Edmund Morris – författare

The authorized life of Ronald Reagan written by America’s most innovative and Pulitzer Prize-winning political biographer. This unprecedented book breaks through all conventional definitions of biography.‘Poor dear. There’s nothing between his ears.’ So Margaret Thatcher described Ronald Reagan. But the Iron Lady, when in the ‘poor dear’s’ presence, giggled like a schoolgirl. ‘One could not talk to him for more than a few minutes without being aware of the ordinariness of his mind,’ says Helmut Schmidt. But Mikhail Gorbachev, deconstructor of communism, is now despised by his people, while the most popular boys’ name in the former USSR is Ronald. Indisputably Ronald Reagan the everyday person was opaque, pedestrian, ignorant, a hollow man – now incapacitated by Alzheimers. Yet, as President–Governor–Actor–Announcer – Lifeguard Ronald Reagan became a creature of the American folk imagination with the power to tap into vast resources of nostalgia in the American people. He is a myth; the sum total of all American fantasies. It is this Reagan that is the subject of Edmund Morris’s book. Morris has been working on the authorized biography of Ronald Reagan since 1985. He has become intimate with Reagan himself, Nancy and their children, and has had unrestricted access to all Reagan’s private papers. This would be enough to ensure a significant and lasting biography of this extraordinary American. However, Morris combines these benefits with enormous powers of scholarship and a literary imagination beyond compare. The result is a book truly revolutionary in form. Reagan’s biography is written with a biographical doppelganger following Reagan through each phase of his life, showing how the life of Reagan integrates with his times, and explaining the great and so-far elusive mystery of the extraordinarily potent link between Reagan and the American people. This book succeeds in making literature out of the life of America’s Actor-President. There has been nothing like it before.

From the Pulitzer Prize and National Book Award-winning author, “an ideal starting point toward ultimate Beethoven appreciation” (Entertainment Weekly).Ludwig van Beethoven (1770–1827) was a genius so universal that his popularity, extraordinary even during his lifetime, has never ceased to grow. It now encircles the globe: Beethoven’s most famous works are as beloved in Beijing as they are in Boston.Edmund Morris, the author of three bestselling presidential biographies and a lifelong devotee of Beethoven, brings the great composer to life as a man of astonishing complexity and overpowering intelligence. A gigantic, compulsively creative personality unable to tolerate constraints, he was not so much a social rebel as an astute manipulator of the most powerful and privileged aristocrats in Germany and Austria, at a time when their world was threatened by the rise of Napoleon Bonaparte.But Beethoven’s achievement rests in his immortal music. Struggling against progressive, incurable deafness (which he desperately tried to keep secret), he nonetheless produced towering masterpieces, such as his iconic Fifth and Ninth symphonies. With sensitivity and insight, Edmund Morris illuminates Beethoven’s life, including his interactions with the women he privately lusted for but held at bay, and his work, whose grandeur and beauty were conceived “on the other side of silence.”“Vivid . . . Morris deftly sorts his way through Beethoven’s biography.” —The New York Times Book Review“Brilliant . . . superb, elegant writing . . . every word as masterly as the notes of the artist it illuminates.” —Christopher Buckley, Forbes

Theodore Rex is the story—never fully told before—of Theodore Roosevelt’s two world-changing terms as President of the United States. A hundred years before the catastrophe of September 11, 2001, “TR” succeeded to power in the aftermath of an act of terrorism. Youngest of all our chief executives, he rallied a stricken nation with his superhuman energy, charm, and political skills. He proceeded to combat the problems of race and labor relations and trust control while making the Panama Canal possible and winning the Nobel Peace Prize. But his most historic achievement remains his creation of a national conservation policy, and his monument millions of acres of protected parks and forest. Theodore Rex ends with TR leaving office, still only fifty years old, his future reputation secure as one of our greatest presidents.From the Trade Paperback edition.

Selected by the Modern Library as one of the 100 best nonfiction books of all timeThirty years ago, The Rise of Theodore Roosevelt won both the Pulitzer Prize and the National Book Award. Although Theodore Rex fully recounts TR’s years in the White House (1901–1909), The Rise of Theodore Roosevelt begins with a brilliant Prologue describing the President at the apex of his international prestige. That was on New Year’s Day, 1907, when TR, who had just won the Nobel Peace Prize, threw open the doors of the White House to the American people and shook 8,150 hands, more than any man before him. Morris re-creates the reception with such authentic detail that the reader gets almost as vivid an impression of TR as those who attended. One visitor remarked afterward, “You go to the White House, you shake hands with Roosevelt and hear him talk—and then you go home to wring the personality out of your clothes.” The rest of this book tells the story of TR’s irresistible rise to power. (He himself compared his trajectory to that of a rocket.) It is, in effect, the biography of seven men—a naturalist, a writer, a lover, a hunter, a ranchman, a soldier, and a politician—who merged at age forty-two to become the youngest President in our history. Rarely has any public figure exercised such a charismatic hold on the popular imagination. Edith Wharton likened TR’s vitality to radium. H. G. Wells said that he was  “a very symbol of the creative will in man.” Walter Lippmann characterized him simply as our only “lovable” chief executive. During the years 1858–1901, Theodore Roosevelt, the son of a wealthy Yankee father and a plantation-bred southern belle, transformed himself from a frail, asthmatic boy into a full-blooded man. Fresh out of Harvard, he simultaneously published a distinguished work of naval history and became the fist-swinging leader of a Republican insurgency in the New York State Assembly. He had a youthful romance as lyrical—and tragic—as any in Victorian fiction. He chased thieves across the Badlands of North Dakota with a copy of Anna Karenina in one hand and a Winchester rifle in the other. Married to his childhood sweetheart in 1886, he became the country squire of Sagamore Hill on Long Island, a flamboyant civil service reformer in Washington, D.C., and a night-stalking police commissioner in New York City. As assistant secretary of the navy under President McKinley, he almost single-handedly brought about the Spanish-American War. After leading “Roosevelt’s Rough Riders” in the famous charge up San Juan Hill, Cuba, he returned home a military hero, and was rewarded with the governorship of New York. In what he called his “spare hours” he fathered six children and wrote fourteen books. By 1901, the man Senator Mark Hanna called “that damned cowboy” was vice president of the United States. Seven months later, an assassin’s bullet gave TR the national leadership he had always craved.His is a story so prodigal in its variety, so surprising in its turns of fate, that previous biographers have treated it as a series of haphazard episodes. This book, the only full study of TR’s pre-presidential years, shows that he was an inevitable chief executive, and recognized as such in his early teens. His apparently random adventures were precipitated and linked by various aspects of his character, not least an overwhelming will. “It was as if he were subconsciously aware that he was a man of many selves,” the author writes, “and set about developing each one in turn, knowing that one day he would be President of all the people.”

NEW YORK TIMES BESTSELLER • From Pulitzer Prize-winning author Edmund Morris comes a revelatory new biography of Thomas Alva Edison, the most prolific genius in American history.NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TIME AND PUBLISHERS WEEKLYAlthough Thomas Alva Edison was the most famous American of his time, and remains an international name today, he is mostly remembered only for the gift of universal electric light. His invention of the first practical incandescent lamp 140 years ago so dazzled the world—already reeling from his invention of the phonograph and dozens of other revolutionary devices—that it cast a shadow over his later achievements. In all, this near-deaf genius (“I haven’t heard a bird sing since I was twelve years old”) patented 1,093 inventions, not including others, such as the X-ray fluoroscope, that he left unlicensed for the benefit of medicine.One of the achievements of this staggering new biography, the first major life of Edison in more than twenty years, is that it portrays the unknown Edison—the philosopher, the futurist, the chemist, the botanist, the wartime defense adviser, the founder of nearly 250 companies—as fully as it deconstructs the Edison of mythological memory. Edmund Morris, winner of the Pulitzer Prize and the National Book Award, brings to the task all the interpretive acuity and literary elegance that distinguished his previous biographies of Theodore Roosevelt, Ronald Reagan, and Ludwig van Beethoven. A trained musician, Morris is especially well equipped to recount Edison’s fifty-year obsession with recording technology and his pioneering advances in the synchronization of movies and sound. Morris sweeps aside conspiratorial theories positing an enmity between Edison and Nikola Tesla and presents proof of their mutually admiring, if wary, relationship.Enlightened by seven years of research among the five million pages of original documents preserved in Edison’s huge laboratory at West Orange, New Jersey, and privileged access to family papers still held in trust, Morris is also able to bring his subject to life on the page—the adored yet autocratic and often neglectful husband of two wives and father of six children. If the great man who emerges from it is less a sentimental hero than an overwhelming force of nature, driven onward by compulsive creativity, then Edison is at last getting his biographical due.

When the multitalented biographer Edmund Morris (who writes with equal virtuosity about Theodore Roosevelt, Ronald Reagan, Beethoven, and Thomas Edison) was a schoolboy in colonial Kenya, one of his teachers told him, “You have the most precious gift of all—originality.” That quality is abundantly evident in this selection of essays. They cover forty years in the life of a maverick intellectual who can be, at whim, astonishingly provocative, self-mockingly funny, and richly anecdotal. (The title essay, a tribute to Reagan in cognitive decline, is poignant in the extreme.)   Whether Morris is analyzing images of Barack Obama or the prose style of President Clinton, or exploring the riches of the New York Public Library Dance Collection, or interviewing the novelist Nadine Gordimer, or proposing a hilarious “Diet for the Musically Obese,” a continuous cross-fertilization is going on in his mind. It mixes the cultural pollens of Africa, Britain, and the United States, and  propogates hybrid flowers—some fragrant, some strange, some a shock to conventional sensibilities.   Repeatedly in This Living Hand, Morris celebrates the physicality of artistic labor, and laments the glass screen that today’s e-devices interpose between inspiration and execution. No presidential biographer has ever had so literary a “take” on his subjects: he discerns powers of poetic perception even in the obsessively scientific Edison. Nor do most writers on music have the verbal facility to articulate, as Morris does, what it is about certain sounds that soothe the savage breast. His essay on the pathology of Beethoven’s deafness breaks new ground in suggesting that tinnitus may explain some of the weird aural effects in that composer’s works. Masterly monographs on the art of biography, South Africa in the last days of apartheid, the romance of the piano, and the role of imagination in nonfiction are juxtaposed with enchanting, almost unclassifiable pieces such as “The Bumstitch: Lament for a Forgotten Fruit” (Morris suspects it may have grown in the Garden of Eden); “The Anticapitalist Conspiracy: A Warning” (an assault on The Chicago Manual of Style); “Nuages Gris: Colors in Music, Literature, and Art”; and the uproarious “Which Way Does Sir Dress?”, about ordering a suit from the most expensive tailor in London.   Uniquely illustrated with images that the author describes as indispensable to his creative process, This Living Hand is packed with biographical insights into such famous personalities as Daniel Defoe, Henry Adams, Mark Twain, Evelyn Waugh,  Truman Capote, Glenn Gould, Jasper Johns, W. G. Sebald, and Winnie the Pooh—not to mention a gallery of forgotten figures whom Morris lovingly restores to “life.” Among these are the pianist Ferruccio Busoni, the poet Edwin Arlington Robinson, the novelist James Gould Cozzens, and sixteen so-called “Undistinguished Americans,” contributors to an anthology of anonymous memoirs published in 1902.   Reviewing that book for The New Yorker, Morris notes that even the most unlettered persons have, on occasion, “power to send forth surprise flashes, illuminating not only the dark around them but also more sophisticated shadows—for example, those cast by public figures who will not admit to private failings, or by philosophers too cerebral to state a plain truth.” The author of This Living Hand is not an ordinary person, but he too sends forth surprise flashes, never more dazzlingly than in his final essay, “The Ivo Pogorelich of Presidential Biography.”