Douglas Murphy – författare

The opening campaign of the US-Mexican War transformed the map of each nation and shaped the course of conflict.Armed with a broad range of Mexican military documents and previously unknown US sources, Douglas Murphy provides the first balanced view of early battles such as Palo Alto and Resaca de la Palma. He reassesses previously covered territory and also poses new questions.Why did Mexico establish its defenses south of the Rio Grande while claiming territory north of the river? What was Mexico’s strategy in the campaign against the United States? What factors most affected Mexico’s defeat?In confronting these questions, Murphy shows that the campaign was a complex chess match with undercurrents of political intrigue, economic motivations, and personal animosities as much as military action. Two Armies on the Rio Grande will transform our understanding of the US-Mexican War.

Against those who consider architecture to be a wholly optimistic activity, this book shows how the history of modern architecture is inextricably tied to ideas of failure and ruin. By means of an original reading of the earliest origins of modernism, the Architecture of Failure exposes the ways in which failure has been suppressed, ignored and denied in the way we design our cities. It examines the 19th century fantasy architecture of the iron and glass exhibition palaces, strange, unprecedented, dream-like structures, almost all now lost, existing only as melancholy archive fragments; it traces the cultural legacy of these buildings through the heroics of the early 20th century, post-war radicals and recent developments, discussing related themes in art, literature, politics and philosophy. Critiquing the capitalist symbolism of the self-styled contemporary avant-garde, the book outlines a new history of contemporary architecture, and attempts to recover a radical approach to understanding what we build. Douglas Murphy blogs at http://www.youyouidiot.blogspot.com/

In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil, and the decline of great cities throughout the world. Out of this crisis came a new generation of thinkers, designers and engineers who hoped to build a better future, influenced by visions of geodesic domes, walking cities, and a meaningful connection with nature. In this brilliant work of cultural history, architect Douglas Murphy traces the lost archeology of the present-day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the ''60s, as well as co-operatives in Vienna, communes in the Californian desert, and protesters on the streets of Paris. In this mind-bending account of the last avant garde, we see not just the source of our current problems but also some powerful alternative futures.

In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil, and the decline of great cities throughout the world. Out of this crisis came a new generation of thinkers, designers and engineers who hoped to build a better future, influenced by visions of geodesic domes, walking cities, and a meaningful connection with nature. In this brilliant work of cultural history, architect Douglas Murphy traces the lost archeology of the present-day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the '60s, as well as co-operatives in Vienna, communes in the Californian desert, and protesters on the streets of Paris. In this mind-bending account of the last avant garde, we see not just the source of our current problems but also some powerful alternative futures.

In a world where the built environment seems ever more shaped by invisible market forces, where modern architecture can seem to dissolve into a generic void, sometimes it takes a very special person to make a difference. Alexander Boris de Pfeffel Johnson was Mayor of London from 2008 until 2016, during which time he took a remarkably keen interest in the built environment, commissioning, guiding, and shaping all manner of different projects. With his achievements he showed us all that massive privilege, leaping ambition, no concern for detail and a wasp's attention span needn't hold you back when it comes to creating terrible architecture. Nincompoopolis examines the built legacy of Johnson's tenure, from his embarrassing follies to the folly of his policies, and wonders if there's anything that can be learned from letting someone like him have a go at one the world's great cities.