Edward Adams – författare

An introductory guide to the four New Testament Gospels as overlapping accounts of the life, death and resurrection of Jesus, yet with distinctive emphases, concerns and 'angles of telling' at the points of convergence.

In this ground-breaking study of Paul, Dr Adams focuses on Paul's understanding and use of cosmological concepts, such as 'world' and 'creation'.Adams brings to bear the most recently developed disciplines, including 'critical linguistics', to the interpretation of Pauline texts, showing up, for example, the differing perspectives on the world of 1 Corinthians and Romans.He examines Paul's historical and social context and illuminates the whole cosmological project of Pauline Christianity.

The aim of this book is to establish and explore New Testament belief in the end of the world through an investigation of texts which - on the face of it - contain 'end of the world' language. It engages with recent discussion on how Jewish and early Christian 'end of the world' was meant to be understood, and interacts especially with N.T. Wright's proposals. The first part of the book is given over to background and focuses on the Old Testament, Jewish apocalyptic and related literature and Graeco-Roman sources. The latter have seldom been brought into play in previous discussion. The author shows that the Stoic material is especially relevant. The second part of the book concentrates on the New Testament evidence and explores in detail all the key texts. The pertinent texts are analyzed in terms of the kind of the 'end of the world' language they use - language of cosmic cessation, of catastrophe and conflagration.The main aim of the exegesis is to establish the extent to which the language is meant objectively, but there is further exploration of issues arising from the notions of the end of the world where they are deemed to be present, including whether the idea of the world's dissolution implies a rejection of the created order. The conclusion explores the implications of the theme of the end of the world for Christian theology and ethics, and discusses especially, the ramifications for environmental ethics.

Edward Adams challenges a strong consensus in New Testament and Early Christian studies: that the early Christians met ''almost exclusively'' in houses. This assumption has been foundational for research on the social formation of the early churches, the origins and early development of church architecture, and early Christian worship. Recent years have witnessed increased scholarly interest in the early ''house church''.Adams re-examines the New Testament and other literary data, as well as archaeological and comparative evidence, showing that explicit evidence for assembling in houses is not nearly as extensive as is usually thought. He also shows that there is literary and archaeological evidence for meeting in non-house settings. Adams makes the case that during the first two centuries, the alleged period of the ''house church'', it is plausible to imagine the early Christians gathering in a range of venues rather than almost entirely in private houses. His thesis has wide-ranging implications.

Edward Adams challenges a strong consensus in New Testament and Early Christian studies: that the early Christians met ‘almost exclusively' in houses. This assumption has been foundational for research on the social formation of the early churches, the origins and early development of church architecture, and early Christian worship. Recent years have witnessed increased scholarly interest in the early ‘house church’.Adams re-examines the New Testament and other literary data, as well as archaeological and comparative evidence, showing that explicit evidence for assembling in houses is not nearly as extensive as is usually thought. He also shows that there is literary and archaeological evidence for meeting in non-house settings. Adams makes the case that during the first two centuries, the alleged period of the ‘house church’, it is plausible to imagine the early Christians gathering in a range of venues rather than almost entirely in private houses. His thesis has wide-ranging implications.

Edward Adams challenges a strong consensus in New Testament and Early Christian studies: that the early Christians met ‘almost exclusively' in houses. This assumption has been foundational for research on the social formation of the early churches, the origins and early development of church architecture, and early Christian worship. Recent years have witnessed increased scholarly interest in the early ‘house church’.Adams re-examines the New Testament and other literary data, as well as archaeological and comparative evidence, showing that explicit evidence for assembling in houses is not nearly as extensive as is usually thought. He also shows that there is literary and archaeological evidence for meeting in non-house settings. Adams makes the case that during the first two centuries, the alleged period of the ‘house church’, it is plausible to imagine the early Christians gathering in a range of venues rather than almost entirely in private houses. His thesis has wide-ranging implications.

This volume examines and discusses selected Bible documentaries and academically informed dramatizations of the Bible. With a major focus on recent productions in UK mainline television within the past 15 years, the contributors also engage with productions from the USA.After a critical introduction by Helen K. Bond, charting and reflecting on the use of the Bible on television in recent years, the book falls into three sections. First, a number of influential filmmakers and producers, including Ray Bruce and Jean- Claude Bragard, discuss their work in relation to the context and constraints oftelevision - especially religious television - programming. The volume then moves to reflections of various academics who have acted as ‘talking heads’, historical consultants and presenters, allowing discussion of different aspects of the process, including the extent to which they had influence and how their contributions were used. Finally, a number of scholars assess the finished products, discussing what they tell us about the modern reception of the Bible, with additional consideration of how these productions influence biblical scholars and contribute to the scholarly agenda.

This volume examines and discusses selected Bible documentaries and academically informed dramatizations of the Bible. With a major focus on recent productions in UK mainline television within the past 15 years, the contributors also engage with productions from the USA.After a critical introduction by Helen K. Bond, charting and reflecting on the use of the Bible on television in recent years, the book falls into three sections. First, a number of influential filmmakers and producers, including Ray Bruce and Jean- Claude Bragard, discuss their work in relation to the context and constraints oftelevision - especially religious television - programming. The volume then moves to reflections of various academics who have acted as ''talking heads'', historical consultants and presenters, allowing discussion of different aspects of the process, including the extent to which they had influence and how their contributions were used. Finally, a number of scholars assess the finished products, discussing what they tell us about the modern reception of the Bible, with additional consideration of how these productions influence biblical scholars and contribute to the scholarly agenda.

This volume examines and discusses selected Bible documentaries and academically informed dramatizations of the Bible. With a major focus on recent productions in UK mainline television within the past 15 years, the contributors also engage with productions from the USA.After a critical introduction by Helen K. Bond, charting and reflecting on the use of the Bible on television in recent years, the book falls into three sections. First, a number of influential filmmakers and producers, including Ray Bruce and Jean- Claude Bragard, discuss their work in relation to the context and constraints oftelevision - especially religious television - programming. The volume then moves to reflections of various academics who have acted as ''talking heads'', historical consultants and presenters, allowing discussion of different aspects of the process, including the extent to which they had influence and how their contributions were used. Finally, a number of scholars assess the finished products, discussing what they tell us about the modern reception of the Bible, with additional consideration of how these productions influence biblical scholars and contribute to the scholarly agenda.

This volume examines and discusses selected Bible documentaries and academically informed dramatizations of the Bible. With a major focus on recent productions in UK mainline television within the past 15 years, the contributors also engage with productions from the USA.After a critical introduction by Helen K. Bond, charting and reflecting on the use of the Bible on television in recent years, the book falls into three sections. First, a number of influential filmmakers and producers, including Ray Bruce and Jean- Claude Bragard, discuss their work in relation to the context and constraints oftelevision - especially religious television - programming. The volume then moves to reflections of various academics who have acted as ‘talking heads’, historical consultants and presenters, allowing discussion of different aspects of the process, including the extent to which they had influence and how their contributions were used. Finally, a number of scholars assess the finished products, discussing what they tell us about the modern reception of the Bible, with additional consideration of how these productions influence biblical scholars and contribute to the scholarly agenda.

First Corinthians provides a unique glimpse info the life of a young Christian community in a Greco-Roman environment during the early decades of emerging Christianity. It supplies a range and richness of information about the early church that is unparalleled by any other New Testament document. Much effort has gone into reconstructing Christianity at Corinth; more recently, attention has focused on the Corinthian community itself. The scholarly picture of the Corinthian Christians throughout the period of modern interpretation has been far from constant, and their profile has altered as interpretive fashions have shifted. This collection of classic and new essays charts the history of the scholarly quest for the Corinthian church from F. C. Baur to the present day, and offers the reflections of leading scholars on where the quest has taken us and its future direction.

In this highly readable introduction to the Gospels, Edward Adams demonstrates how the four canonical Gospels function separatelyâ€"as unique accounts of Jesus' lifeâ€"and as narrative renditions of a shared story: the Fourfold Gospel. Building on the premise that the Gospels are ancient biographies or "lives of Jesus," Adams examines parallel Gospel passages, highlighting the similarities and differences between them. He begins by approaching the four Gospels generally, then looks at each of them individually, and finally considers six key Gospel passages to further explore the unity and plurality of the Gospels in a more focused way. Adams's lucid prose helps to make this text ideal for beginning students of the Gospels.

In Liberal Epic, Edward Adams examines the liberal imagination’s centuries-long dependence on contradictory, and mutually constitutive, attitudes toward violent domination. Adams centres his ambitious analysis on a series of major epic poems, histories and historical novels, including Dryden’s Aeneid, Pope’s Iliad, Gibbon’s Decline and Fall of the Roman Empire, Byron’s Don Juan, Scott’s Life of Napoleon, Napier’s History of the War in the Peninsula, Macaulay’s History of England, Hardy’s Dynasts, and Churchill’s military histories—works that rank among the most important publishing events of the past three centuries yet that have seldom received critical attention relative to their importance. In recovering these neglected works and gathering them together as part of a self-conscious literary tradition here defined as liberal epic, Adams provides an archaeology that sheds light on contemporary issues such as the relation of liberalism to war, the tactics for sanitising heroism, and the appeal of violence to supposedly humane readers.