SHORTLISTED FOR THE PEN ACKERLEY PRIZE 2020 ‘A uniquely strange and wonderful work of literature’ Philip Hoare ‘An exciting new voice’ Mark Cocker, author of Crow Country In his late thirties, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death.In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands. He explores how these landscapes conjured and shaped a kaleidoscopic spectrum of literature and cinema, from the ghost stories and weird fiction of M. R. James, Arthur Machen and Algernon Blackwood to the children’s fantasy novels of Alan Garner and Susan Cooper; from W. G. Sebald’s The Rings of Saturn and Graham Swift’s Waterland to the archetypal ‘folk horror’ film The Wicker Man…Ghostland is Parnell’s moving exploration of what has haunted our writers and artists – and what is haunting him. It is a unique and elegiac meditation on grief, memory and longing, and of the redemptive power of stories and nature.

SHORTLISTED FOR THE PEN ACKERLEY PRIZE 2020 ‘A uniquely strange and wonderful work of literature’ Philip Hoare ‘An exciting new voice’ Mark Cocker, author of Crow Country In his late thirties, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death.In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands. He explores how these landscapes conjured and shaped a kaleidoscopic spectrum of literature and cinema, from the ghost stories and weird fiction of M. R. James, Arthur Machen and Algernon Blackwood to the children’s fantasy novels of Alan Garner and Susan Cooper; from W. G. Sebald’s The Rings of Saturn and Graham Swift’s Waterland to the archetypal ‘folk horror’ film The Wicker Man…Ghostland is Parnell’s moving exploration of what has haunted our writers and artists – and what is haunting him. It is a unique and elegiac meditation on grief, memory and longing, and of the redemptive power of stories and nature.

‘A uniquely strange and wonderful work of literature’ Philip Hoare‘An exciting new voice’ Mark Cocker, author of Crow CountryIn his late thirties, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death.In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands. He explores how these landscapes conjured and shaped a kaleidoscopic spectrum of literature and cinema, from the ghost stories and weird fiction of M. R. James, Arthur Machen and Algernon Blackwood to the children’s fantasy novels of Alan Garner and Susan Cooper; from W. G. Sebald’s The Rings of Saturn and Graham Swift’s Waterland to the archetypal ‘folk horror’ film The Wicker Man…Ghostland is Parnell’s moving exploration of what has haunted our writers and artists – and what is haunting him. It is a unique and elegiac meditation on grief, memory and longing, and of the redemptive power of stories and nature.

Step right up to see the enchanted Ferris wheel whose magical gifts are to die for! Marvel at the man-eating menagerie and dreadful secrets of 'Satan's Circus'! Behold the nightmare waxworks of Mrs. Groby's Chamber of Horrors!Carnivals and sideshows are settings closely entwined with the history of horror cinema, but in the realms of literature, there is a strain of uncanny fairground fiction with even deeper roots. Home to a sinister troupe of conjurers, puppeteers, beast tamers and crowds baying for blood beneath the Big Top, the performance spaces of these classic weird tales are borderlands where the unearthly meets the darker cravings of the human heart.Presenting sixteen sensational short stories, hailing from Edgar Allan Poe's 1840s through to Robert Aickman's 1960s, Edward Parnell invites you to enjoy a cavalcade of uneasy thrills courtesy of Gerald Kersh, Ray Bradbury, Margery Lawrence and many more.

A seaside honeymoon holiday is plagued by themystery of bells which never stop ringing - and that which answers the call.Druidic rites and modernity spells disaster at a Norfolk golf course. Anancient relic found on the Suffolk coast summons a nightmarish entity to itsdiscoverer. A land of mind-stretching expanses, wide, yawningskies and the disorientating landscapes of the tidal fens, East Anglia hasinspired a wide range of writers in the field of weird and uncanny fiction.This new collection includes a wealth of tales fromthe past 130 years set in Norfolk, Essex, Suffolk and Cambridge by a host ofauthors including ghost tale luminaries M. R. James, Robert Aickman, E. F.Benson and Marjorie Bowen, alongside bright lights of modern weird writing.Insightful introduction and notes from Norfolk-based award-winning author Edward Parnell

SHORTLISTED FOR THE PEN ACKERLEY PRIZE 2020 ‘A uniquely strange and wonderful work of literature’ Philip Hoare ‘An exciting new voice’ Mark Cocker, author of Crow Country In his late thirties, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death.In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands. He explores how these landscapes conjured and shaped a kaleidoscopic spectrum of literature and cinema, from the ghost stories and weird fiction of M. R. James, Arthur Machen and Algernon Blackwood to the children’s fantasy novels of Alan Garner and Susan Cooper; from W. G. Sebald’s The Rings of Saturn and Graham Swift’s Waterland to the archetypal ‘folk horror’ film The Wicker Man…Ghostland is Parnell’s moving exploration of what has haunted our writers and artists – and what is haunting him. It is a unique and elegiac meditation on grief, memory and longing, and of the redemptive power of stories and nature.

SHORTLISTED FOR THE PEN ACKERLEY PRIZE 2020 ‘A uniquely strange and wonderful work of literature’ Philip Hoare ‘An exciting new voice’ Mark Cocker, author of Crow Country In his late thirties, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death.In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands. He explores how these landscapes conjured and shaped a kaleidoscopic spectrum of literature and cinema, from the ghost stories and weird fiction of M. R. James, Arthur Machen and Algernon Blackwood to the children’s fantasy novels of Alan Garner and Susan Cooper; from W. G. Sebald’s The Rings of Saturn and Graham Swift’s Waterland to the archetypal ‘folk horror’ film The Wicker Man…Ghostland is Parnell’s moving exploration of what has haunted our writers and artists – and what is haunting him. It is a unique and elegiac meditation on grief, memory and longing, and of the redemptive power of stories and nature.

‘A uniquely strange and wonderful work of literature’ Philip Hoare‘An exciting new voice’ Mark Cocker, author of Crow CountryIn his late thirties, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death.In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands. He explores how these landscapes conjured and shaped a kaleidoscopic spectrum of literature and cinema, from the ghost stories and weird fiction of M. R. James, Arthur Machen and Algernon Blackwood to the children’s fantasy novels of Alan Garner and Susan Cooper; from W. G. Sebald’s The Rings of Saturn and Graham Swift’s Waterland to the archetypal ‘folk horror’ film The Wicker Man…Ghostland is Parnell’s moving exploration of what has haunted our writers and artists – and what is haunting him. It is a unique and elegiac meditation on grief, memory and longing, and of the redemptive power of stories and nature.

Step right up to see the enchanted Ferris wheel whose magical gifts are to die for! Marvel at the man-eating menagerie and dreadful secrets of 'Satan's Circus'! Behold the nightmare waxworks of Mrs. Groby's Chamber of Horrors!Carnivals and sideshows are settings closely entwined with the history of horror cinema, but in the realms of literature, there is a strain of uncanny fairground fiction with even deeper roots. Home to a sinister troupe of conjurers, puppeteers, beast tamers and crowds baying for blood beneath the Big Top, the performance spaces of these classic weird tales are borderlands where the unearthly meets the darker cravings of the human heart.Presenting sixteen sensational short stories, hailing from Edgar Allan Poe's 1840s through to Robert Aickman's 1960s, Edward Parnell invites you to enjoy a cavalcade of uneasy thrills courtesy of Gerald Kersh, Ray Bradbury, Margery Lawrence and many more.

A seaside honeymoon holiday is plagued by themystery of bells which never stop ringing - and that which answers the call.Druidic rites and modernity spells disaster at a Norfolk golf course. Anancient relic found on the Suffolk coast summons a nightmarish entity to itsdiscoverer. A land of mind-stretching expanses, wide, yawningskies and the disorientating landscapes of the tidal fens, East Anglia hasinspired a wide range of writers in the field of weird and uncanny fiction.This new collection includes a wealth of tales fromthe past 130 years set in Norfolk, Essex, Suffolk and Cambridge by a host ofauthors including ghost tale luminaries M. R. James, Robert Aickman, E. F.Benson and Marjorie Bowen, alongside bright lights of modern weird writing.Insightful introduction and notes from Norfolk-based award-winning author Edward Parnell