'A heartwarming spectacle of desolation.' THE SPECTATOR'Deeply enjoyable ... a celebration of both the ordinary and the extraordinary.' THE SCOTSMANAn evocative social history of Europe's peatlands, moors, bogs and heaths.Donald S. Murray spent much of his childhood either playing or working on the moor, chasing sheep across empty acres and cutting and gathering peat for fuel.The Dark Stuff is an examination of how this landscape affected him and others. Donald explores his early life on the Isle of Lewis together with the experiences of those who lived near moors much further afield, from the Highlands and Islands of Scotland to the Netherlands, Germany, Ireland and even Australia. Examining this environment in all its roles and guises, Donald reflects on the ways that for centuries humans have represented the moor in literature, art and folktale, and he reveals how in some countries, these habitats remain an essential aspect of their industrial heritage and working life today.On his journey, Donald confronts the unexpected – how Europe’s peatlands are part of the dark heart of that continent, playing a crucial role in the history of crime and punishment in several countries. He also examines our current perception of moorland, asking how – for the sake, perhaps, of our planet’s survival – we can learn to love a landscape we have all too often in our history denigrated, feared and despised.

A lighthearted and informative narrative about the history of herring and our love affair with the silver darlings.Scots like to smoke or salt them. The Dutch love them raw. Swedes look on with relish as they open bulging, foul-smelling cans to find them curdling within. Jamaicans prefer them with a dash of chilli pepper. Germans and the English enjoy their taste best when accompanied by pickle's bite and brine.Throughout the long centuries men have fished around their coastlines and beyond, the herring has done much to shape both human taste and history. Men have co-operated and come into conflict over its shoals, setting out in boats to catch them, straying, too, from their home ports to bring full nets to shore. Women have also often been at the centre of the industry, gutting and salting the catch when the annual harvest had taken place, knitting, too, the garments fishermen wore to protect them from the ocean's chill.Following a journey from the western edge of Norway to the east of England, from Shetland and the Outer Hebrides to the fishing ports of the Baltic coast of Germany and the Netherlands, culminating in a visit to Iceland's Herring Era Museum, Donald S. Murray has stitched together tales of the fish that was of central importance to the lives of our ancestors, noting how both it - and those involved in their capture - were celebrated in the art, literature, craft, music and folklore of life in northern Europe.Blending together politics, science, history, religious and commercial life, Donald contemplates, too, the possibility of restoring the silver darlings of legend to these shores.

A lighthearted and informative narrative about the history of herring and our love affair with the silver darlings. Scots like to smoke or salt them. The Dutch love them raw. Swedes look on with relish as they open bulging, foul-smelling cans to find them curdling within. Jamaicans prefer them with a dash of chilli pepper. Germans and the English enjoy their taste best when accompanied by pickle's bite and brine. Throughout the long centuries men have fished around their coastlines and beyond, the herring has done much to shape both human taste and history. Men have co-operated and come into conflict over its shoals, setting out in boats to catch them, straying, too, from their home ports to bring full nets to shore. Women have also often been at the centre of the industry, gutting and salting the catch when the annual harvest had taken place, knitting, too, the garments fishermen wore to protect them from the ocean's chill. Following a journey from the western edge of Norway to the east of England, from Shetland and the Outer Hebrides to the fishing ports of the Baltic coast of Germany and the Netherlands, culminating in a visit to Iceland's Herring Era Museum, Donald S. Murray has stitched together tales of the fish that was of central importance to the lives of our ancestors, noting how both it - and those involved in their capture - were celebrated in the art, literature, craft, music and folklore of life in northern Europe. Blending together politics, science, history, religious and commercial life, Donald contemplates, too, the possibility of restoring the silver darlings of legend to these shores.

An evocative social history of Europe''s peatlands, moors, bogs and heaths.Donald S. Murray spent much of his childhood either playing or working on the moor, chasing sheep across empty acres and cutting and gathering peat for fuel. The Dark Stuff is an examination of how this landscape affected him and others. Donald explores his early life on the Isle of Lewis together with the experiences of those who lived near moors much further afield, from the Highlands and Islands of Scotland to the Netherlands, Germany, Ireland and even Australia. Examining this environment in all its roles and guises, Donald reflects on the ways that for centuries humans have represented the moor in literature, art and folktale, and he reveals how in some countries, these habitats remain an essential aspect of their industrial heritage and working life today. On his journey, Donald confronts the unexpected – how Europe''s peatlands are part of the dark heart of that continent, playing a crucial role in the history of crime and punishment in several countries. He also examines our current perception of moorland, asking how – for the sake, perhaps, of our planet''s survival – we can learn to love a landscape we have all too often in our history denigrated, feared and despised.

An evocative social history of Europe''s peatlands, moors, bogs and heaths.Donald S. Murray spent much of his childhood either playing or working on the moor, chasing sheep across empty acres and cutting and gathering peat for fuel. The Dark Stuff is an examination of how this landscape affected him and others. Donald explores his early life on the Isle of Lewis together with the experiences of those who lived near moors much further afield, from the Highlands and Islands of Scotland to the Netherlands, Germany, Ireland and even Australia. Examining this environment in all its roles and guises, Donald reflects on the ways that for centuries humans have represented the moor in literature, art and folktale, and he reveals how in some countries, these habitats remain an essential aspect of their industrial heritage and working life today. On his journey, Donald confronts the unexpected – how Europe''s peatlands are part of the dark heart of that continent, playing a crucial role in the history of crime and punishment in several countries. He also examines our current perception of moorland, asking how – for the sake, perhaps, of our planet''s survival – we can learn to love a landscape we have all too often in our history denigrated, feared and despised.

Even as he grew up on the edge of Lewis, the vastness of Russia never felt too distant for Donald S Murray. Its great literary traditions were often discussed in his home village, while the political unrest and religious fervour that marked its past and present were occassionally reflected in his life on the island. Inspired by the Russian canon, the songs, verse and stories contained within these pages draw upon the experiences of his youth, shifting continually between myth and history, the absurd and moving, the satirical and everyday. Its extraordinary and diverse narratives underline the truth of its opening line: 'I can see these islands mirror Russia.'

Every year, ten men from Ness, at the northern tip of the Isle of Lewis, sail north-east for some forty miles to a remote rock called Sulasgeir. Their mission is to catch and harvest the guga; the almost fully grown gannet chicks nesting on the two hundred foot high cliffs that circle the tiny island, which is barely half a mile long. After spending a fortnight in the arduous conditions that often prevail there, they return home with around two thousand of the birds, pickled and salted and ready for the tables of Nessmen and women both at home and abroad.The Guga Hunters tells the story of the men who voyage to Sulasgeir each year and the district they hail from, bringing out the full colour of their lives, the humour and drama of their exploits. They speak of the laughter that seasons their time together on Sulasgeir, of the risks and dangers they have faced. It also provides a fascinating insight into the social history of Ness, the culture and way-of-life that lies behind the world of the Guga Hunters, the timeless nature of the hunt, and reveals the hunt's connections to the traditions of other North Atlantic countries.Told in his district's poetry and prose, English and - occasionally - Gaelic, Donald S. Murray shows how the spirit of a community is preserved in this most unique of exploits.

'There have always been lighthouses in my life. There has been a closeness and steadiness to our relationship, as if they have kept pace and in close contact with me.'Lighthouses punctuate Scotland’s coastline – a stoic presence on the edge of the landscape. Since the earliest of these hardy structures were raised, they have been a lifeline for seafarers at the mercy of treacherous weather and uncertain navigation. Today over 100 of Scotland's lighthouses are listed buildings. The lighthouse is now one of many maritime resources which act ‘for the safety of all’. But we are still drawn to the solitary life of the keeper, the beauty of the lens of the lamp and the calm reassurance of a flashing light on a distant shore.Donald S Murray explores Scotland’s lighthouses through history, storytelling and the voices of the lightkeepers. From ancient beacons to the work of the Stevensons and the Northern Lighthouse Board, and from wartime strife to automation and preservation, the lighthouses stand as a testament to the nation’s innate connection to the sea.Published in partnership between Historic Environment Scotland and the Northern Lighthouse Board.

SHORTLISTED FOR THE 2021 HIGHLAND BOOK PRIZEA poisoned breeze blows across the waves … Operation Cauldron, 1952: Top-secret germ warfare experiments on monkeys and guinea pigs are taking place aboard a vessel moored off the Isle of Lewis. Local villagers Jessie and Duncan encounter strange sights on the deserted beach nearby and suspect the worst. And one government scientist wrestles with his own inner anguish over the testing, even if he believes extreme deterrent weapons are needed. When a noxious cloud of plague bacteria is released into the path of a passing trawler, disaster threatens. Will a deadly pandemic be inevitable?A haunting exploration of the costs and fallout of warmongering, Donald S Murray follows his prize-winning first novel with an equally moving exploration of another little-known incident in the Outer Hebridean island where he grew up.

Donald S. Murray is widely recognised for his empathy and remarkable ability to convey emotion with restraint and poignancy. In this short collection of poems written during lockdown at his Shetland home, Murray explores the changing geography of the island and how it has, in turn, changed him. On his daily walks through the village, Murray found himself noting shifts in the wind and weather, the imperceptible widening of the sea, and the way time has slowed. Noting the way, too, in which flocks of sheep or birds congregated in a field in anticipation of the arrival of a storm. With beautiful imagery and lyricism, The Man Who Talks to Birds taps into a deep connection with nature, and its ability to ground us, that many of us have rediscovered during 2020.

In the small hours of January 1st, 1919, the cruellest twist of fate changed at a stroke the lives of an entire community. Tormod Morrison was there that terrible night. He was on board HMY Iolaire when it smashed into rocks and sank, killing some 200 servicemen on the very last leg of their long journey home from war. For Tormod – a man unlike others, with artistry in his fingertips – the disaster would mark him indelibly.Two decades later, Alasdair and Rachel are sent to the windswept Isle of Lewis to live with Tormod in his traditional blackhouse home, a world away from the Glasgow of their earliest years. Their grandfather is kind, compassionate, but still deeply affected by the remarkable true story of the Iolaire shipwreck – by the selfless heroism and desperate tragedy he witnessed.A deeply moving novel about passion constrained, coping with loss and a changing world, As the Women Lay Dreaming explores how a single event can so dramatically impact communities, individuals and, indeed, our very souls.

From the author of the prize-winning As the Women Lay Dreaming comes a remarkable ‘unreliable biography’ of Karl Kjerúlf Einarsson: an artist and an adventurer, a charlatan and a swindler, forever in search of Atlantis.As a child in the windswept, fog-bound Faroe Islands in the late nineteenth century, Karl Einarsson believes he is special, destined for a life of art and adventure. As soon as he can, he sets out for Copenhagen and beyond, styling himself as the Count of St. Kilda. He’s an observer and citizen of nowhere, a serial swindler of aristocrats and Nazis, fishermen and fops. But when his adventures find him in 1930s Berlin, he is forced for the first time to reckon with something much bigger than himself. As the Nazis rise to power around him, his wilful ignorance becomes unwitting complicity, even betrayal.  Based on a true story, this is a fantastical tale of island life, of those who leave and those who stay behind, and the many dangers of delusions and false identities.

April 21, 1923. The SS Metagama is inching out of Stornoway harbour on the Isle of Lewis, bound for Canada. On board are Finlay and Mairead; they are young and hopeful, leaving behind a community that has been touched by tragedy to change their lives forever…On the other side of the Atlantic, though, they face the realities of an uncaring industrial society. The effects of the Great Depression are inescapable, prejudice and division are rife, and though they remain bound by a shared past, their own lives soon diverge.In an adopted country that is tense with both opportunity and loss, social progress and violent backlash, can Mairead and Finlay keep their promises to one another, to look only forward, and resist the constant pull of home?From the author of the prize-winning As the Women Lay Dreaming comes a poignant and deeply evocative novel of the 20th-century emigrant experience in the New World. With lyrical prose and masterful storytelling, Murray paints a vivid portrait of the resilient Hebrideans-in-exile who struggled between holding on and letting go.

From the author of the prizewinning As the Women Lay Dreaming comes an evocative and deeply original novel that reimagines the lives of Hebrideans across the centuries, sweeping from the eighth century to the present day.Interlinked stories unfold across generations, layered like blankets of peat, where fragments of earlier lives lie preserved and later resurface: a sword hidden by a Viking raider; a rosary left behind in a place of sanctuary by a troubled priest.Past struggles, betrayals, loves and losses reverberate in the lives of modern islanders, woven and distilled by the legacies of the Clearances and devastating wars. Again and again, men and women return to the beehive-shaped stone shelter on a tiny island at the edge of the Loch of the Bees — a place of refuge, memory and renewal.Here, the land keeps its secrets, and time curves back on itself, as the living find connection with those who came before.

Thousands of visitors go to the Italian Chapel in Orkney every year, witnesses to a series of remarkable acts of transformation. Among these are the Churchill Barriers nearby, straddling the ocean to link a number of Orkney's southernmost islands to its mainland. Constructed to protect Britain's naval fleet in Scapa Flow during World War Two, its builders included a group of Italian soldiers imprisoned in this bleak and windswept part of Scotland. In the course of this, they not only played a part in changing Orkney's way-of-life forever but also transformed a simple Nissen Hut, constructing through their labours a place-of-worship that still stands till this day a remarkable symbol of their identity and faith.The Italian Chapel: Orkney tells the story of the strength and tenacity, laughter and tears of the men who built the Italian Chapel, showing how spirits defeated and despondent during years of exile were lifted by its creation. It does this with its own artistry and grace, using folk-tale and myth to provide a fitting counterpart to the wonder and beauty of the building that inspired it.

'A heartwarming spectacle of desolation.' THE SPECTATOR'Deeply enjoyable ... a celebration of both the ordinary and the extraordinary.' THE SCOTSMANAn evocative social history of Europe's peatlands, moors, bogs and heaths.Donald S. Murray spent much of his childhood either playing or working on the moor, chasing sheep across empty acres and cutting and gathering peat for fuel.The Dark Stuff is an examination of how this landscape affected him and others. Donald explores his early life on the Isle of Lewis together with the experiences of those who lived near moors much further afield, from the Highlands and Islands of Scotland to the Netherlands, Germany, Ireland and even Australia. Examining this environment in all its roles and guises, Donald reflects on the ways that for centuries humans have represented the moor in literature, art and folktale, and he reveals how in some countries, these habitats remain an essential aspect of their industrial heritage and working life today.On his journey, Donald confronts the unexpected – how Europe’s peatlands are part of the dark heart of that continent, playing a crucial role in the history of crime and punishment in several countries. He also examines our current perception of moorland, asking how – for the sake, perhaps, of our planet’s survival – we can learn to love a landscape we have all too often in our history denigrated, feared and despised.

A lighthearted and informative narrative about the history of herring and our love affair with the silver darlings.Scots like to smoke or salt them. The Dutch love them raw. Swedes look on with relish as they open bulging, foul-smelling cans to find them curdling within. Jamaicans prefer them with a dash of chilli pepper. Germans and the English enjoy their taste best when accompanied by pickle's bite and brine.Throughout the long centuries men have fished around their coastlines and beyond, the herring has done much to shape both human taste and history. Men have co-operated and come into conflict over its shoals, setting out in boats to catch them, straying, too, from their home ports to bring full nets to shore. Women have also often been at the centre of the industry, gutting and salting the catch when the annual harvest had taken place, knitting, too, the garments fishermen wore to protect them from the ocean's chill.Following a journey from the western edge of Norway to the east of England, from Shetland and the Outer Hebrides to the fishing ports of the Baltic coast of Germany and the Netherlands, culminating in a visit to Iceland's Herring Era Museum, Donald S. Murray has stitched together tales of the fish that was of central importance to the lives of our ancestors, noting how both it - and those involved in their capture - were celebrated in the art, literature, craft, music and folklore of life in northern Europe.Blending together politics, science, history, religious and commercial life, Donald contemplates, too, the possibility of restoring the silver darlings of legend to these shores.

A lighthearted and informative narrative about the history of herring and our love affair with the silver darlings. Scots like to smoke or salt them. The Dutch love them raw. Swedes look on with relish as they open bulging, foul-smelling cans to find them curdling within. Jamaicans prefer them with a dash of chilli pepper. Germans and the English enjoy their taste best when accompanied by pickle's bite and brine. Throughout the long centuries men have fished around their coastlines and beyond, the herring has done much to shape both human taste and history. Men have co-operated and come into conflict over its shoals, setting out in boats to catch them, straying, too, from their home ports to bring full nets to shore. Women have also often been at the centre of the industry, gutting and salting the catch when the annual harvest had taken place, knitting, too, the garments fishermen wore to protect them from the ocean's chill. Following a journey from the western edge of Norway to the east of England, from Shetland and the Outer Hebrides to the fishing ports of the Baltic coast of Germany and the Netherlands, culminating in a visit to Iceland's Herring Era Museum, Donald S. Murray has stitched together tales of the fish that was of central importance to the lives of our ancestors, noting how both it - and those involved in their capture - were celebrated in the art, literature, craft, music and folklore of life in northern Europe. Blending together politics, science, history, religious and commercial life, Donald contemplates, too, the possibility of restoring the silver darlings of legend to these shores.

An evocative social history of Europe''s peatlands, moors, bogs and heaths.Donald S. Murray spent much of his childhood either playing or working on the moor, chasing sheep across empty acres and cutting and gathering peat for fuel. The Dark Stuff is an examination of how this landscape affected him and others. Donald explores his early life on the Isle of Lewis together with the experiences of those who lived near moors much further afield, from the Highlands and Islands of Scotland to the Netherlands, Germany, Ireland and even Australia. Examining this environment in all its roles and guises, Donald reflects on the ways that for centuries humans have represented the moor in literature, art and folktale, and he reveals how in some countries, these habitats remain an essential aspect of their industrial heritage and working life today. On his journey, Donald confronts the unexpected – how Europe''s peatlands are part of the dark heart of that continent, playing a crucial role in the history of crime and punishment in several countries. He also examines our current perception of moorland, asking how – for the sake, perhaps, of our planet''s survival – we can learn to love a landscape we have all too often in our history denigrated, feared and despised.

An evocative social history of Europe''s peatlands, moors, bogs and heaths.Donald S. Murray spent much of his childhood either playing or working on the moor, chasing sheep across empty acres and cutting and gathering peat for fuel. The Dark Stuff is an examination of how this landscape affected him and others. Donald explores his early life on the Isle of Lewis together with the experiences of those who lived near moors much further afield, from the Highlands and Islands of Scotland to the Netherlands, Germany, Ireland and even Australia. Examining this environment in all its roles and guises, Donald reflects on the ways that for centuries humans have represented the moor in literature, art and folktale, and he reveals how in some countries, these habitats remain an essential aspect of their industrial heritage and working life today. On his journey, Donald confronts the unexpected – how Europe''s peatlands are part of the dark heart of that continent, playing a crucial role in the history of crime and punishment in several countries. He also examines our current perception of moorland, asking how – for the sake, perhaps, of our planet''s survival – we can learn to love a landscape we have all too often in our history denigrated, feared and despised.

Even as he grew up on the edge of Lewis, the vastness of Russia never felt too distant for Donald S Murray. Its great literary traditions were often discussed in his home village, while the political unrest and religious fervour that marked its past and present were occassionally reflected in his life on the island. Inspired by the Russian canon, the songs, verse and stories contained within these pages draw upon the experiences of his youth, shifting continually between myth and history, the absurd and moving, the satirical and everyday. Its extraordinary and diverse narratives underline the truth of its opening line: 'I can see these islands mirror Russia.'

Every year, ten men from Ness, at the northern tip of the Isle of Lewis, sail north-east for some forty miles to a remote rock called Sulasgeir. Their mission is to catch and harvest the guga; the almost fully grown gannet chicks nesting on the two hundred foot high cliffs that circle the tiny island, which is barely half a mile long. After spending a fortnight in the arduous conditions that often prevail there, they return home with around two thousand of the birds, pickled and salted and ready for the tables of Nessmen and women both at home and abroad.The Guga Hunters tells the story of the men who voyage to Sulasgeir each year and the district they hail from, bringing out the full colour of their lives, the humour and drama of their exploits. They speak of the laughter that seasons their time together on Sulasgeir, of the risks and dangers they have faced. It also provides a fascinating insight into the social history of Ness, the culture and way-of-life that lies behind the world of the Guga Hunters, the timeless nature of the hunt, and reveals the hunt's connections to the traditions of other North Atlantic countries.Told in his district's poetry and prose, English and - occasionally - Gaelic, Donald S. Murray shows how the spirit of a community is preserved in this most unique of exploits.

'There have always been lighthouses in my life. There has been a closeness and steadiness to our relationship, as if they have kept pace and in close contact with me.'Lighthouses punctuate Scotland’s coastline – a stoic presence on the edge of the landscape. Since the earliest of these hardy structures were raised, they have been a lifeline for seafarers at the mercy of treacherous weather and uncertain navigation. Today over 100 of Scotland's lighthouses are listed buildings. The lighthouse is now one of many maritime resources which act ‘for the safety of all’. But we are still drawn to the solitary life of the keeper, the beauty of the lens of the lamp and the calm reassurance of a flashing light on a distant shore.Donald S Murray explores Scotland’s lighthouses through history, storytelling and the voices of the lightkeepers. From ancient beacons to the work of the Stevensons and the Northern Lighthouse Board, and from wartime strife to automation and preservation, the lighthouses stand as a testament to the nation’s innate connection to the sea.Published in partnership between Historic Environment Scotland and the Northern Lighthouse Board.

SHORTLISTED FOR THE 2021 HIGHLAND BOOK PRIZEA poisoned breeze blows across the waves … Operation Cauldron, 1952: Top-secret germ warfare experiments on monkeys and guinea pigs are taking place aboard a vessel moored off the Isle of Lewis. Local villagers Jessie and Duncan encounter strange sights on the deserted beach nearby and suspect the worst. And one government scientist wrestles with his own inner anguish over the testing, even if he believes extreme deterrent weapons are needed. When a noxious cloud of plague bacteria is released into the path of a passing trawler, disaster threatens. Will a deadly pandemic be inevitable?A haunting exploration of the costs and fallout of warmongering, Donald S Murray follows his prize-winning first novel with an equally moving exploration of another little-known incident in the Outer Hebridean island where he grew up.

Donald S. Murray is widely recognised for his empathy and remarkable ability to convey emotion with restraint and poignancy. In this short collection of poems written during lockdown at his Shetland home, Murray explores the changing geography of the island and how it has, in turn, changed him. On his daily walks through the village, Murray found himself noting shifts in the wind and weather, the imperceptible widening of the sea, and the way time has slowed. Noting the way, too, in which flocks of sheep or birds congregated in a field in anticipation of the arrival of a storm. With beautiful imagery and lyricism, The Man Who Talks to Birds taps into a deep connection with nature, and its ability to ground us, that many of us have rediscovered during 2020.

In the small hours of January 1st, 1919, the cruellest twist of fate changed at a stroke the lives of an entire community. Tormod Morrison was there that terrible night. He was on board HMY Iolaire when it smashed into rocks and sank, killing some 200 servicemen on the very last leg of their long journey home from war. For Tormod – a man unlike others, with artistry in his fingertips – the disaster would mark him indelibly.Two decades later, Alasdair and Rachel are sent to the windswept Isle of Lewis to live with Tormod in his traditional blackhouse home, a world away from the Glasgow of their earliest years. Their grandfather is kind, compassionate, but still deeply affected by the remarkable true story of the Iolaire shipwreck – by the selfless heroism and desperate tragedy he witnessed.A deeply moving novel about passion constrained, coping with loss and a changing world, As the Women Lay Dreaming explores how a single event can so dramatically impact communities, individuals and, indeed, our very souls.

From the author of the prize-winning As the Women Lay Dreaming comes a remarkable ‘unreliable biography’ of Karl Kjerúlf Einarsson: an artist and an adventurer, a charlatan and a swindler, forever in search of Atlantis.As a child in the windswept, fog-bound Faroe Islands in the late nineteenth century, Karl Einarsson believes he is special, destined for a life of art and adventure. As soon as he can, he sets out for Copenhagen and beyond, styling himself as the Count of St. Kilda. He’s an observer and citizen of nowhere, a serial swindler of aristocrats and Nazis, fishermen and fops. But when his adventures find him in 1930s Berlin, he is forced for the first time to reckon with something much bigger than himself. As the Nazis rise to power around him, his wilful ignorance becomes unwitting complicity, even betrayal.  Based on a true story, this is a fantastical tale of island life, of those who leave and those who stay behind, and the many dangers of delusions and false identities.

April 21, 1923. The SS Metagama is inching out of Stornoway harbour on the Isle of Lewis, bound for Canada. On board are Finlay and Mairead; they are young and hopeful, leaving behind a community that has been touched by tragedy to change their lives forever…On the other side of the Atlantic, though, they face the realities of an uncaring industrial society. The effects of the Great Depression are inescapable, prejudice and division are rife, and though they remain bound by a shared past, their own lives soon diverge.In an adopted country that is tense with both opportunity and loss, social progress and violent backlash, can Mairead and Finlay keep their promises to one another, to look only forward, and resist the constant pull of home?From the author of the prize-winning As the Women Lay Dreaming comes a poignant and deeply evocative novel of the 20th-century emigrant experience in the New World. With lyrical prose and masterful storytelling, Murray paints a vivid portrait of the resilient Hebrideans-in-exile who struggled between holding on and letting go.

From the author of the prizewinning As the Women Lay Dreaming comes an evocative and deeply original novel that reimagines the lives of Hebrideans across the centuries, sweeping from the eighth century to the present day.Interlinked stories unfold across generations, layered like blankets of peat, where fragments of earlier lives lie preserved and later resurface: a sword hidden by a Viking raider; a rosary left behind in a place of sanctuary by a troubled priest.Past struggles, betrayals, loves and losses reverberate in the lives of modern islanders, woven and distilled by the legacies of the Clearances and devastating wars. Again and again, men and women return to the beehive-shaped stone shelter on a tiny island at the edge of the Loch of the Bees — a place of refuge, memory and renewal.Here, the land keeps its secrets, and time curves back on itself, as the living find connection with those who came before.

Thousands of visitors go to the Italian Chapel in Orkney every year, witnesses to a series of remarkable acts of transformation. Among these are the Churchill Barriers nearby, straddling the ocean to link a number of Orkney's southernmost islands to its mainland. Constructed to protect Britain's naval fleet in Scapa Flow during World War Two, its builders included a group of Italian soldiers imprisoned in this bleak and windswept part of Scotland. In the course of this, they not only played a part in changing Orkney's way-of-life forever but also transformed a simple Nissen Hut, constructing through their labours a place-of-worship that still stands till this day a remarkable symbol of their identity and faith.The Italian Chapel: Orkney tells the story of the strength and tenacity, laughter and tears of the men who built the Italian Chapel, showing how spirits defeated and despondent during years of exile were lifted by its creation. It does this with its own artistry and grace, using folk-tale and myth to provide a fitting counterpart to the wonder and beauty of the building that inspired it.