Edward Dolnick – författare

"Mesmerizing account of an amateur artist who made millions selling forged paintings to art-obsessed Nazis and business tycoons" (Kirkus, starred review).New York Times–BestsellerA New York Times Staff Pick"Dolnick brilliantly re-creates the circumstances that made possible one of the most audacious frauds of the twentieth century. . . . An incomparable page turner." —Boston GlobeAs riveting as a World War II thriller, The Forger''s Spell is the true story of Johannes Vermeer and the small-time Dutch painter who dared to impersonate him centuries later. The con man''s mark was Hermann Goering, one of the most reviled leaders of Nazi Germany and a fanatic collector of art.It was an almost perfect crime. For seven years a no-account painter named Han van Meegeren managed to pass off his paintings as those of one of the most beloved and admired artists who ever lived. But, as Edward Dolnick reveals, the reason for the forger''s success was not his artistic skill. Van Meegeren was a mediocre artist. His true genius lay in psychological manipulation, and he came within inches of fooling both the Nazis and the world. Instead, he landed in an Amsterdam court on trial for his life . . ."When it comes to forgery and its ability to fascinate, the bigger the better, and the greater the audacity the more compelling. . . . Author Edward Dolnick has hit the mother lode." —Los Angeles Times"Dolnick''s zesty, incisive, and entertaining inquiry illuminates the hidden dimensions and explicates the far-reaching implications of this fascinating and provocative collision of art and ambition, deception and war." —Booklist"A fascinating analysis of the forger''s technique and a perceptive discussion of van Meegeren''s genius at manipulating people." —Publishers Weekly (starred review)

Edgar Award Winner for Best Fact Crime. "An entertaining account of the eternal struggle between high art and low cunning." —TimeIn the predawn hours of a gloomy February day in 1994, two thieves entered the National Gallery in Oslo and made off with one of the world''s most famous paintings, Edvard Munch''s Scream. It was a brazen crime committed while the whole world was watching the opening ceremonies of the Winter Olympics in Lillehammer. Baffled and humiliated, the Norwegian police turned to the one man they believed could help: a half English, half American undercover cop named Charley Hill, the world''s greatest art detective.The Rescue Artist is a rollicking narrative that carries readers deep inside the art underworld—and introduces them to a large and colorful cast of titled aristocrats, intrepid investigators, and thick-necked thugs. But most compelling of all is Charley Hill himself, a complicated mix of brilliance, foolhardiness, and charm whose hunt for a purloined treasure would either cap an illustrious career or be the fiasco that would haunt him forever."There has never been a better book on art crime." —ARTnews"Riveting . . . fascinating." —Los Angeles Times"A masterpiece. Engrossing, entertaining, often surreally hilarious." —Mary Roach, New York Times–bestselling author"A fascinating tale, expertly told, with characters as crisply drawn as any Rembrandt, and the sort of intrigue generally found only in a thriller." —Arthur Golden, national bestselling author of Memoirs of a Geisha

New York Times–bestselling Author: An "entertainingly written" account of the scientific revolution that emerged amid the horrors of seventeenth-century London (Kirkus Reviews).In the late seventeenth century, chaos and disease reigned. Streets overflowed with filth and the murder rate was five times higher than it is today. Sickness was divine punishment, astronomy and astrology were indistinguishable, and the world''s most brilliant, ambitious, and curious scientists were tormented by contradiction. They believed in angels, devils, and alchemy, yet also believed that the universe followed precise mathematical laws that were as intricate and perfectly regulated as the mechanisms of a great clock.The Clockwork Universe captures these thinkers as they wrestled with nature''s most sweeping mysteries. Award-winning writer Edward Dolnick illuminates the fascinating personalities of Newton, Leibniz, Kepler, and others, and vividly animates their momentous struggle during an era when little was known and everything was new—battles of will, faith, and intellect that would change the course of history itself."Dolnick''s book is lively and the characters are vivid." —The New York Times Book Review"A free-for-all of ideas in a character-rich, historical narrative." —The Wall Street Journal"Dolnick writes clearly and unpretentiously about science, and writes equally well about the tumultuous historical context for these men''s groundbreaking discoveries: the English Civil War, the Thirty Years'' War, and in 1665 and 1666 respectively, the Black Plague and the Great Fire of London. Dolnick also offers penetrating portraits of the geniuses of the day, many of them idiosyncratic in the extreme, who offer fertile ground for entertaining writing." —Publishers Weekly

In the golden age of "talk therapy," the 1950s and 1960s, psychotherapists saw no limit to what they could do. Believing they had already explained the origins of war, homosexuality, anti-Semitism, and a host of neurotic ailments, they set out to conquer one of mankind's oldest and fiercest foes, mental illness. In Madness on the Couch, veteran science writer Edward Dolnick tells the tragic story of that confrontation.It is a vivid, compelling tale that is told here for the first time. Dolnick focuses on three battles in an epic war: against schizophrenia, autism, and obsessive-compulsive disorder. Schizophrenia, the most dreaded mental illness, strikes its young victims without warning and torments them with hallucinations and mocking voices. Autism claims its victims even younger, at age one or two, and locks them away, cut off from the rest of us by invisible walls. Obsessive-compulsive disorder strikes at any age and entraps its hapless victims in endless rituals.Inspired by their hero, Freud, but bolder even than he, psychoanalysts set out to vanquish those enemies. Armed with only words and the best of intentions, they achieved the worst of outcomes. The symptoms of disease were symbols, these therapists believed, and diseases could be interpreted, like dreams. The ranting of a schizophrenic on a street corner, the retreat of an autistic child from human contact, the endless hand-washing of an obsessive-compulsive were not simply acts but messages. And the message psychoanalysts decoded and delivered to countless families was that parents themselves -- through their subtle hostility -- had driven their children mad. That verdict was not overturned for more than a generation.Clear, dramatic, and authoritative, Madness on the Couch uses the voices of therapists as well as those of patients and their loved ones to describe the controversial methods used to treat the mentally ill, and their heartbreaking consequences. We see the leading lights of psychotherapy at work, including tiny, grandmotherly Frieda Fromm-Reichmann; gawky Gregory Bateson, either a genius or a charlatan, depending on whom one asked; and birdlike R. D. Laing, a slender figure with dark, deep-set eyes and the charisma of a rock star. We meet, too, scientists and family members who fought the reigning dogma of the day. Bernard Rimland, for example, set out to refute the claim that autism was caused by "refrigerator" parents whose coldness had turned their children into zombies. Rimland's only "credential" in his battle with the experts was the fact that his son was autistic.A gripping tale of hubris, arrogant pride, and terrible heartbreak, Madness on the Couch combines the immediacy of superb joumalism with the depth of scrupulous history. It shows us convincingly that in attempting to cure mental illness through talk therapy, psychoanalysis did infinitely more harm than good.

The fast-paced and “engrossing account” (The New York Times Book Review) of “one of the greatest breakthroughs in archaeological history” (The Christian Science Monitor): two rival geniuses in a race to decode the writing on one of the world’s most famous documents—the Rosetta Stone.The Rosetta Stone is one of the most famous objects in the world, attracting millions of visitors to the British museum every year, and yet most people don’t really know what it is. Discovered in a pile of rubble in 1799, this slab of stone proved to be the key to unlocking a lost language that baffled scholars for centuries. Carved in ancient Egypt, the Rosetta Stone carried the same message in different languages—in Greek using Greek letters, and in Egyptian using picture-writing called hieroglyphs. Until its discovery, no one in the world knew how to read the hieroglyphs that covered every temple and text and statue in Egypt. Dominating the world for thirty centuries, ancient Egypt was the mightiest empire the world had ever known, yet everything about it—the pyramids, mummies, the Sphinx—was shrouded in mystery. Whoever was able to decipher the Rosetta Stone would solve that mystery and fling open a door that had been locked for two thousand years. Two brilliant rivals set out to win that prize. One was English, the other French, at a time when England and France were enemies and the world’s two great superpowers. Written “like a thriller” (Star Tribune, Minneapolis), The Writing of the Gods chronicles this high-stakes intellectual race in which the winner would win glory for both himself and his nation. A riveting portrait of empires both ancient and modern, this is an unparalleled look at the culture and history of ancient Egypt, “and also a lesson…in what the human mind does when faced with a puzzle” (The New Yorker).

The fast-paced and “engrossing account” (The New York Times Book Review) of “one of the greatest breakthroughs in archaeological history” (The Christian Science Monitor): two rival geniuses in a race to decode the writing on one of the world’s most famous documents—the Rosetta Stone.The Rosetta Stone is one of the most famous objects in the world, attracting millions of visitors to the British museum every year, and yet most people don’t really know what it is. Discovered in a pile of rubble in 1799, this slab of stone proved to be the key to unlocking a lost language that baffled scholars for centuries. Carved in ancient Egypt, the Rosetta Stone carried the same message in different languages—in Greek using Greek letters, and in Egyptian using picture-writing called hieroglyphs. Until its discovery, no one in the world knew how to read the hieroglyphs that covered every temple and text and statue in Egypt. Dominating the world for thirty centuries, ancient Egypt was the mightiest empire the world had ever known, yet everything about it—the pyramids, mummies, the Sphinx—was shrouded in mystery. Whoever was able to decipher the Rosetta Stone would solve that mystery and fling open a door that had been locked for two thousand years. Two brilliant rivals set out to win that prize. One was English, the other French, at a time when England and France were enemies and the world’s two great superpowers. Written “like a thriller” (Star Tribune, Minneapolis), The Writing of the Gods chronicles this high-stakes intellectual race in which the winner would win glory for both himself and his nation. A riveting portrait of empires both ancient and modern, this is an unparalleled look at the culture and history of ancient Egypt, “and also a lesson…in what the human mind does when faced with a puzzle” (The New Yorker).

From the bestselling author of The Clockwork Universe and The Writing of the Gods, an “utterly delightful…hugely entertaining” (Air Mail) book about the eccentric Victorians who discovered dinosaur bones, leading to a whole new understanding of human history.In the early 1800s the natural world was a safe and cozy place, or so people believed. But then a twelve-year-old farm boy in Massachusetts stumbled on a row of fossilized three-toed footprints the size of dinner plates—the first dinosaur tracks ever found. Soon, in England, scientists unearthed enormous bones that reached as high as a man’s head. Outside of myths and fairy tales, no one had even imagined that creatures like three-toed giants had once lumbered across the land—nor dreamed that they could all have vanished, hundreds of millions years ago. In Dinosaurs at the Dinner Party, celebrated storyteller and historian Edward Dolnick leads us through a compelling true adventure as the paleontologists of the early 19th century puzzled their way through the fossil record to create the story of dinosaurs we know today. The tale begins with Mary Anning, a poor, uneducated woman who had a sixth sense for finding fossils buried deep inside cliffs; moves to William Buckland, an eccentric geologist who filled his home with specimens and famously pieced together a prehistoric scene from the fossil record inside a cave; and then on to the controversial Richard Owen, the era’s best-known scientist, and the one who coined the term “dinosaur.” “Exuberant” (Kirkus Reviews), entertaining, erudite, and featuring an unconventional cast of characters, Dinosaurs at the Dinner Party tells the story of how the accidental discovery of prehistoric creatures upended humanity’s understanding of the world and its own place within it.

From the bestselling author of The Clockwork Universe and The Writing of the Gods, an “utterly delightful…hugely entertaining” (Air Mail) book about the eccentric Victorians who discovered dinosaur bones, leading to a whole new understanding of human history.In the early 1800s the natural world was a safe and cozy place, or so people believed. But then a twelve-year-old farm boy in Massachusetts stumbled on a row of fossilized three-toed footprints the size of dinner plates—the first dinosaur tracks ever found. Soon, in England, scientists unearthed enormous bones that reached as high as a man’s head. Outside of myths and fairy tales, no one had even imagined that creatures like three-toed giants had once lumbered across the land—nor dreamed that they could all have vanished, hundreds of millions years ago. In Dinosaurs at the Dinner Party, celebrated storyteller and historian Edward Dolnick leads us through a compelling true adventure as the paleontologists of the early 19th century puzzled their way through the fossil record to create the story of dinosaurs we know today. The tale begins with Mary Anning, a poor, uneducated woman who had a sixth sense for finding fossils buried deep inside cliffs; moves to William Buckland, an eccentric geologist who filled his home with specimens and famously pieced together a prehistoric scene from the fossil record inside a cave; and then on to the controversial Richard Owen, the era’s best-known scientist, and the one who coined the term “dinosaur.” “Exuberant” (Kirkus Reviews), entertaining, erudite, and featuring an unconventional cast of characters, Dinosaurs at the Dinner Party tells the story of how the accidental discovery of prehistoric creatures upended humanity’s understanding of the world and its own place within it.