Dorthe Refslund Christensen - Böcker

Over the last decade, the close relationship between culture and economy - or "the experience economy" – has risen on the agenda. Although there is an established research field for analysing the economic impact of entrepreneurship, there is currently a limited amount of research that analyses the cultural impact and opportunity of entrepreneurship. Linking experience economy with enterprising behavior moves the term away from businesses' competitiveness and consumer behavior towards a more value-focused business in general. This ground-breaking book integrates entrepreneurship and empowerment into one central theme, drawing on research from both the social sciences (innovation, entrepreneurship, empowerment and activism) and the humanities (participatory culture, user-generated designs, creative networks). Enterprising Initiatives expands the definition of entrepreneurship beyond a primarily economic profit-seeking phenomenon to a broader understanding of enterprising behaviour based on an individual-opportunity nexus. Beyond social entrepreneurship, it explores a broad range of individual, collective and cooperative citizen initiatives under the umbrella of enterprising action.This innovative approach will be of great interest to scholars in entrepreneurship, social entrepreneurship, cultural entrepreneurship, cultural studies, and consumer culture, as well as for policy makers in public and local government, regional development and cultural event management.

Over the last decade, the close relationship between culture and economy - or "the experience economy" – has risen on the agenda. Although there is an established research field for analysing the economic impact of entrepreneurship, there is currently a limited amount of research that analyses the cultural impact and opportunity of entrepreneurship. Linking experience economy with enterprising behavior moves the term away from businesses' competitiveness and consumer behavior towards a more value-focused business in general. This ground-breaking book integrates entrepreneurship and empowerment into one central theme, drawing on research from both the social sciences (innovation, entrepreneurship, empowerment and activism) and the humanities (participatory culture, user-generated designs, creative networks). Enterprising Initiatives expands the definition of entrepreneurship beyond a primarily economic profit-seeking phenomenon to a broader understanding of enterprising behaviour based on an individual-opportunity nexus. Beyond social entrepreneurship, it explores a broad range of individual, collective and cooperative citizen initiatives under the umbrella of enterprising action.This innovative approach will be of great interest to scholars in entrepreneurship, social entrepreneurship, cultural entrepreneurship, cultural studies, and consumer culture, as well as for policy makers in public and local government, regional development and cultural event management.

Inspired by the grief of Australian musician Nick Cave, this edited anthology presents a host of creative and aesthetic ways of living with grief. In doing so, it challenges persistent attempts to homogenise grief and frame it as a solely negative and barren state from which the bereaved must expediently escape.Across 11 chapters, each an account of lived grief by multi-disciplinary academics, artists and funeral professionals, this book showcases the potential for creativity and aesthetic experience within grief. Through autoethnographic and research-based approaches, communicated through evocative imagery as well as text, contributors describe creative and aesthetic ways of grieving that are spectacularly rich, profoundly idiosyncratic and fantastically diverse, forged artfully, playfully and inventively within their contexts, knowledges and realities.Via these layered and living articulations, this book reflects our capacity—and indeed our right—to craft griefs resonant with our own ways of being, lives and contexts, and it attests that forging our own griefways is a creative enterprise that can be enriching, transforming, connecting, protecting and even beautiful. This anthology will be of interest and inspiration not only to diverse academics and grief practitioners alike, but to all of us who are mortal and all of us who grieve.

Inspired by the grief of Australian musician Nick Cave, this edited anthology presents a host of creative and aesthetic ways of living with grief. In doing so, it challenges persistent attempts to homogenise grief and frame it as a solely negative and barren state from which the bereaved must expediently escape.Across 11 chapters, each an account of lived grief by multi-disciplinary academics, artists and funeral professionals, this book showcases the potential for creativity and aesthetic experience within grief. Through autoethnographic and research-based approaches, communicated through evocative imagery as well as text, contributors describe creative and aesthetic ways of grieving that are spectacularly rich, profoundly idiosyncratic and fantastically diverse, forged artfully, playfully and inventively within their contexts, knowledges and realities.Via these layered and living articulations, this book reflects our capacity—and indeed our right—to craft griefs resonant with our own ways of being, lives and contexts, and it attests that forging our own griefways is a creative enterprise that can be enriching, transforming, connecting, protecting and even beautiful. This anthology will be of interest and inspiration not only to diverse academics and grief practitioners alike, but to all of us who are mortal and all of us who grieve.

Departing from a persisting current in Western thought, which conceives of time in the abstract, and often reflects upon death as occupying a space at life's margins, this book begins from position that it is in fact through the material and perishable world that we experience time. As such, it is with death and our encounters with it, that form the basis of human conceptions of time. Presenting rich, interdisciplinary empirical studies of death rituals and practices across the globe, from the US and Europe, Asia, The Middle East, Australasia and Africa, Taming Time, Timing Death explores the manner in which social technologies and rituals have been and are implemented to avoid, delay or embrace death, or communicate with the dead, thus informing and manifesting humans' understanding of time. It will therefore be of interest to scholars and students of anthropology, philosophy, sociology and social theory, human geography and religion.

From the ritual object which functions as a substitute for the dead - thus acting as a medium for communicating with the ’other world’ - to the representation of death, violence and suffering in media, or the use of online social networks as spaces of commemoration, media of various kinds are central to the communication and performance of death-related socio-cultural practices of individuals, groups and societies. This second volume of the Studies in Death, Materiality and Time series explores the ways in which such practices are subject to ’re-mediation’; that is to say, processes by which well-known practices are re-presented in new ways through various media formats. Presenting rich, interdisciplinary new empirical case studies and fieldwork from the US and Europe, Asia, The Middle East, Australasia and Africa, Mediating and Remediating Death shows how different media forms contribute to the shaping and transformation of various forms of death and commemoration, whether in terms of their range and distribution, their relation to users or their roles in creating and maintaining communities. With its broad and multi-faceted focus on how uses of media can redraw the traditional boundaries of death-related practices and create new cultural realities, this book will appeal to scholars across the social sciences and humanities with interests in ritual and commemoration practices, the sociology and anthropology of death and dying, and cultural and media studies.

Departing from a persisting current in Western thought, which conceives of time in the abstract, and often reflects upon death as occupying a space at life's margins, this book begins from position that it is in fact through the material and perishable world that we experience time. As such, it is with death and our encounters with it, that form the basis of human conceptions of time. Presenting rich, interdisciplinary empirical studies of death rituals and practices across the globe, from the US and Europe, Asia, The Middle East, Australasia and Africa, Taming Time, Timing Death explores the manner in which social technologies and rituals have been and are implemented to avoid, delay or embrace death, or communicate with the dead, thus informing and manifesting humans' understanding of time. It will therefore be of interest to scholars and students of anthropology, philosophy, sociology and social theory, human geography and religion.