Edmundo Balsemao Pires – författare

This insightful book explores the impact of traumatic experiences on the constitution of narrative identity. Editors Edmundo Balsemão Pires, Cláudio Alexandre S. Carvalho, and Joana Ricarte bring together multidisciplinary experts to examine the epistemic and ethical-political value of narrative memory, demonstrating its significance in forming essential aspects of the self and collective identity.

Challenging the idea of memory as a static, easily accessible and transferable repository, contributing authors instead present it as a dynamic process influenced by historical, therapeutic, artistic and political factors. Analysing the lasting impact of traumatic events, they assess the history of trauma therapy and use novel case studies to identify the role and nature of memory. Chapters investigate traumatic reenactments, conscious and unconscious attempts to suppress and appropriate memories, and the narrative coherence of origins, belonging and purposes. Ultimately, the book provides an integrative paradigm for understanding trauma that accounts for the psychic, social and political conditions which shape its categorization, identification and treatment.

Bringing together transdisciplinary theoretical models and empirical methodologies to forge new paths for the field, this book is an essential resource for academics and students in political science, sociology, psychology and psychoanalysis, the philosophy of memory and trauma studies.

This insightful book explores the impact of traumatic experiences on the constitution of narrative identity. Editors Edmundo Balsemão Pires, Cláudio Alexandre S. Carvalho, and Joana Ricarte bring together multidisciplinary experts to examine the epistemic and ethical-political value of narrative memory, demonstrating its significance in forming essential aspects of the self and collective identity.Challenging the idea of memory as a static, easily accessible and transferable repository, contributing authors instead present it as a dynamic process influenced by historical, therapeutic, artistic and political factors. Analysing the lasting impact of traumatic events, they assess the history of trauma therapy and use novel case studies to identify the role and nature of memory. Chapters investigate traumatic reenactments, conscious and unconscious attempts to suppress and appropriate memories, and the narrative coherence of origins, belonging and purposes. Ultimately, the book provides an integrative paradigm for understanding trauma that accounts for the psychic, social and political conditions which shape its categorization, identification and treatment.Bringing together transdisciplinary theoretical models and empirical methodologies to forge new paths for the field, this book is an essential resource for academics and students in political science, sociology, psychology and psychoanalysis, the philosophy of memory and trauma studies.

This book integrates studies on the thought of Bernard de Mandeville and other philosophers and historians of Modern Thought. The chapters reflect a rethinking of Mandeville’s legacy and, together, present a comprehensive approach to Mandeville’s work. The book is published on the occasion of the 300 years that have passed since the publication of the Fable of the Bees. Bernard de Mandeville disassembled the dichotomies of traditional moral thinking to show that the outcomes of the social action emerge as new, non-intentional effects from the combination of moral opposites, vice and virtue, in such a form that they lose their moral significance. The work of this great writer, philosopher and physician is interwoven with an awareness of the paradoxical nature of modern society and the challenges that this recognition brings to an adequate perspective on the historical world of modernity.

This book integrates studies on the thought of Bernard de Mandeville and other philosophers and historians of Modern Thought. The chapters reflect a rethinking of Mandeville’s legacy and, together, present a comprehensive approach to Mandeville’s work. The book is published on the occasion of the 300 years that have passed since the publication of the Fable of the Bees. Bernard de Mandeville disassembled the dichotomies of traditional moral thinking to show that the outcomes of the social action emerge as new, non-intentional effects from the combination of moral opposites, vice and virtue, in such a form that they lose their moral significance. The work of this great writer, philosopher and physician is interwoven with an awareness of the paradoxical nature of modern society and the challenges that this recognition brings to an adequate perspective on the historical world of modernity.

This book integrates studies on the thought of Bernard de Mandeville and other philosophers and historians of Modern Thought. The chapters reflect a rethinking of Mandeville’s legacy and, together, present a comprehensive approach to Mandeville’s work. The book is published on the occasion of the 300 years that have passed since the publication of the Fable of the Bees. Bernard de Mandeville disassembled the dichotomies of traditional moral thinking to show that the outcomes of the social action emerge as new, non-intentional effects from the combination of moral opposites, vice and virtue, in such a form that they lose their moral significance. The work of this great writer, philosopher and physician is interwoven with an awareness of the paradoxical nature of modern society and the challenges that this recognition brings to an adequate perspective on the historical world of modernity.

The Automated Self explores meta-theoretical issues in the philosophy of artificial intelligence, combining it with themes from philosophy of science and technology, media and communication studies, and ethics. Balsemão-Pires provides an integrated view of contemporary problems of AI including the theoretical premises and discussions on the meaning, functioning and social uses of cognitive machines, the recent ethical and legal challenges on privacy, interpretability, and data ownership, passing through a careful discussion of the media embedment of the new technologies, and the uses of algorithms in the production and consumption of art.