Edina Adam - Böcker
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3 produkter
3 produkter
303 kr
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A richly illustrated, comprehensive introduction to the visionary British artist William BlakeCelebrated for his boundless imagination and unique vision, William Blake (1757–1827) created some of the most striking and distinctive imagery in art, often combining his poetry and visual images on the page through innovative graphic techniques. He has proven an enduring inspiration to artists, musicians, poets, and performers worldwide and a fascinating enigma to generations of admirers. Featuring over 130 color images, this catalogue brings together many of Blake’s most iconic works. Organized by theme, it explores Blake’s work as a professional printmaker, his roles as both painter-illustrator and poet-painter, his relationship to the medieval, Renaissance, and Baroque artists that preceded him, and his legacy in the United States. It also examines his visionary prophetic books, including all eighteen plates of America a Prophecy.
303 kr
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The rich history of blue paper, from the late fifteenth to the mid-eighteenth centuries, illuminates themes of transcultural interchange, international trade, and global reach. Through the examinations of significant works, this volume investigates considerations of supply, use, economics, and innovative creative practice. How did the materials necessary for the production of blue paper reach artistic centers? How were these materials produced and used in various regions? Why did they appeal to artists, and how did they impact artistic practice and come to be associated with regional artistic identities? How did commercial, political, and cultural relations, and the mobility of artists, enable the dispersion of these materials and related techniques? Bringing together the work of the world's leading specialists, this striking publication is destined to become essential reading on the history, materials, and techniques of drawings executed on blue paper.
346 kr
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Whileoften viewed and studied separately, drawings and prints have always beenclosely intertwined. They facilitated and generated the production of oneanother, and in some instances, clear distinctions between the two dissolved.Many artists created drawings specifically intended for translation intoprint, and while an even greater number used prints as a training tool, copyingfrom them to hone drawing skills. This reciprocal relationship goes evendeeper, however, as innovative artists made created fascinating hybridworks that blurred the boundaries between the two media, pushing againstmodern definitions and hierarchies. Lines of Connectioncharts these historical and geographical continuities for the first time bybringing together works on paper of superb quality, foregrounding issues ofartistic process and collaboration, technical innovation, and creativeingenuity. Featuring over 170 prints and drawings by such artists as AlbrechtDurer, Parmigianino, Hendrick Goltzius, Maria Sibylla Merian, Rembrandt vanRijn, and William Blake, this catalogue is a rich narrative introduction tothe compelling, yet understudied, relationship between drawing andprintmaking.