Donald Richie – författare

"An elegiac prose celebration ...a classic in its genre."-Publishers Weekly In this acclaimed travel memoir, Donald Richie paints a memorable portrait of the island-studded Inland Sea. His existential ruminations on food, culture, and love and his brilliant descriptions of life and landscape are a window into an Old Japan that has now nearly vanished. Included are the twenty black and white photographs by Yoichi Midorikawa that accompanied the original 1971 edition. Donald Richie (1924-2013) was an internationally recognized expert on Japanese culture and film. Yoichi Midorikawa (1915-2001) was one of Japan's foremost nature photographers.

"Substantially the book that devotees of the director have been waiting for: a full-length critical work about Ozu's life, career and working methods, buttressed with reproductions of pages from his notebooks and shooting scripts, numerous quotes from co-workers and Japanese critics, a great many stills and an unusually detailed filmography." (Sight and Sound). Yasujiro Ozu, the man whom his kinsmen consider the most Japanese for all film directors, had but one major subject, the Japanese family, and but one major theme, its dissolution. The Japanese family in dissolution figures in every one of his fifty-three films. In his later pictures, the whole world exists in one family, the characters are family members rather than members of a society, and the ends of the earth seem no more distant than the outside of the house.

In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching. Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His Rashomon--one of the best-remembered and most talked-of films in any language--was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro.

In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa''s life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching.Kurosawa remains unchallenged as one of the century''s greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His Rashomon—one of the best-remembered and most talked-of films in any language—was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world''s attention. Kurosawa''s films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro.

Tracing the development of the Japanese cinema from 1896 (when the first Kinetoscope was imported) through the golden ages of film in Japan up to today, this work reveals the once flourishing film industry and the continuing unique art of the Japanese film. Now back in print with updated sections, major revaluations, a comprehensive international bibliography, and an exceptional collection of 168 stills ranging over eight decades, this book remains the unchallenged reference for all who seek a broad understanding of the aesthetic, historical, and economic elements of motion pictures from Japan.

Rashomon is one of the greatest of Japanese director Akira Kurosawa's films, the winner of the 1951 Venice Festival prize and the Academy Award for best foreign film in 1952. It features Toshiru Mifune, the best-known Japanese actor in the West, as the bandit, an accused rapist and murderer. At the beginning of the film, a woodcutter, priest, and commoner happen to meet at the ruined gate--Rashomon--outside the city of Kyoto. This tale of rape and murder is first seen through the eyes of the woodcutter and the priest, both of whom have been touched by the events. The cynical, detached commoner, "everyman," listens to and comments upon their stories. The central section of the film, a series of flashbacks and tales within tales, consists of the same events retold by the husband (speaking through a medium, from the grave), the wife, the bandit, and the woodcutter. Each tells what happened--or possibly, what should have happened. The film deals with multiple truths; Richie summarizes the director's point of view in the introduction: "the world is illusion, you yourself make reality, but this reality undoes you if you submit to being limited by what you have made."The sixth title in the Rutgers Film in Print Series and the first Japanese film, this volume brings together for the first time the full continuity script of Rashomon; an introductory essay by Donald Richie; the Akutagawa stories upon which the film is based; critical reviews and commentaries on the film; a filmography; and a bibliography.

A masterfully written collection of short essays by the recognized Western expert on Japanese culture and film and the man Time magazine calls "the dean of art critics in Japan." Spanning more than thirty years, Richie interprets his adopted home's creative accomplishments during its rise to economic and cultural power.

This provocative book is a tractate—a treatise—on beauty in Japanese art, written in the manner of a zuihitsu, a free-ranging assortment of ideas that “follow the brush” wherever it leads. Donald Richie looks at how perceptual values in Japan were drawn from raw nature and then modified by elegant expressions of class and taste. He explains aesthetic concepts like wabi, sabi, aware, and yugen, and ponders their relevance in art and cinema today.

A revealing look at contemporary Japanese culture.This masterfully written collection of short essays by the acknowledged Western expert on Japanese culture and film spans thirty years and ranges broadly over subjects as diverse as the Noh theater, fashion, television, Tokyo Disneyland, language, the kiss, and, of course, film. Donald Richie's twenty-eight essays present cross-sections of Japan's enormous creative accomplishments during the nation's rise to economic and cultural power.

One of the finest travel memoirs ever written, with a new Introduction and Afterword.

"An elegiac prose celebration . . . a classic in its genre."—Publishers WeeklyIn this acclaimed travel memoir, Donald Richie paints a memorable portrait of the island-studded Inland Sea. His existential ruminations on food, culture, and love and his brilliant descriptions of life and landscape are a window into an Old Japan that has now nearly vanished. Included are the twenty black and white photographs by Yoichi Midorikawa that accompanied the original 1971 edition.Donald Richie (1924–2013) was an internationally recognized expert on Japanese culture and film. Yoichi Midorikawa (1915–2001) was one of Japan's foremost nature photographers.

This provocative book is a tractate-a treatise-on beauty in Japanese art, written in the manner of a zuihitsu, a free-ranging assortment of ideas that "follow the brush" wherever it leads. Donald Richie looks at how perceptual values in Japan were drawn from raw nature and then modified by elegant expressions of class and taste. He explains aesthetic concepts like wabi, sabi, aware, and yugen, and ponders their relevance in art and cinema today. Donald Richie is the foremost explorer of Japanese culture in English, and this work is the culmination of sixty years of observing and writing from his home in Tokyo.

This photographic Tokyo travel guide explores the dynamic Japanese culture, art and architecture that make Tokyo a unique, world-class city.It has been said that "every city has its high points, but Tokyo is all exclamation points!" The largest and most populous city in the world, Tokyo is best experienced in-person. The next best way? Through Tokyo Megacity—a visual and descriptive exploration of a city that combines old with new and traditional with trendy, like no other city in the world.This extraordinary book explores Tokyo through more than 250 revealing photographs by well-known photographer Ben Simmons and over 30 essays by famed author Donald Richie. Their love of the city, sense of its history, and the deep respect and pure joy felt in being here, shine through on every page. Simmons and Richie show us how modern Tokyo evolved from a patchwork of villages that still exist today as distinct neighborhoods and districts to the modern, trendsetting metropolis renowned the world over—that combine to make Tokyo a unique and special place.Tokyo Megacity presents the districts of the city in the order that they originally developed, starting with the Imperial Palace, sliding down to the "Low City" along the Sumida River, soaring back up to the "Mid-City," and finally, climbing the hills to the newer districts of the "High City." The combination of Ben Simmons' photographs and Donald Richie's text capture the tremendous diversity, vitality and sheer livability of Tokyo.This new edition is updated with recent photos, up-to-date revisions and new sections on the Tsukiji Fish Market and Tokyo Skytree.

The authoritative guide to Japanese film, completely revised and updated. Now available in paperback for the first time, A Hundred Years of Japanese Film by Donald Richie, the foremost Western expert on Japanese film, gives us an incisive, detailed, and fully illustrated history of the country's cinema. Called the dean of Japan's arts critics' by Time magazine, Richie takes us from the inception of Japanese cinema at the end of the nineteenth century, through the achievements of Kurosawa, Mizoguchi, and Ozu, then on to the notable works of contemporary'

No one has written more, or more artfully, about Japan and Japanese culture than Donald Richie. Richie moved to Tokyo just after World War II. And he is still there, still writing. This book is the first compilation of the best of Richie's writings on Japan, with excerpts from his critical work on film (Richie helped introduce Japanese film to the West in the late 1950s) and his unpublished private journal, plus fiction, Zen musings, and masterful essays on culture, travel, people, and style. With a critical introduction and full bibliography. Donald Richie's many books include The Films of Akira Kurosawa, The Japanese Tattoo, and the PBS favorite The Inland Sea. Vienna resident Arturo Silva lived in Japan for 18 years. "To read [The Donald Richie Reader and The Japan Journals] is like diving for pearls. Dip into any part of them and you will surely find treasures about the cinema, literature, traveling, writing. The passages are evocative, erotic, playful, and often profound." - Japanese Language and Literature