alibi, the double bluff, and the mistaken identity. Now, in Murderous Schemes, renowned mystery writers Donald E. Westlake and J. Madison Davis offer an illuminating look at eight such mystery conventions, illustrating each with four short stories written by some of the masters of the form. The resulting collection of thirty-two tales spans a hundred and fifty years of crime fiction and includes virtually every style imaginable, from the hard-boiled detective story to the cozy armchair mystery.the differences between American and British detective fiction, and they illuminate the evolution of crime writing over time. Here is a glorious treasure chest of tales that cover every crime in the book, written by a who's who of crime fiction--Edgar Allan Poe, Wilkie Collins, Arthur Conan Doyle, G. K. Chesterton, Raymond Chandler, Dorothy L. Sayers, Chester Himes, Edward D. Hoch, and Lawrence Block, to name but a few.Bringing together a century and a half of superb crime stories, Murderous Schemes is a glorious collection that will inform and delight anyone who loves mystery and mayhem.

Over the course of a fifty-year career, Donald Westlake published nearly one hundred books, including not one - but two - long-running series, starring the hard-hitting Parker and the hapless John Dortmunder. In the six years since his death, Westlake's reputation has only grown, with fans continuing to marvel at his tightly constructed plots, no-nonsense prose, and keen, even unsettling, insights into human behavior. With The Getaway Car, we get our first glimpse at another side of Westlake the writer: what he did when he wasn't busy making stuff up. And it's fascinating. Setting previously published pieces, many little-seen, alongside never-before-published material found in Westlake's working files, the book offers a clear picture of the man behind the books - including his background, experience, and thoughts on his own work and that of his peers, mentors, and influences. The book opens with revealing (and funny) fragments from an unpublished autobiography, then goes on to offer an extended history of private eye fiction, a conversation among Westlake's numerous pen names, letters to friends and colleagues, interviews, appreciations of fellow writers, and much, much more.There's even a recipe for Sloth a la Dortmunder. Really. Rounded out with a Foreword by Westlake's longtime friend Lawrence Block, The Getaway Car is a fitting capstone to a storied career, and a wonderful opportunity to revel anew in the voice and sensibility of a master craftsman.

It's the score of a lifetime: easy access to a lavish New York City apartment, hordes of valuables, and an absentee owner avoiding the lawyers of his unhappy ex-wives. But before they pull the job, Dortmunder's crew is startled to find their beloved gin joint, the OJ, in the clutches of the Mafia - who consider it perfect for a little fraud, courtesy of a nice big fire. For tactical and highly superstitious reasons, the fate of the OJ is ever more important to the crew than the enormous score. Now, Dortmunder and his gang are determined to split their time, fighting the mob and robbing the rich simultaneously.

Fresh out of prison, Dortmunder plans a heist that could mean war. John Dortmunder leaves jail with ten dollars, a train ticket, and nothing to make money on but his good name. Thankfully, his reputation goes far. No one plans a caper better than Dortmunder. His friend Kelp picks him up in a stolen Cadillac and drives him away from Sing-Sing, telling a story of a $500,000 emerald that they just have to steal. Dortmunder doesn't hesitate to agree.The emerald is the crown jewel of a former British colony, lately granted independence and split into two nations: one for the Talabwo people, one for the Akinzi. The Akinzi have the stone, the Talabwo want it back, and their UN representative offers a fine payday to the men who can get it. It's not a simple heist, but after a few years in stir, Dortmunder could use the challenge.

Criminals, beware; the Scorpion is on your trail! Hoodlums fear his fury—and, for that matter, so do the cops!

The men in the tan-and-cream Chrysler came with guns blazing. When Ray Kelly woke up in the hospital, it was a month later, he was missing an eye, and his father was dead. Then things started to get bad. From the mind of the incomparable Donald E. Westlake comes a devastating story of betrayal and revenge, an exploration of the limits of family loyalty and how far a man will go when everything he loves is taken from him.

Master criminal Parker takes another turn for the worse as he tries to recover loot from a heist gone terribly wrong. Parker and two cohorts stole the assets of a bank in transit, but the police heat was so great they could only escape if they left the money behind. Now Parker and his associates plot to reclaim the loot, which they hid in the choir loft of an unused country church. As they implement the plan, people on both sides of the law use the forces at their command to stop Parker and grab the goods for themselves. Though Parker''s new getaway van is an old Ford Econoline with "Holy Redeemer Choir" on its doors, his gang is anything but holy, and Parker will do whatever it takes to redeem his prize, no matter who gets hurt in the process.