Eduardo Ledesma – författare

The Routledge Hispanic Studies Companion to Twentieth and Twenty-First Century Spain charts the key ideas, practices and imaginings that characterize Spain’s cultural, historical, social and political history in the contemporary period.The volume brings together internationally acknowledged scholars from around the globe and from diverse disciplines, from cinema and sociology, to sociolingusitics, politics and history, as well as various other cultural studies approaches. It offers an integrated multi-disciplinary volume that provides a more complete and nuanced multi-perspective assessment of modern and contemporary Spanish culture, with a special emphasis on recent decades. This interdisciplinary and thematically organized Companion includes essays on literature and art, history, politics, religion, economics, linguistics and visual culture and covers an extensive period of time, with a focus on key events. The volume explores cutting-edge areas and engages with current debates, controversies and questions in the field of Hispanic studies.Offering a nuanced, multi-disciplinary assessment of modern and contemporary Spanish culture through a dichotomic organizing principle, The Routledge Hispanic Studies Companion to Twentieth and Twenty-First Century Spain is an expansive resource which will be of interest to students and scholars of Hispanic studies, and those with a particular interest in Spanish history, politics and culture.

The Routledge Hispanic Studies Companion to Twentieth and Twenty-First Century Spain charts the key ideas, practices and imaginings that characterize Spain’s cultural, historical, social and political history in the contemporary period.The volume brings together internationally acknowledged scholars from around the globe and from diverse disciplines, from cinema and sociology, to sociolingusitics, politics and history, as well as various other cultural studies approaches. It offers an integrated multi-disciplinary volume that provides a more complete and nuanced multi-perspective assessment of modern and contemporary Spanish culture, with a special emphasis on recent decades. This interdisciplinary and thematically organized Companion includes essays on literature and art, history, politics, religion, economics, linguistics and visual culture and covers an extensive period of time, with a focus on key events. The volume explores cutting-edge areas and engages with current debates, controversies and questions in the field of Hispanic studies.Offering a nuanced, multi-disciplinary assessment of modern and contemporary Spanish culture through a dichotomic organizing principle, The Routledge Hispanic Studies Companion to Twentieth and Twenty-First Century Spain is an expansive resource which will be of interest to students and scholars of Hispanic studies, and those with a particular interest in Spanish history, politics and culture.

Engages in a critical reanalysis of historical Ibero-American experimental poetry in order to demonstrate how the contemporary digital vanguard owes much to this tradition.With a broad geographic and linguistic sweep covering more than one hundred years of poetry, this book investigates the relationships between and among technology, aesthetics, and politics in Ibero-American experimental poetry. Eduardo Ledesma analyzes visual, concrete, kinetic, and digital poetry that questions what the "literary" means, what constitutes poetry, and how, if at all, visual and verbal arts should be differentiated. Radical Poetry examines how poets use the latest technologies (cinematography, radio, television, and software) to create poetry that self-consciously interrogates its own form, through close alliances with conceptual and abstract art, performance, photography, film, and new media. To do so, Ledesma draws on pertinent theories of metaphor, affect, time, space, iconicity, and cybernetics. Ledesma shows how José Juan Tablada (Mexico), Joan Salvat-Papasseit (Catalonia), Clemente Padín (Uruguay), Fernando Millán (Spain), Décio Pignatari (Brazil), Ana María Uribe (Argentina), and others turn words, machines, and, more recently, the digital into flesh, making word-objects "come alive" by assembling text to act and seem human, whether on the page, on walls, or on screens.

Engages in a critical reanalysis of historical Ibero-American experimental poetry in order to demonstrate how the contemporary digital vanguard owes much to this tradition.With a broad geographic and linguistic sweep covering more than one hundred years of poetry, this book investigates the relationships between and among technology, aesthetics, and politics in Ibero-American experimental poetry. Eduardo Ledesma analyzes visual, concrete, kinetic, and digital poetry that questions what the "literary" means, what constitutes poetry, and how, if at all, visual and verbal arts should be differentiated. Radical Poetry examines how poets use the latest technologies (cinematography, radio, television, and software) to create poetry that self-consciously interrogates its own form, through close alliances with conceptual and abstract art, performance, photography, film, and new media. To do so, Ledesma draws on pertinent theories of metaphor, affect, time, space, iconicity, and cybernetics. Ledesma shows how José Juan Tablada (Mexico), Joan Salvat-Papasseit (Catalonia), Clemente Padín (Uruguay), Fernando Millán (Spain), Décio Pignatari (Brazil), Ana María Uribe (Argentina), and others turn words, machines, and, more recently, the digital into flesh, making word-objects "come alive" by assembling text to act and seem human, whether on the page, on walls, or on screens.

Explores experimental cinema and alternative film formats from across the Luso-Hispanic Atlantic, from the 1960s to the present.This is the first book on experimental cinemas of Latin American and Spain to offer a comprehensive look at old and new technologies, including Super 8, VHS, cell phones, virtual reality, artificial intelligence, and more. From the militant films of the 1960s to today's expanded reality experiences, filmmakers in Argentina, Spain, Cuba, Colombia, Brazil, and Mexico have continually used alternative formats both to dialogue with international movements and to counter commercial cinematic trends. To make this argument and cover this vast geographic and historical terrain, Eduardo Ledesma adopts a transnational and intermedial approach, examining exchanges and associations between cineastes to better understand how their films were created and circulated. Ledesma works to untangle both the relations between media and the associations of experimental cinema to cultural phenomena such as diaspora, exile, displacement, and immigration. Throughout the book, connections are further made to other global avant-garde and alternative cinemas and formats, including in the United States.