E. C. R. Lorac – författare

At Firenze, the reclusive artist Adrian Delafield's Florentine enclave in St John's Wood, the whispers of an impending tragedy are growing louder. The tension between the fanatical zealot of a housekeeper Miss Trimming and Delafield's sister Virgilia is just shy of fever pitch, when a cold morning at the house finds Trimming and Adrian sprawled at either end of the staircase upstairs, an injury; downstairs, death.The windows and doors were all locked from the inside, and yet Inspector Julian Rivers, trained to see the malice behind deadly accident, suspects that a murderer had a hand in the fell deed. But if this is true, Rivers is faced with both the inexplicable puzzle of motive, and the task of untangling an impossible crime in Carnac's compelling and twisting 1956 mystery exploring the demands of kinship, art-world secrets and religious mania.

The Second World War is drawing to a close. Nicholas Vaughan, released from the army after an accident, takes refuge in Devon - renting a thatched cottage in the beautiful countryside at Mallory Fitzjohn. Vaughan sets to work farming the land, rearing geese and renovating the cottage. Hard work and rural peace seem to make this a happy bachelor life.On a nearby farm lives the bored, flirtatious June St Cyres, an exile from London while her husband is a Japanese POW. June's presence attracts fashionable visitors of dubious character, and threatens to spoil Vaughan's Prized seclusion.When Little Thatch is destroyed in a blaze, all Vaughan's work goes up in smoke - and Inspector Macdonald is drafted in to uncover a motive for murder.

The newly formed Ministry of Fine Arts has a staffing problem - one minister dead within six months of its inception, his successor snuffed out shortly before the General Election. When a third victim, Permanent Secretary Edwin Pompfret is fatally crushed by the fall of a giant bust, Inspector Julian Rivers is drawn into a case of murder of artistic devilment. "Her best yet. A classic story with well concealed and ingenious clues, sufficiently difficult to leave us properly surprised by both murderer and method." Spectator, 1953

London. 1945. The capital is shrouded in the darkness of the blackout, and mystery abounds in the parks after dusk. During a stroll through Regent's Park, Bruce Mallaig witnesses two men acting suspiciously around a footbridge. In a matter of moments, one of them has been murdered; Mallaig's view of the assailant but a brief glimpse of a ghastly face in the glow of a struck match. The murderer's noiseless approach and escape seems to defy all logic, and even the victim's identity is quickly thrown into uncertainty. Lorac's shrewd yet personable C.I.D. man MacDonald must set to work once again to unravel this near-impossible mystery.