Dorothy Lee – författare

The book examines six long narratives of the Fourth Gospel, arguing that they are best understood as ''symbolic narrative''. They display a unique cohesion of symbol and narrative: the narrative unfolds the symbol and the symbol draws out the narrative. This process occurs as the character struggles to understand the symbolic meaning. The structure develops in five Stages: the establishing of a ''sign'', image or feast (Stage 1); misunderstood in materialistic terms (Stage 2); the struggle to understand the symbolic meaning (Stage 3); the acceptance or rejection of that meaning (Stage 4); a confession of faith or statement of rejection (Stage 5). The symbolic narratives reveal how material reality becomes symbolic of the divine. Just as the flesh of Jesus is the symbol of divine glory, so material reality now has the potential for symbolizing God. Flesh has no independent existence; its value lies in its symbolic role. This parallels the cohesion between form and meaning. Just as the flesh is given value in symbolizing the divine, so narrative form is of value in disclosing theological meaning. The implied reader is drawn into the drama of the symbolic narratives to make the authentic response of faith.

Dorothy Lee argues passionately for restoring the study of The Transfiguration to the centre of the theological stage, and she succeeds triumphantly. Whereas a theology of transfiguration has long been an essential part of the Eastern theologoical tradition, it has often seemed strange to our Western rational minds. The book argues that the transfiguration functions as an epiphany revealing Jesus' true identity and also an apocalyptic vision, depicting God's transforming future. A chapter is devoted to each of the four New Testament narratives of the transfiguration, setting the story within the wider literary and theological framework of the text. Traces of the transfiguration are examined in other parts of the New Testament, particularly in The Gospel of John, where the symbolism is close to that of the transfiguration. Finally, the author draws out the symbolism and theological implications of the transfiguration for an understanding of Christ, God's radical future and the transformation of all creation, drawing on the icons of Eastern Christianity and Western theologies of beauty. This book is a small masterpiece and a model of clarity and lucid exposition.

Dorothy Lee argues passionately for restoring the study of The Transfiguration to the centre of the theological stage, and she succeeds triumphantly. Whereas a theology of transfiguration has long been an essential part of the Eastern theologoical tradition, it has often seemed strange to our Western rational minds.The book argues that the transfiguration functions as an epiphany revealing Jesus' true identity and also an apocalyptic vision, depicting God's transforming future. A chapter is devoted to each of the four New Testament narratives of the transfiguration, setting the story within the wider literary and theological framework of the text. Traces of the transfiguration are examined in other parts of the New Testament, particularly in The Gospel of John, where the symbolism is close to that of the transfiguration. Finally, the author draws out the symbolism and theological implications of the transfiguration for an understanding of Christ, God's radical future and the transformation of all creation, drawing on the icons of Eastern Christianity and Western theologies of beauty.This book is a small masterpiece and a model of clarity and lucid exposition.