Donald Silver – författare

'The combination of humorous, scientifically grounded text with detailed, realistic drawings will pique the interest of armchair naturalists and active explorers alike' - "Publisher's Weekly". Be alert, because when you step into this spooky, twilight zone, anything can happen. Suddenly, a bat squeaks overhead while a slithery something - a salamander - slides around your foot into a dark crack. Move your flashlight and cave crickets wiggle their antennas as a frog croaks somewhere nearby. Look up and the heart-shaped face of a barn owl may fix you with an icy stare. One small square at a time, you feel the mushiness of the damp earth and experience a world of natural wonders where shy inhabitants wait in shadows for you to discover them. "Cave" is just one of the exciting, vibrantly illustrated volumes in the critically acclaimed "One Small Square" series of science and nature books for children ages 6-9.Each book includes: stunning full-colour illustrations of each habitat and its creatures; motivating experiments and activities, along with clear, diagrammed instructions and safety tips; a picture field guide to the habitat; a glossary-index and resource list."One Small Square" - an eye opening series - puts the whole world in perspective for children, one small square at a time. Each book is a thrilling, up-close encounter with mammals, insects, plants, birds, fish, amphibians, bacteria, and the ecosystems in which they live. 'Science education at its best' - Science Books and Films.About the author and illustrator: Donald M. Silver is the author of more than 40 science books for children and teachers alike. In addition to the award winning "One Small Square" series, he has written "The Animal World", "Why Save the Rain Forest?, "Extinction Is Forever", and "The Dinosaur Activity Book" - all illustrated by Patricia J. Wynne. Patricia J. Wynne's illustrations have also appeared in "Scientific American", "Natural History", and "The New York Times" as well as in the highly praised books "Hungry", "Hungry Sharks", and 'The Human Body". Both the author and illustrator live in New York City.

An exciting journey of science discovery is as near as your own backyard. Just one small square is alive with creepers and crawlers, lifters and leapers, singers, buzzers, climbers, builders, and recyclers. Backyard invites children ages 7 and up to become nature lovers by looking, listening, touching, and smelling the world from the ground up! From the unique One Small Square series of science acitivity books. . .where children can explore exotic and familiar ecosystems in detail, one small square at a time.

Fish and fungi, plants and protists, mammals and monera all seem to get along swimmingly in and around the peaceful-looking pond environment. But a closer look at a small square reveals an ever-changing world. . .home to a larger variety of creatures and goings-on than you'd ever imagine, even in just a drop of its water! This beautifully illustrated "you are there" science book--part of the critically acclaimed One Small Square series--is brimming over with fun-to-do experiments and activities for children ages 7 and up. Includes a pond field guide, a glossary-index, and a resource list.

It’s a sun-scorched world where clouds rarely come and nothing seems to move. That is, until children ages 6 - 9 up look a little closer to find tortoises, toads, and lizards, not to mention the scary rattlesnake and scorpion. Here, plants send their roots deep into the earth to find water, beetles stand on their head and shoot a stinky spray to fight off enemies, and roadrunners whiz by sleepy turtles and nervous desert mice on their way to ... where? Kids need only light clothes and a few simple pieces of equipment to explore the enchantments of cactus country.

Hardy adventurers ages 6 - 9 dive into a silent watery world where tiny coral animals grow together to form rock gardens of white, pink, and red-orange. In this action-packed undersea circus, jaws snap, tentacles sting, ink gets squirted, and fish suddenly glow while animals that look like plants sway gently and bashful clams hide the lively secrets inside their shells. Surprisingly dry and armed with a few pieces of equipment and their boundless imaginations, children explore this magical realm one small square at a time. "Science education at its best." — Science Books and Films

'Bound to excite would-be scientists and browsers alike' - "ALA Booklist". It's teeming with life - many kinds of life. Giant cats and skittish bats. Squawking parrots and upside-down sloths. Even the trees seem animated, with their long, loopy vines. From its earth floor to the top of the tree canopy, "The Tropical Rain Forest" has more things living in it than any other habitat on earth. Stunning drawings, step-by-step experiments, fun activities, and fascinating facts abound in this magical exploration on an essential ecosystem - which may now be in danger of disappearing forever.With this book, you can explore one small square of rain forest, in a zoo as a nature preserve, or at home. This is a welcome new addition to the critically acclaimed "One Small Square" and nature series for children ages 6 to 9. This book includes: stunning full-color illustrations of the habitat and its creatures; motivating experiments and activities, along with clear, diagrammed instructions and safety tips; a picture field guide to the habitat; a glossary-index and resource list. "One Small Square" puts the whole world in perspective for children, one small square at a time.Each book is a thrilling, up-close encounter with the natural world; from the stars above us to the habitats, ecosystems, and creatures around us.

First published in 1994. This is Volume 1, No 2 of the Psychoanalytic Inquiry which focuses on commentaries on John Gedo's 'Beyond Interpretation', We see Beyond Interpretation as offering a seasoned and detailed proposal. The essayists have been chosen for their well-established competence and differences in background from the author and from each other. This issue of Psychoanalytic Inquiry consists of six essays written in response to Gedo's ideas. In tum, Gedo responds to the essayists. The scope of issues covered in Beyond Interpretation can best be appreciated when we consider that Gedo offers a critique of existing psychoanalytic theory, a proposal for specific revisions in both general and clinical theory, and specific proposals for revisions of analytic technique.

When the late Heinz Kohut defined psychoanalysis as the science of empathy and introspection, he sparked a debate that has animated psychoanalytic discourse ever since. What is the relationship of empathy to psychoanalysis? Is it a constituent of analytical technique, an integral aspect of the therapeutic action of analysis, or simply a metaphor for a mode of observation better understood via ‘classical’ theory and terminology? The dialogue about empathy, which is really a dialogue about the nature of the analytic process, continues in this two-volume set, originally published in 1984.In Volume I, several illuminating attempts to define empathy are followed by Kohut’s essay, ‘Introspection, Empathy, and the Semicircle of Mental Health.’ Kohut’s paper, in turn, ushers in a series of original contributions on ‘Empathy as a Perspective in Psychoanalysis.’ The volume ends with five papers which strive to demarcate an empathic approach to various areas of artistic endeavour, including the appreciation of visual art.Volume II continues the dialogue with a series of developmental studies which explore the role of empathy in early child care at the same time as they chart the emergence of the young child’s capacity to empathize. In the concluding section, ‘Empathy in Psychoanalytic Work,’ contributors and discussants return to the arena of technique. They not only theorize about empathy in relation to analytic understanding and communication, but address issues of nosology, considering how the empathic vantage point may be utilized in the treatment of patients with borderline and schizophrenic pathology.In their critical attention to the many dimensions of empathy – philosophical, developmental, therapeutic, artistic – the contributors collectively bear witness to the fact that Kohut has helped to shape new questions, but not set limits to the search for answers. The product of their efforts is an anatomical exploration of a topic whose relevance for psychoanalysis and psychotherapy is only beginning to be understood.

When the late Heinz Kohut defined psychoanalysis as the science of empathy and introspection, he sparked a debate that has animated psychoanalytic discourse ever since. What is the relationship of empathy to psychoanalysis? Is it a constituent of analytical technique, an integral aspect of the therapeutic action of analysis, or simply a metaphor for a mode of observation better understood via ‘classical’ theory and terminology? The dialogue about empathy, which is really a dialogue about the nature of the analytic process, continues in this two-volume set, originally published in 1984.In Volume 1, several illuminating attempts to define empathy are followed by Kohut’s essay, ‘Introspection, Empathy, and the Semicircle of Mental Health.’ Kohut’s paper, in turn, ushers in a series of original contributions on ‘Empathy as a Perspective in Psychoanalysis.’ The volume ends with five papers which strive to demarcate an empathic approach to various areas of artistic endeavour, including the appreciation of visual art.Volume 2 continues the dialogue with a series of developmental studies which explore the role of empathy in early child care at the same time as they chart the emergence of the young child’s capacity to empathize. In the concluding section, ‘Empathy in Psychoanalytic Work,’ contributors and discussants return to the arena of technique. They not only theorize about empathy in relation to analytic understanding and communication, but address issues of nosology, considering how the empathic vantage point may be utilized in the treatment of patients with borderline and schizophrenic pathology.In their critical attention to the many dimensions of empathy – philosophical, developmental, therapeutic, artistic – the contributors collectively bear witness to the fact that Kohut has helped to shape new questions, but not set limits to the search for answers. The product of their efforts is an anatomical exploration of a topic whose relevance for psychoanalysis and psychotherapy is only beginning to be understood.

When the late Heinz Kohut defined psychoanalysis as the science of empathy and introspection, he sparked a debate that has animated psychoanalytic discourse ever since. What is the relationship of empathy to psychoanalysis? Is it a constituent of analytical technique, an integral aspect of the therapeutic action of analysis, or simply a metaphor for a mode of observation better understood via ‘classical’ theory and terminology? The dialogue about empathy, which is really a dialogue about the nature of the analytic process, continues in this two-volume set, originally published in 1984.In Volume I, several illuminating attempts to define empathy are followed by Kohut’s essay, ‘Introspection, Empathy, and the Semicircle of Mental Health.’ Kohut’s paper, in turn, ushers in a series of original contributions on ‘Empathy as a Perspective in Psychoanalysis.’ The volume ends with five papers which strive to demarcate an empathic approach to various areas of artistic endeavour, including the appreciation of visual art.Volume II continues the dialogue with a series of developmental studies which explore the role of empathy in early child care at the same time as they chart the emergence of the young child’s capacity to empathize. In the concluding section, ‘Empathy in Psychoanalytic Work,’ contributors and discussants return to the arena of technique. They not only theorize about empathy in relation to analytic understanding and communication, but address issues of nosology, considering how the empathic vantage point may be utilized in the treatment of patients with borderline and schizophrenic pathology.In their critical attention to the many dimensions of empathy – philosophical, developmental, therapeutic, artistic – the contributors collectively bear witness to the fact that Kohut has helped to shape new questions, but not set limits to the search for answers. The product of their efforts is an anatomical exploration of a topic whose relevance for psychoanalysis and psychotherapy is only beginning to be understood.

When the late Heinz Kohut defined psychoanalysis as the science of empathy and introspection, he sparked a debate that has animated psychoanalytic discourse ever since. What is the relationship of empathy to psychoanalysis? Is it a constituent of analytical technique, an integral aspect of the therapeutic action of analysis, or simply a metaphor for a mode of observation better understood via ‘classical’ theory and terminology? The dialogue about empathy, which is really a dialogue about the nature of the analytic process, continues in this two-volume set, originally published in 1984.In Volume I, several illuminating attempts to define empathy are followed by Kohut’s essay, ‘Introspection, Empathy, and the Semicircle of Mental Health.’ Kohut’s paper, in turn, ushers in a series of original contributions on ‘Empathy as a Perspective in Psychoanalysis.’ The volume ends with five papers which strive to demarcate an empathic approach to various areas of artistic endeavour, including the appreciation of visual art.Volume II continues the dialogue with a series of developmental studies which explore the role of empathy in early child care at the same time as they chart the emergence of the young child’s capacity to empathize. In the concluding section, ‘Empathy in Psychoanalytic Work,’ contributors and discussants return to the arena of technique. They not only theorize about empathy in relation to analytic understanding and communication, but address issues of nosology, considering how the empathic vantage point may be utilized in the treatment of patients with borderline and schizophrenic pathology.In their critical attention to the many dimensions of empathy – philosophical, developmental, therapeutic, artistic – the contributors collectively bear witness to the fact that Kohut has helped to shape new questions, but not set limits to the search for answers. The product of their efforts is an anatomical exploration of a topic whose relevance for psychoanalysis and psychotherapy is only beginning to be understood.