Eamonn Carrabine – författare

This book provides an overview and critical engagement with the literature on crime. The book focuses on modern Britain since the nineteenth century, covering all aspects of crime - from those committed on the street and within the home, to offences and abuse conducted on an international scale. Bringing together authors of different areas of specialist expertise, the book synthesises a large amount of material into a concise, accessible and attractive textbook, and locates the multi-faceted dimension of crime in everyday life firmly within historical, contemporary, and comparative contexts.

What can social theory really teach us about crime in the world today? This book gives an overview of key theoretical debates alongside explanations of cutting edge research to show how abstract thought relates to everyday experience. Looking at global crime to street crime, it brings together the most significant work on crime and social theory.

What can social theory really teach us about crime in the world today? This book gives an overview of key theoretical debates alongside explanations of cutting edge research to show how abstract thought relates to everyday experience. Looking at global crime to street crime, it brings together the most significant work on crime and social theory.

Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions. This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field:• Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images.• Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics.• Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law.• Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved.• Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field.This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.

Why are newspapers and television programmes filled with stories about crime and criminals? Is their portrayal of crime accurate? How do the media transform our attitudes to crime? Is fear of crime, for example, really created by the media? The relationships between crime and the media have long been the subject of intense debate. From the earliest days of the printing press to the explosion of cyberspace chat rooms, there have been persistent concerns about the harmful criminogenic effects of the media. At the same time, the media are fascinated with crime – on the news, in films and on television there are countless stories about crime, both real and imagined.In this innovative and accessible new book, Eamonn Carrabine carefully untangles these debates, and grapples with the powerful dynamics of fear and desire that underlie our obsession with crime. Chapter-by-chapter the book introduces the different ways in which relationships between crime and the media have been understood, including classic debates about the media’s effects, news production, and moral panics, as well as more cutting-edge studies of the representation of crime in the contemporary media.Combining empirical research findings with the latest theoretical developments, the book will appeal to advanced undergraduates and graduate students across the social sciences, especially those taking courses in criminology and media studies.

Why are newspapers and television programmes filled with stories about crime and criminals? Is their portrayal of crime accurate? How do the media transform our attitudes to crime? Is fear of crime, for example, really created by the media? The relationships between crime and the media have long been the subject of intense debate. From the earliest days of the printing press to the explosion of cyberspace chat rooms, there have been persistent concerns about the harmful criminogenic effects of the media. At the same time, the media are fascinated with crime – on the news, in films and on television there are countless stories about crime, both real and imagined.In this innovative and accessible new book, Eamonn Carrabine carefully untangles these debates, and grapples with the powerful dynamics of fear and desire that underlie our obsession with crime. Chapter-by-chapter the book introduces the different ways in which relationships between crime and the media have been understood, including classic debates about the media’s effects, news production, and moral panics, as well as more cutting-edge studies of the representation of crime in the contemporary media.Combining empirical research findings with the latest theoretical developments, the book will appeal to advanced undergraduates and graduate students across the social sciences, especially those taking courses in criminology and media studies.

This timely book presents a carefully curated selection of essays to celebrate the career of Nigel South, Emeritus Professor at the Department of Sociology and Criminology of the University of Essex, and one of the leading figures in his field.Through his long career, still ongoing and flourishing, Nigel has contributed knowledge in many areas of criminological scholarship and challenged the confines of the discipline, opening up new directions for thinking and debate. In this volume, Nigel’s close colleagues and friends celebrate his exceptional career through essays that draw on, or have been inspired by, his earlier or most recent work. Spanning across the areas of policing, drugs, green, southern, and sensory criminology, these essays offer cutting-edge research and fresh conceptual insights honouring the work of an outstanding criminologist, colleague, friend, and human being.This volume will be of pivotal interest to students, scholars, and academics in the fields of sociology and criminology, as well as those with an interest in these areas more generally.

This timely book presents a carefully curated selection of essays to celebrate the career of Nigel South, Emeritus Professor at the Department of Sociology and Criminology of the University of Essex, and one of the leading figures in his field.Through his long career, still ongoing and flourishing, Nigel has contributed knowledge in many areas of criminological scholarship and challenged the confines of the discipline, opening up new directions for thinking and debate. In this volume, Nigel’s close colleagues and friends celebrate his exceptional career through essays that draw on, or have been inspired by, his earlier or most recent work. Spanning across the areas of policing, drugs, green, southern, and sensory criminology, these essays offer cutting-edge research and fresh conceptual insights honouring the work of an outstanding criminologist, colleague, friend, and human being.This volume will be of pivotal interest to students, scholars, and academics in the fields of sociology and criminology, as well as those with an interest in these areas more generally.

This book is in honour of the late sociologist Ken Plummer – a remarkable scholar whose work transformed several fields, from his early writing on symbolic interactionism, stigma, and sexualities, through methodological innovations that have underpinned the ‘narrative turn’, to his explorations of citizenship and humanism.The chapters in this collection cover a diverse range of topics, and all draw on Ken’s work, revealing his enduring and significant influence. The breadth of contributions here testifies to Ken Plummer’s impact across generations of scholars and sub-fields of sociology and social psychology. Many of the authors in this collection knew Ken personally, as colleagues, students, and friends.Contributing to debates on critical theory, intimacy, and sexuality, the interdisciplinary nature of this book enables it to reach a wide audience engaged in research methods, social theory, anthropology, media studies, sociology, psychology, and history. It is aimed primarily at students, lecturers, and researchers interested in gender, sexuality, identity, social history, social theory, research, and teaching methods.

A comprehensive one-stop reference text, The Routledge Companion to Criminological Theory and Concepts (the ‘Companion’) will find a place on every bookshelf, whether it be that of a budding scholar or a seasoned academic. Comprising over a hundred concise and authoritative essays written by leading scholars in the field, this volume explains in a clear and inviting way the emergence, context, evolution and current status of key criminological theories and conceptual themes.The Companion is divided into six historical and thematic parts, each introduced by the editors and containing a selection of accessible and engaging short essays written specifically for this text: Foundations of criminological thought and contemporary revitalizationsThe emergence and growth of American criminology From appreciation to critique Late critical criminologies and new directions Punishment and security Geographies of crimeComprehensive cross-referencing between entries will provide the reader with signposts to later developments, to critiques and to associated theoretical developments explored within the book, and lists of further reading in every entry will encourage independent thinking and study. This book is an essential reference work for criminology students at all levels and is the perfect companion for courses on criminological theory.

A comprehensive one-stop reference text, The Routledge Companion to Criminological Theory and Concepts (the ‘Companion’) will find a place on every bookshelf, whether it be that of a budding scholar or a seasoned academic. Comprising over a hundred concise and authoritative essays written by leading scholars in the field, this volume explains in a clear and inviting way the emergence, context, evolution and current status of key criminological theories and conceptual themes.The Companion is divided into six historical and thematic parts, each introduced by the editors and containing a selection of accessible and engaging short essays written specifically for this text: Foundations of criminological thought and contemporary revitalizationsThe emergence and growth of American criminology From appreciation to critique Late critical criminologies and new directions Punishment and security Geographies of crimeComprehensive cross-referencing between entries will provide the reader with signposts to later developments, to critiques and to associated theoretical developments explored within the book, and lists of further reading in every entry will encourage independent thinking and study. This book is an essential reference work for criminology students at all levels and is the perfect companion for courses on criminological theory.

Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions. This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field:• Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images.• Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics.• Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law.• Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved.• Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field.This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.