Duncan Tonatiuh – författare

From first-time Mexican author and illustrator Duncan Tonatiuh comes the story of two cousins, one in America and one in Mexico, and how their daily lives are different yet similar. Charlie takes the subway to school; Carlitos rides his bike. Charlie plays in fallen leaves; Carlitos plays among the local cacti. Dear Primo covers the sights, sounds, smells, and tastes of two very different childhoods, while also emphasizing how alike Charlie and Carlitos are at heart. Spanish words are scattered among the English text, providing a wonderful way to introduce the language and culture of Mexico to young children.Inspired by the ancient art of the Mixtecs and other cultures of Mexico, Tonatiuh incorporates their stylized forms into his own artwork.F&P Level: MF&P Genre: RF

This charming book introduces one of the most popular artists of the twentieth century, Diego Rivera, to young readers. It tells the story of Diego as a young, mischievous boy who demonstrated a clear passion for art and then went on to become one of the most famous painters in the world. Duncan Tonatiuh also prompts readers to think about what Diego would paint today. Just as Diego's murals depicted great historical events in Mexican culture or celebrated native peoples, if Diego were painting today, what would his artwork depict? How would his paintings reflect today's culture?Diego Rivera: His World and Ours is a wonderful introduction to this great artist.Praise for Diego Rivera« “By establishing a link between modern readers and Rivera and challenging them to "make our own murals," the author makes art both aspiration and action. Both solid introduction and exhortation, this book will thrill budding artists.” –Kirkus Reviews, starred review “Kids will want to talk about the great painter, and young artists will find inspiration for their own creations.” –Booklist

In this allegorical picture book, a young rabbit named Pancho eagerly awaits his papa’s return. Papa Rabbit traveled north two years ago to find work in the great carrot and lettuce fields to earn money for his family. When Papa does not return, Pancho sets out to find him. He packs Papa’s favorite meal—mole, rice and beans, a heap of warm tortillas, and a jug of aguamiel—and heads north. He meets a coyote, who offers to help Pancho in exchange for some of Papa’s food. They travel together until the food is gone and the coyote decides he is still hungry . . . for Pancho!Duncan Tonatiuh brings to light the hardship and struggles faced by thousands of families who seek to make better lives for themselves and their children by illegally crossing the border.Praise for Pancho Rabbit and the CoyoteSTARRED REVIEWS"Tonatiuh’s great strength is in the text. No word is wasted, as each emotion is clearly and poignantly expressed. The rabbits’ future is unknown, but their love and faith in each other sustains them through it all. Accessible for young readers, who may be drawn to it as they would a classic fable; perfect for mature readers and the classroom, where its layers of truth and meaning can be peeled back to be examined and discussed. An incandescent, humane and terribly necessary addition to the immigrant-story shelf."—Kirkus Reviews, starred review"In both prose and art, Tonatiuh expertly balances folkloric elements with stark, modern realities; Pancho Rabbit’s trip has the feel of a classic fable or fairy tale, with the untrustworthy coyote demanding more and more of him."—Publishers Weekly, starred review"The book shows the fragility of making a living, the desperation that many migrants experience, and the deep family ties that bind the characters. Classrooms studying the migrant experience will find plenty to discuss here."—School Library Journal“This will spark strong responses and needed discussion.”—Booklist"Tonatiuh is so careful in weaving his allegory that his empathetic contemporary tale feels like age-old folklore, with simple but compelling text and a step-by-step escalation of the story through gripping, kid-understandable challenges."—The Bulletin of the Center for Children's Books AwardsPura Belpré Author and Illustrator Honor book 2014New York Public Library’s annual Children’s Books list: 100 Titles for Reading and Sharing 2013Kirkus Best Books of 2013Best Multicultural Children's Books 2013 (Center for the Study of Multicultural Children's Literature)Notable Children's Books from ALSC 2014Notable Books for a Global Society Book Award 2014

A 2015 Pura Belpré Illustrator Honor Book and a 2015 Robert F. Sibert Honor Book Almost 10 years before Brown vs. Board of Education, Sylvia Mendez and her parents helped end school segregation in California. An American citizen of Mexican and Puerto Rican heritage who spoke and wrote perfect English, Mendez was denied enrollment to a “Whites only” school. Her parents took action by organizing the Hispanic community and filing a lawsuit in federal district court. Their success eventually brought an end to the era of segregated education in California.Praise for Separate is Never EqualSTARRED REVIEWS"Tonatiuh masterfully combines text and folk-inspired art to add an important piece to the mosaic of U.S. civil rights history." --Kirkus Reviews, starred review “Younger children will be outraged by the injustice of the Mendez family story but pleased by its successful resolution. Older children will understand the importance of the 1947 ruling that desegregated California schools, paving the way for Brown v. Board of Education seven years later.” --School Library Journal, starred review "Tonatiuh (Pancho Rabbit and the Coyote) offers an illuminating account of a family’s hard-fought legal battle to desegregate California schools in the years before Brown v. Board of Education." --Publishers Weekly "Pura Belpré Award–winning Tonatiuh makes excellent use of picture-book storytelling to bring attention to the 1947 California ruling against public-school segregation." --Booklist "The straightforward narrative is well matched with the illustrations in Tonatiuh’s signature style, their two-dimensional perspective reminiscent of the Mixtec codex but collaged with paper, wood, cloth, brick, and (Photoshopped) hair to provide textural variation. This story deserves to be more widely known, and now, thanks to this book, it will be." --The Horn Book Magazine

Funny Bones tells the story of how the amusing calaveras—skeletons performing various everyday or festive activities—came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada. In a country that was not known for political freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico’s Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe’s, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity.The book includes an author’s note, bibliography, glossary, and index.

Award-winning author Duncan Tonatiuh reimagines one of Mexico’s cherished legends. Princess Izta had many wealthy suitors but dismissed them all. When a mere warrior, Popoca, offered to love her and stay always by her side, Izta fell in love. The emperor promised Popoca if he could defeat their enemy Jaguar Claw, then Popoca and Izta could wed. When Popoca was near to defeating Jaguar Claw, his opponent sent a messenger to Izta saying Popoca was dead. Izta fell into a deep sleep and, upon his return, even Popoca could not awake her. As promised Popoca stayed by her side. So two volcanoes were formed: Izatachhihuatl, who continues to sleep, and Popocatepetl, who spews ash and smoke, trying to wake his love.

Award-winning author and illustrator Duncan Tonatiuh tells the story of Amalia Hernández, dancer and founder of El Ballet Folklórico de México. Published in time for the 100th anniversary of Hernández’s birth, Danza! is the first picture book about the famous dancer and choreographer.Danza! is a celebration of Hernández’s life and of the rich history of dance in Mexico. As a child, Amalia always thought she would grow up to be a teacher, until she saw a performance of dancers in her town square. She was fascinated by the way the dancers twirled and swayed, and she knew that someday she would be a dancer, too. She began to study many different types of dance, including ballet and modern, under some of the best teachers in the world. Hernández traveled throughout Mexico studying and learning regional dances. Soon she founded her own dance company, El Ballet Folklórico de México, where she integrated her knowledge of ballet and modern dance with folkloric dances. The group began to perform all over the country and soon all over the world, becoming an international sensation that still tours today.Duncan Tonatiuh’s picture books have been honored with many awards and accolades, including the Pura Belpré Award, the Robert F. Sibert Award, and the New York Times Best Illustrated Book Award. With Tonatiuh’s distinctive Mixtec-inspired artwork and colorful drawings that seem to leap off the page, Danza! will enthrall and inspire young readers with the fascinating story of this important dancer and choreographer.

Undocumented is the story of immigrant workers who have come to the United States without papers. Every day, these men and women join the work force and contribute positively to society. The story is told via the ancient Mixtec codex—accordion fold—format. Juan grew up in Mexico working in the fields to help provide for his family. Struggling for money, Juan crosses over into the United States and becomes an undocumented worker, living in a poor neighborhood, working hard to survive. Though he is able to get a job as a busboy at a restaurant, he is severely undercompensated—he receives less than half of the minimum wage! Risking his boss reporting him to the authorities for not having proper resident papers, Juan risks everything and stands up for himself and the rest of the community.

Award-winning author-illustrator Duncan Tonatiuh sheds light on the significance of Aztec manuscripts and cultureOur world, little brother, is an amoxtlalpan, a land of books.In the jungles where the jaguar dwells, the Mayas make books.In the mountains the cloud people, the Mixtecs, make them as well. So do others in the coast and in the forests.And we the Mexica of the mighty Aztec empire, who dwell in the valley of the volcanoes, make them too.A young Aztec girl tells her little brother how their parents create beautiful painted manuscripts, or codices. She explains to him how paper is made from local plants and how the long paper is folded into a book. Her parents and others paint the codices to tell the story of their people’s way of life, documenting their history, science, tributes, and sacred rituals. Duncan Tonatiuh’s lyrical prose and beloved illustration style, inspired by the pre-Columbian codices, tell the story of how—contrary to the historical narrative that European colonizers bestowed “civilization” and knowledge to the Americas—the Aztec and their neighbors in the Valley of Mexico painted books and records long before Columbus arrived, and continued doing so among their Nahua-speaking descendants for generations after the Spanish Conquest. From an award-winning author-illustrator, A Land of Books pays tribute to Mesoamerican ingenuity and celebrates the universal power of the written word.

Count up to ten in this bilingual picture book celebrating Día de Muertos / Day of the Dead from award-winning author-illustrator Duncan TonatiuhFrom award-winning and beloved author-illustrator Duncan Tonatiuh comes this celebratory bilingual picture book centering on a Día de Muertos ofrenda (Day of the Dead altar), constructed annually to honor the memory and welcome the spirit of a loved one.The book uses a counting structure, from one to ten, to focus on family members and their offerings, with a double-gatefold finale that opens to reveal the family gathered around the fully decorated ofrenda with all of their offerings. Included at the back of the book is a brief author’s note that lends additional context on the holiday.Cuenta hasta diez y celebra el Día de Muertos / Day of the Dead con este libro ilustrado bilingüe del galardonado autor-ilustrador Duncan Tonatiuh Este festivo libro ilustrado bilingüe del galardonado y querido autor-ilustrador Duncan Tonatiuh se centra en un altar del Día de Muertos, construido anualmente para honrar la memoria y recibir al espíritu de un ser amado.El libro, con una estructura que cuenta del uno al diez, se enfoca en los miembros de una familia y sus ofrendas. El gran final incluye paginas dobles despegables que revelan a la familia alrededor del altar decorado con todas las ofrendas. Al termino de la historia hay una breve nota del autor que ofrece mas información acerca de la festividad.

In this powerful, vibrant biography, award-winning creator Duncan Tonatiuh sheds light on the legacy of a legendary capoeira player, Mestre Bimba, who resisted racial oppression through art and turned a marginalized practice into a global phenomenonA meia lua whooshed in the air. The strike was evaded and followed with an aú.Two young men were playing capoeira in the middle of the roda. Bimba wanted to play, too.Although it is debated when and where capoeira—an art form that blends martial arts, dance, acrobatics, music, and spirituality—originated exactly, one thing is certain: in the early 20th century, Brazil was the only country in the world where capoeira was played, and it was mainly practiced by people of African descent. In 1890, two years after Brazil officially abolished slavery, the game was outlawed. Wealthy, lighter-skinned society feared and looked down on capoeira, seeing it as a game for malandros—what people in power called the poor Black communities they disdained. But in the early 1920s in the city of Salvador, a man called Bimba would advocate for capoeira, and those who practiced it, to be treated with dignity and the respect it deserved. Duncan Tonatiuh’s lyrical prose and beloved illustration style, inspired by pre-Columbian codices, tell the story of arguably the greatest capoeirista of all time, who fought to turn a misunderstood, persecuted Afro-Brazilian activity into a celebrated art practiced by millions around the world. In 2014, the United Nations Educational Scientific and Cultural Organization (UNESCO) named capoeira an Intangible Cultural Heritage of Humanity, a distinction awarded because of the game’s promotion of social integration and the memory it holds of the struggle against historical oppression. From an award-winning author-illustrator, Game of Freedom is a stirring celebration of solidarity and resistance through art.

From Sibert Award– and Pura Belpré Medal–winning creator Duncan Tonatiuh comes a highly original fable inspired by Mexican folk artThe city of Mousetepec is a lively place filled with color, music, and alegría (joy). But everything changes one night when the shadow of un gato appears, growing larger and larger until it looms over the whole city. Fiestas are cancelled and the mercado empties as the cat terrorizes the townsfolk.To save their town, two little mouse siblings—Vida and her brother, Máximo—make a brave plan to scare away the cat after a bright, fantastical creature called an alebrije appears to them in a dream.Acclaimed author-illustrator Duncan Tonatiuh presents this imaginative fable that will encourage young readers to confront any “shadows” they may face in their lives with a spirit of courage and alegría.Includes a note on alebrijes, the inspiration behind this fable, glossary, pronunciation guide, and bibliographyAlso available: Vida: Los ratones, el gato y el alebrije (Spanish Edition)

En esta biografía impactante y vibrante, el galardonado creador Duncan Tonatiuh echa luz sobre el legado de un legendario capoeirista, Mestre Bimba, quien se resistió a la opresión racial a través del arte y convirtió una práctica marginada en un fenómeno globalUna meia lua silbó a través del aire. El golpe fue evadido y le siguió un aú.Dos jóvenes estaban jugando a la capoeira en medio de la roda. Bimba también quería jugar.Aunque se debate cuándo y dónde se originó exactamente la capoeira, una forma de arte que combina las artes marciales, la danza, las acrobacias, la música y la espiritualidad, una cosa es segura: a principios del siglo XX Brasil era el único país en el mundo en el que se jugaba a la capoeira, y era practicada principalmente por personas de ascendencia africana. En 1890, dos años después de que Brasil aboliera oficialmente la esclavitud, el juego fue prohibido. La sociedad rica y de piel más clara temía y menospreciaba la capoeira, viéndola como un juego de “malandros”, como llamaban las personas en el poder a las comunidades negras y pobres a las que despreciaban. Pero, a principios de la década de 1920 en la ciudad de Salvador, un hombre llamado Bimba abogaría por que la capoeira, y quienes la practicaban, fueran tratados con la dignidad y el respeto que se merecían.La prosa lírica y el adorado estilo de ilustración de Duncan Tonatiuh, inspirado en los códices precolombinos, cuentan la historia de quien se podría decir fue el mejor capoeirista de todos los tiempos, quien luchó para convertir una actividad afrobrasileña perseguida e incomprendida en un arte célebre y practicado por millones de personas en todo el mundo. En 2014, la Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura (UNESCO) designó a la capoeira como un Patrimonio Cultural Inmaterial de la Humanidad, una distinción otorgada por su promoción de la integración social y la memoria que guarda de la lucha contra la opresión histórica.En Juego de libertad, el galardonado Tonatiuh nos brinda una conmovedora celebración de la solidaridad y la resistencia a través del arte.

Explore a world of colors in ¡Fiesta!, a vibrant, bilingual picture book from award-winning author-illustrator Duncan Tonatiuh.A celebratory bilingual concept picture book, this book of colors features a street fiesta with green avocados, yellow tortillas, purple dance dresses, and brown charro pants—concluding with a double gatefold finale reveal.Included at the back of the book is a brief author’s note that lends additional context to individual objects showcased.