Douglas Brooks – författare

Numerological patterning in literature, where structural details of a literary work are symbolically related to its meaning on the verbal level, was particularly common from the Middle Ages up to the seventeenth century. Originally published in 1973, the author breaks new ground in revealing that familiarity with this technique lived on into the eighteenth century, supplying the more artistically aware of the early British novelists with meaningful formal guidelines.An account is given of the origins and continuity of the numerological tradition in Western European – and particularly English – thought as it affected literary structure. The careful structural patterning in the novels of Defoe and in Fielding’s Joseph Andrews and Tom Jones is examined in detail. Smollett, too, is shown to have been interested in exploring the possibilities of number and pattern, and the clear-cut numerological framework of Sterne’s Tristram Shandy is revealed.This original and controversial study combines structural analysis with fresh interpretative insights, and draws parallels with painting, music and architecture. It also has an important bearing on the history of ideas in the first half of the eighteenth century.

Numerological patterning in literature, where structural details of a literary work are symbolically related to its meaning on the verbal level, was particularly common from the Middle Ages up to the seventeenth century. Originally published in 1973, the author breaks new ground in revealing that familiarity with this technique lived on into the eighteenth century, supplying the more artistically aware of the early British novelists with meaningful formal guidelines.An account is given of the origins and continuity of the numerological tradition in Western European – and particularly English – thought as it affected literary structure. The careful structural patterning in the novels of Defoe and in Fielding’s Joseph Andrews and Tom Jones is examined in detail. Smollett, too, is shown to have been interested in exploring the possibilities of number and pattern, and the clear-cut numerological framework of Sterne’s Tristram Shandy is revealed.This original and controversial study combines structural analysis with fresh interpretative insights, and draws parallels with painting, music and architecture. It also has an important bearing on the history of ideas in the first half of the eighteenth century.

A very important part of printed circuit board (PCB) design involves sizing traces and vias to carry the required current. This exciting new book will explore how hot traces and vias should be and what board, circuit, design, and environmental parameters are the most important. PCB materials (copper and dielectrics) and the role they play in the heating and cooling of traces are covered. The IPC curves found in IPC 2152, the equations that fit those curves and computer simulations that fit those curves and equations are detailed. Sensitivity analyses that show what happens when environments are varied, including adjacent traces and planes, changing trace lengths, and thermal gradients are presented. Via temperatures and what determines them are explored, along with fusing issues and what happens when traces are overloaded. Voltage drops across traces and vias, the thermal effects going around right-angle corners, and frequency effects are covered. Readers learn how to measure the thermal conductivity of dielectrics and how to measure the resistivity of copper traces and why many prior attempts to do so have been doomed to failure. Industrial CT Scanning, and whether or not they might replace microsections for measuring trace parameters are also considered.