Eamon Maher – författare

Renal genetic disorders may become apparent at any time in life and recognition of specific renal disorders is important in allowing accurate genetic counselling. Active counselling requires knowledge about the natural history of the disorder, an understanding of the genetic component and mode of inheritance, risk of the disorder in other family members, information about patient attitudes towards family planning and the possibility of pre-natal diagnosis.The Genetics of Renal Disease provides a comprehensive account of both the hereditary nephropathies and more generalised disorders, which may affect the renal tract. It includes comprehensive guidelines from an international group of authors on renal function and development, chromosomal disorders, dysmorphic syndromes, inherited predisposition to kidney cancer and gene therapy for renal cancer. Specific chapters deal with individual renal tract disorders such as an extensive discussion of Alport's disease, cystic renal diseases, the Bardet-Biedl and Alstrom syndromes. Each section gives a brief description of the clinical and pathological features of a particular disorder, followed by a review of the genetics of the disorder including incidence, inheritance of familial occurrence, genetic linkage and gene assignment, and prenatal diagnosis and carrier detection. Original studies are extensively quoted and are referenced at the end of each section. There are a great many dysmorphic syndromes that involve the urinary tract. These are incorporated within the book.

This collection examines the Irish economic phenomenon of the Celtic Tiger and the financial disaster that came in its wake, from a socio-cultural perspective. It focuses on how these financial developments have been reflected in writing, film and culture in order to offer a more rounded analysis of the effects of this momentous period on people’s lives.Employing a wide range of cultural lenses, the book critiques the cultural, political and aesthetic implications of the progression from prosperity to austerity and the impact this has had on the psyche of Irish culture. An eclectic mix of theoretical approaches enables treatment of religion, literature, popular culture, photography, gastronomy, music, gender, immigration and film, as contributors assess how the Celtic Tiger was represented, or misrepresented, in these particular spheres of experience.In addition, the chapters also probe the effects on all of the aforementioned cultural forms, and interrogate how the lives of people have been transformed in ways that go beyond the already well-documented areas of economics and finance.The book will be a valuable resource for academics and students interested in contemporary Ireland and recent Irish history, as well as the general reader anxious to understand the effects of this particular period on the real lives of people as expressed through culture. It features contributions by internationally acknowledged experts in their fields and offers a comprehensive overview of the cultural consequences of the Celtic Tiger and its aftermath.

This collection examines the Irish economic phenomenon of the Celtic Tiger and the financial disaster that came in its wake, from a socio-cultural perspective. It focuses on how these financial developments have been reflected in writing, film and culture in order to offer a more rounded analysis of the effects of this momentous period on people’s lives.Employing a wide range of cultural lenses, the book critiques the cultural, political and aesthetic implications of the progression from prosperity to austerity and the impact this has had on the psyche of Irish culture. An eclectic mix of theoretical approaches enables treatment of religion, literature, popular culture, photography, gastronomy, music, gender, immigration and film, as contributors assess how the Celtic Tiger was represented, or misrepresented, in these particular spheres of experience.In addition, the chapters also probe the effects on all of the aforementioned cultural forms, and interrogate how the lives of people have been transformed in ways that go beyond the already well-documented areas of economics and finance.The book will be a valuable resource for academics and students interested in contemporary Ireland and recent Irish history, as well as the general reader anxious to understand the effects of this particular period on the real lives of people as expressed through culture. It features contributions by internationally acknowledged experts in their fields and offers a comprehensive overview of the cultural consequences of the Celtic Tiger and its aftermath.

This book traces the steady decline in Irish Catholicism from the visit of Pope John Paul II in 1979 up to the Cloyne report into clerical sex abuse in that diocese in 2011. The young people awaiting the Pope’s address in Galway were entertained by two of Ireland’s most charismatic clerics, Bishop Eamon Casey and Fr Michael Cleary, both of whom were subsequently revealed to have been engaged in romantic liaisons at the time.The decades that followed the Pope’s visit were characterised by the increasing secularisation of Irish society. Boasting an impressive array of contributors from various backgrounds and expertise, the essays in the book attempt to trace the exact reasons for the progressive dismantling of the cultural legacy of Catholicism and the consequences this has had on Irish society.

This book traces the steady decline in Irish Catholicism from the visit of Pope John Paul II in 1979 up to the Cloyne report into clerical sex abuse in that diocese in 2011. The young people awaiting the Pope’s address in Galway were entertained by two of Ireland’s most charismatic clerics, Bishop Eamon Casey and Fr Michael Cleary, both of whom were subsequently revealed to have been engaged in romantic liaisons at the time.The decades that followed the Pope’s visit were characterised by the increasing secularisation of Irish society. Boasting an impressive array of contributors from various backgrounds and expertise, the essays in the book attempt to trace the exact reasons for the progressive dismantling of the cultural legacy of Catholicism and the consequences this has had on Irish society.

This collection of essays explores the concept of patrimoine, a French word used to denote cultural heritage, traditional customs and practices – the Gaelic equivalent is dúchas – and the extent to which it impacts on France and Ireland. Borrowing from disciplines as varied as sociology, cultural theory, literature, marketing, theology, history, musicology and business, the contributors to the volume unearth interesting manifestations of how patrimoine resonates across cultural divides and bestows uniqueness and specificity on countries and societies, sometimes in a subliminal manner.Issues covered include debt as heritage, Guinness as a cultural icon of «Irishness», faith-based tourism, the Huguenot heritage in Ireland, Irish musical inheritances since Independence, Skellig Michael and the commodification of Irish culture. With a Foreword by His Excellency M. Stéphane Crouzat, French Ambassador to Ireland, this collection breaks new ground in assessing the close links between France and Ireland, links that will become all the more important in light of the United Kingdom’s withdrawal from the European Union.

This book looks at various effects, symptoms and consequences of the period in Irish culture known as the Celtic Tiger. It will trace the critical pathway from boom to bust – and up to the current beginnings of a similar, smaller boom – through events, personalities and products. The short entries offer a sense of the lived experience of this seismic period in contemporary Irish society.While clearly not all aspects of the period could realistically be covered, the book does contain essential information about the central actors, events, themes, and economic trends, which are discussed in a readable and accessible manner. Each entry is linked to the overall Celtic Tiger phenomenon and its immediate aftermath.The book also provides a comprehensive account of what happened in this period and will be a factual resource for anyone anxious to discover information on the areas most commonly connected to it. All entries are written by experts in the area. The contributors include broadcasters, economists, cultural theorists, sociologists, literary critics, journalists, politicians and writers, each of whom brings particular insights to some aspect of the Celtic Tiger.

Sounding the Margins is the second of two publications to emerge from the highly successful AFIS conference hosted by the Université de Lille in 2019. Concentrating on the literary manifestations of marginality in Ireland and France, the essays treat of various texts that demonstrate the extent to which marginality is a recurring trope. This may well be because writers tend to situate themselves at a distance from the centre or status quo in their desire to maintain a certain degree of artistic objectivity. But it is also the case that literary practitioners tend to identify more easily with others living on the margins, either through choice or circumstances. The collection is a mixture of comparative studies and essays on individual authors but, in all cases, marginality is presented as a liberating experience once it is freely chosen and embraced.

This landmark collection marks the publication of the 100th book in the Reimagining Ireland series. It attempts to provide a «forward look» (as opposed to what Frank O’Connor once referred to as the « backward look») at what Irish Studies might look like in the third millennium. With a Foreword by Declan Kiberd, it also contains essays by several other leading Irish Studies experts on (among other areas) literature and critical theory, sport, the Irish language, food and beverage studies, cinema, women’s writing, Brexit, religion, Northern Ireland, the legacy of the Great Famine, Ireland in the French imagination, archival research, musicology, and Irish Studies in North America. The book is a tribute to Irish Studies’ foundational commitment to revealing and renewing Irishness within and beyond the national space.

This collection emerged from a conference held in TU Dublin at a time when the theme of «New Beginnings» seemed particularly apposite. In the few years prior to the gathering, COVID-19 had brought the world to almost a complete standstill. The need to recalibrate, to find new and more effective ways of dealing with the climate crisis, domestic and international politics, literary expression, and technology, was clearly felt by everyone. The fourteen essays deal with literary figures such as Jonathan Swift, George Moore, Colm Tóibín, Richard Murphy, Seamus Heaney, Michael O’Siadhail, Sally Rooney and Doireann Ní Ghríofa. Other issues broached are the diplomatic work carried out by Seán T. O’Kelly as Ireland’s envoy to Paris when an independent Ireland was seeking international recognition; depictions of the AIDS crisis in Irish theatre; the Neganthropocene in the French TV series Zone Blanche; new opportunities for learning through digital archives; strategies to save the rural Irish pub; innovative strategies employed by Ireland on the world stage, and the use of science to manipulate the French public’s beliefs about COVID-19. The diversity of material and approaches guarantees that New Beginnings will appeal to a large number of readers.

«Marjan Shokouhi’s new book attests to the ways in which Irish ecocritical scholarship has developed into more than a simple ‘subfield’ of Irish Studies. Shokouhi takes readers on a fascinating journey through the work of three iconic Irish poets in the modern period – Yeats, Kavanagh and MacNeice – from the burgeoning perspective of Irish ecological criticism, exhibiting the complexities of the Irish Literary Revival in addressing questions of place and identity and opening new avenues of research in relation to new voices and marginal identities.»(Pilar Villar-Argáiz, University of Granada, Spain)«From wild ancient forests to the Lagan riverside, From Landscapes to Cityscapes offers a new take on the sense of place in modern Irish poetry. Using Heidegger’s concept of dwelling, it examines the verse of Yeats, Kavanagh and MacNeice from an ecocritical perspective in a worthy contribution to the field.»(Audrey Robitaillié, Lecturer in Anglophone Literature and Irish Studies, Institut Catholique de Toulouse)The study of place and place attachments has been a staple subject of enquiry in the field of Irish Studies, which ever since the emergence of an Irish ecocritical scholarship in the early 2000s has acquired a new depth. Recent publications have integrated an environmental dimension that connects literary analyses to wider cultural and global concerns such as deforestation, urban sprawl, immigration, climate change and so on. Building on the existing scholarship, the present study offers readings from modern Irish verse in the light of Ireland’s natural and cultural landscapes. Simply put, From Landscapes to Cityscapes should be viewed as a minor ecocritical exercise in Irish Studies, hoping to inspire new perspectives that arise out of an environmental scrutiny of the age-old questions of place and identity in Irish literature.The textual analysis focuses on the works of three major Irish poets of the modern period: William Butler Yeats, Patrick Kavanagh and Louis MacNeice. Contesting the often politicized and historicist boundaries set for defining Irishness and arguing for a recognition of new voices and marginal identities, this book considers a range of land/cityscapes in terms of their significance to the development of a more comprehensive view of both culture and environment in Ireland.

«Compelling, informative, essential»(Senator George Mitchell)«Durkan was Hume’s closest and most influential intellectual and political collaborator in an epic endeavour that culminated in the GFA. His witness is exhilarating, profoundly insightful and refreshingly witty.»(Michael Lillis, diplomatic advisor to Garret FitzGerald and Irish government negotiator of the Anglo-Irish Agreement)«Once again, Graham Spencer shows his mastery of the interview technique in The SDLP, Politics and Peace: The Mark Durkan Interviews where he draws on Durkan's photographic recall of the peace process to throw new light on what we thought were settled accounts.»(Professor Padraig O'Malley, John Joseph Moakley Distinguished Professor of Peace and Reconciliation, John W. McCormack Graduate School of Policy and Global Studies, University of Massachusetts, Boston)Mark Durkan was a central figure in the Northern Ireland peace process. This book of interviews with Durkan details his role with the SDLP and the negotiations that led to the Good Friday Agreement, as well as the problems that came to bedevil power-sharing after and why. A comprehensive inside account of the struggle to end conflict in Northern Ireland these interviews provide invaluable testimony about the steps taken to bring about peace by an individual at the centre of that tortuous process.

«An important contribution to understanding our culinary journey in Ireland from a time when food was regarded merely as sustenance. As a nation, we have grown in confidence. Up to relatively recently in Ireland, we had a serious inferiority complex and not just about our food and food culture. Brian documents through various prisms the growing pride in our tradition, the quality of our produce and the growing skills of our chefs. At last, we appreciate what we have here in Ireland and serve our Irish food proudly.»(Darina Allen, Ballymaloe Cookery School)Through concepts such as place and story, this work considers the cultural importance of the foods we eat and the drinks we imbibe in Irish society. While providing us with the necessary sustenance to survive, they also have something to say in terms of how we relate to each other and the world around us. The book examines the products we associate with gastronomy in Ireland and the uniquely Irish places in which they are consumed. Places considered include the Irish pub, the traditional Irish butcher shop and the Irish whiskey distillery. Both products and places are explored through the lens of terroir, experience and the impact of Third Place and Fourth Space paradigms. Though much of what is discussed here is anchored in the past, the book also examines how that past has impacted on more contemporary phenomena such as Irish café culture and social gastronomy. While the work is primarily focused on Ireland, it draws insights from lessons learned in countries like France that possess a widely renowned gastronomic legacy. In addition to the obvious food connections, the chapters in this work are all linked by a common thread of personal engagement that stems from a lifetime spent working in and around the food and drink sector.

The purpose of the book is to explore and explicate the origins, evolution and mobilisation of anti-war activism in Ireland from the 1950s. The author applies postcolonial critical perspectives alongside social movement theory to define the multifaceted Irish approach to different international conflicts from the creation of the Irish Campaign for Nuclear Disarmament (1958) to the current war in Ukraine. Meticulously researched, the chapters develop an analysis of the anti-war activism in Ireland, be it at a local, national or supranational level, from political parties, trade unions and civil associations. The book casts light on the factors that structure the Irish domestication of the conflicts under study, be they historical and connected to senses of national identity in the Irish Republic and Northern Ireland, or strategic, diplomatic and religious.

«This reader-friendly study of some of Ciaran Carson’s major translations provides fascinating illuminations of his techniques as a translator and author. Anne Rainey’s close readings, buoyed by selected theory, show how Carson’s aesthetics and imagination were fuelled by linguistic and cultural pluralism.»(Dr Frank Sewell, Poet, Translator, Senior Lecturer in Irish Literature and Creative Writing at Ulster University)«For Ciaran Carson, translation was embedded deep in his DNA. He was fascinated above all else by the shared musicality of words across languages so that translation for him was like a resonance chamber, always sounding, always musical. This book is timely and important, because it offers us a detailed and always sensitive account of how translation was not simply something that Ciaran did, but was an experience central to how he felt about and used language as a writer.»(Professor David Johnston, Literary Translator, Professor of Translation at Queen’s University, Belfast)Ciaran Carson viewed translation as integral to his　oeuvre.　He　imbues his version　of Dante’s acclaimed　Inferno　with modern socio-political concerns,　placing　it　in a partly Irish context, beyond any border. Like Dante, he shows his regard for vernacular speech and provides dizzying perspectives switching from courtly love language to quotidian banter. 　　In his translation of Rimbaud, Carson completely dismantles the nineteenth-century texts before newly assembling them in translation. He employs dictionaries, musical rhythms and modern Hiberno-English slang to create Alexandrine sonnets and rhyming couplets forging Rimbaud’s　fin de siècle　French into a new cultural rendering. Carson’s quick-witted and emotionally charged translations call for an original analytical framework. This book contributes to Translation Studies by presenting an original Hybrid Gricean Theory melding Gricean and neo-Gricean linguistic theories with pertinent translation theories to elucidate Carson’s techniques.

This book focuses on the most successful feature films of John Carney, namely Once (2006), Begin Again (2013) and Sing Street (2016). Drawing on narrative, formalist and genre theories of film, the book presents an in-depth examination of how the formal and stylistic choices made by Carney allow each film to narrate a story in a coherent way. It shows how aural and visual contrivances are hidden behind a façade of realism, and how the films engage with universal, national and personal concerns and also how they relate to each other and to Irish and American film in general. It also explores the textual articulation of genre in each and the discrepancies between such articulation, the genre expectations set up by the promotional discourse coming from the publicity materials and events accompanying each release, and the genre labelling of each film in contemporary reviews by professional critics from the United States, Canada, Great Britain, and Ireland.

«Politic Words is an invigorating mix of the personal, the political and the poetic. Gerry Dawe flings his net wide. From Eavan Boland’s ‘secret history’ of women to war memoirist Christabel Bielenberg’s luminous prose; from the vaulting ambition of Éilís Dillon’s historical fiction to hunger striker’s Bobby Sands’ favourite poet, the now unsung Ethna Carbery, he takes us on a bracing journey from the Troubles to Brexit. Drawing on contemporaneous criticism, Dawe revitalizes 35 years of cultural history into urgent news from the literary front.»(Mary Morrissy, Novelist and former associate director of the writing programme, University College Cork)Politic Words reflects five decades of writing about and discussing Irish literature, both inside the university classroom and in various literary and academic forums. Part one concentrates upon Irish women writers, their influence and example including Edna Longley, Eavan Boland and Eiléan Ní Chuilleanáin alongside the achievements of younger contemporaries such as Lucy Caldwell and Leontia Flynn. Part two develops some of the historical settings and themes of part one while exploring the social and political legacies of traumatic Irish historical events such as the Great Famine, and its representation in the fiction of William Carleton and reimagined by later interpreters including Benedict Kiely. The collection concludes with a series of readings of Irish culture and politics in terms of the legacy of the Troubles, the impact on Ireland of Brexit and renewed calls for Irish reunification. Politic Words is the final part of a trilogy of studies by Gerald Dawe published by Peter Lang in their Reimagining Ireland series.

«A fascinating, well-paced, beautifully written memoir.»(Professor Sarah Moore Fitzgerald, Author and Director, MA in Creative Writing, University of Limerick, Ireland)«A wonderfully honest, often witty, personal account from someone who experienced discrimination -and challenged it - at every level of academia. So much of what has changed for women in recent decades is chronicled through Pat’s life, research and actions. A tour de force.»(Micheline Sheehy Skeffington, plant ecologist and feminist activist)«This book evokes the lived experience of a woman who, out of her time, marshalled the brains, the courage and--I have to say it--the sheer bloody-minded and tireless determination to confront others with one question: ‘why?’. Asking the question came at no small personal cost, but--slowly and surely--it started to prise open some of the seemingly impenetrable male-centric power edifices that exist across academia; openings which now give so many others hope. Don’t be afraid of reading this book about the lifetime of someone who asked why, it may just inspire you to do the same.»(Paul Walton, Professor of Chemistry, University of York, UK and international gender equality advocate)This book, written by an insider, explores experiences over a 46-year career in five academic organisations in Ireland and the UK: moving from contract research assistant to full professor and line manager (Dean). Highlighting success and failure, strength and fragility, it challenges ideas about what it is to be a ‘proper' woman. It describes the subtle and relentless processes of devaluation, marginalisation and disempowerment that are often ‘normalised.’ Written in a clear accessible style, with flashes of humour, it asks whose interests are served by taken-for-granted ideas about what it is to be a woman – ideas which deny the reality of many women’s day-to-day experiences. Who wants us to think that all women find identity and satisfaction in housework and child care? Who wants us to think that universities are meritocratic institutions? The book will inspire and entertain all those who have struggled in any male-dominated organisation and wondered if they were the problem.

These reminiscences of a friendship between Graham Greene and the author over two decades offer several original and significant additions to the knowledge of Greene's beliefs, experiences and involvements throughout his long and turbulent life. It is a brilliant illustration of the multiple connections of Graham Greene with Ireland, many of which would not be known to historians, literary critics or the general public. The relationship of Greene with Irish soldiers, writers and politicians as different as Ernie O'Malley, Seán O'Faoláin, Conor Cruise O'Brien and Gerry Fitt throw light on his deep interest in Irish history, literature and politics.

This study aims to uncover the traces of the celebrated Sweeney legend in twentieth- and twenty-first-century Irish writers such as James Joyce, W.B. Yeats, Austin Clarke, Derek Mahon, Tom Mac Intyre, Seamus Heaney, Brian Friel, Dermot Bolger, Paula Meehan, and Nuala Ní Dhomhnaill. The tale, known in Irish as Buile Suibhne, captivates with its intricate layers of liminality. Liminality, the state of existing on the boundary, the border, the threshold, serves as the key to bringing these writers together. This liminal state is marked by the promise of a drastic shift, a metamorphosis of being. The legend’s profound impact on literary creations bears witness to the contemplation of liminality lying at the heart of the Irish imagination. Close textual readings bring to light the significance of Sweeney’s Revival, which reverberates with far-reaching and enduring resonance.

For over seventy years, An Chomhairle Ealaíon/the Arts Council of Ireland has played a critical role in Irish cultural development. The interface between Arts Council policy, Catholicism, and amateur drama, which this book examines, provides an access point for understanding how people responded to the socio-economic crisis facing post-war Irish society. Exploring the cultural impact of amateur drama on the modernization of Irish society, the book argues that the movement challenged resistance to change from more traditional aspects of Irish social, political and theological life. The book analyses a cross-section of plays performed at the All-Ireland, Western, Clare, North Cork and other drama festivals between 1953 and 1969, which highlighted and challenged social issues, including emigration, poverty, housing, and the institutionalization of vulnerable women and children. Matters of national importance that continue to impact contemporary Irish society.

«In this excellent, readable and important study,　Curran reveals a rich vein of migrants who went to ply their trade as soccer players in the USA. This textured study illustrates the human side of the story enlivened by rich interviews of both female and male players. It is a must for students of the diaspora and sports studies. A major contribution». (Professor Donald MacRaild, London Metropolitan University).«This is a fascinating and timely contribution to debates on sport and migration. Curran uses an impressive array of methods from archives to in-depth interviews to tell the story of young Irish athletes who move to the United States to take up scholarship opportunities to further their education and play football».(Professor Chris Bolsmann, California State University Northridge).The book explores Irish male and female soccer players’ experiences of US soccer scholarships in the twentieth century. It assesses how valuable these scholarships were in terms of playing, education and post-university careers. This study therefore focuses on how these players were recruited, their playing and educational experiences of the soccer scholarships, and the extent to which their scholarships facilitated their employment in professional football and in work related to their degrees after leaving university. Using oral testimony as well as archival evidence, the book adds new perspectives on the history of sports migration, to studies of the Irish diaspora, to research on the history of education and to women’s history. It also contributes to the fields of sports history, migration and education. In doing so, it examines an aspect of the history of Irish-American relations which has not previously been assessed.

The conventional view of the British Army’s two Ireland campaigns - first in Southern Ireland [1919-1921] and then, two generations later, in Northern Ireland [1969-2007] – are that the first was an outright defeat and the second, a military stalemate. This book challenges these judgements. Deploying hitherto unused or misunderstood archival materials, it documents how in both campaigns the Army, acting in support of the Royal Irish Constabulary and the Royal Ulster Constabulary, respectively, achieved considerable success at both tactical and operational levels. However, the persistence of perverse, self-harming ‘operating codes’ on the part of generations of the British policy elite meant that the strategic outcomes bore little relation to the operational successes achieved against insurgency and terrorism. Professor Sloan shows how over the span of a century, the Whitehall/Westminster nexus twice seized political defeat from the jaws of military victories achieved for the Crown by the Army. He finds and names the guilty men. This book is explosive. It will be uncomfortable but essential reading on both sides of the Irish Sea.“Sloan’s gripping book uncovers a century of dirty work by dirty men in Ireland. Exceptional” - Professor Gwythian Prins, Fellow Emmanuel College Cambridge and Emeritus Research Professor LSE. “Sloan’s strategic history of the Army’s campaigns in Ireland and Northern Ireland is compelling. His understanding of the ‘operating codes’ makes it a must read!” - Dr Aaron Edwards, Senior Lecturer in Defence and International Affairs, Royal Military Academy Sandhurst, UK.

Humans are naturally religious. They are enchanted by the world. They engage in collective rituals, and they try to live moral lives. Over the last two thousand years, this instinct has been colonised by churches and other religious institutions. In a personal and intimate approach, Inglis explores his early love of being Catholic, of being immersed in Catholic time and space and how in his teenage years, this grew stale and unfulfilling. He argues we have now entered a new cosmopolitan era of religious freedom in which there is much ambiguity and doubt. People are searching for new meanings of life and what it is to live a good life. He argues that religion has less to do with doctrine and more to do with our experience of beauty, mystery and bonding with each other. It revolves around trying to connect to the divine, call it God, nature or the cosmos. Making this connection has been crucial in this time of climate breakdown

A deft, masterful study of the life and work of Jean Sulivan. Maher makes a compelling case for the continuing importance of Sulivan’s writings in challenging times and illuminates crucial and often neglected intersections between faith and fiction. A book to cherish. — Michael Cronin (Trinity College Dublin) Thanks to Eamon Maher’s tireless work, Sulivan’s output is now reaching the wider audience in the Anglo-Saxon world it has always deserved. Sulivan’s depiction of the margins and the marginalised shows us that this is precisely where hope and salvation are often most likely to be found - a message that finds a particular resonance in our increasingly troubled world. — Grace Neville, Professor Emerita of French (UCC) This splendid book fills out much of Sulivan’s extraordinary life, and those unconventional writings that are both penetrating and disturbing. Certainly for those of us who may have difficulty reading Sulivan in French, The Prophetic Voice is of particular benefit and I warmly commend it to Sulivan aficionados and newcomers alike. — Richard Clarke, retired Archbishop of Armagh and Primate of All Ireland The Prophetic Voice reappraises the French priest-writer Jean Sulivan’s (1913–1980) relevance as a prophetic voice in France and Ireland at the present moment in time. Sulivan was a well-known and award-winning writer in the 1960s and 70s in France. Along with comparing him to some of the main exponents of the Catholic Novel in France – Mauriac and Bernanos – Maher also draws insightful parallels between Sulivan’s portrayal of Catholicism and that of Irish priest-writers such as Canon Sheehan, William King and Tony Flannery, and contemporary figures such as John McGahern and Colum McCann.