Donyelle C. McCray – författare

The world is slowly emerging from the worst global emergency in a century, and the myriad struggles of the contemporary moment—division, isolation, illness, and uncertainty—make living our faith a challenge. For Christians, a number of questions have gained new urgency: Where do we find hope when it seems in such short supply? Where are the signs of God''s peace in this divided world? Where do we find a deeper sense of joy?

Thomas G. Long and Donyelle C. McCray remind us that these are the questions of Advent in their new daily devotional, A Surprising God. Mindful of the stresses of life today in a world torn apart by conflict, marked by political division, and in the midst of a global health crisis, these devotions for Advent and Christmas invite readers to honest reflection on the challenges of being people of faith in this moment. Long and McCray explore what it means to wait for our salvation, to be open to the surprising thing that God is about to do, and to find hope in God''s choice of the small and the insignificant.

Is It a Sermon? is an informative and daring call to blur the boundaries of the sermon genre, exploring the “shoreline” of homiletics, or the place where preaching laps up against other modes of discourse.

In this book, Donyelle McCray explores how preaching merges with prayer, song, performance, and activism—the gospel dancing in and out of the forms we create for it. Consider the sermonic performance of Isaiah walking naked and barefoot for three years, the deaconess whose morning prayer rhythmically flows into sermon, or the gospel soloist who pauses in her song to tell a story or break into a sermonette. McCray is interested in the possibilities that emerge when we play at the shoreline, and she questions what modes of preaching get overlooked due to genre classifications. She seeks to discover what we might learn from these shoreline preachers about bearing witness, enacting Scripture, and listening to life. 

While these questions could be explored generally, McCray focuses on African American preachers who play at the boundaries of the sermon genre, with attention to how genre fluidity provides a means of drawing on ancestral wisdom. Key figures like Mahalia Jackson, Harriet Powers, Rosie Lee Tomkins, Thea Bowman, Howard Thurman, and Toni Morrison are examined as artists, activists, and proclaimers. She shines a new light on their work and points out how they reform preacherly identities and refuse traditional patterns of holding authority. Ultimately, in blurring the boundaries of sermon genre, this book offers readers strategies for embracing their voices more fully within and beyond the pulpit.