Eid Mohamed – författare

On January 25, 2011, the world's eyes were on Egypt's Tahrir Square as millions of people poured into the city center to call for the resignation of president Hosni Mubarak. Since then, few scholars or journalists have been given the opportunity to reflect on the nationwide moment of transformation and the hope that was embodied by the Egyptian Revolution. In this important and necessary volume, leading Egyptian academics and writers share their eyewitness experiences. They examine how events unfolded in relation to key social groups and institutions such as the military, police, labor, intellectuals, Coptic Christians, and the media; share the mood of the nation; assess what happened when three recent regimes of Egyptian rule came to an end; and account for the dramatic rise and fall of the Muslim Brotherhood. The contributors' deep engagement with politics and society in their country is evident and sets this volume apart from most of what has been published in English about the Arab Spring. The diversity of views brought together here is a testament to the contradictions and complexities of historical and political changes that affect Egypt and beyond.

On January 25, 2011, the world's eyes were on Egypt's Tahrir Square as millions of people poured into the city center to call for the resignation of president Hosni Mubarak. Since then, few scholars or journalists have been given the opportunity to reflect on the nationwide moment of transformation and the hope that was embodied by the Egyptian Revolution. In this important and necessary volume, leading Egyptian academics and writers share their eyewitness experiences. They examine how events unfolded in relation to key social groups and institutions such as the military, police, labor, intellectuals, Coptic Christians, and the media; share the mood of the nation; assess what happened when three recent regimes of Egyptian rule came to an end; and account for the dramatic rise and fall of the Muslim Brotherhood. The contributors' deep engagement with politics and society in their country is evident and sets this volume apart from most of what has been published in English about the Arab Spring. The diversity of views brought together here is a testament to the contradictions and complexities of historical and political changes that affect Egypt and beyond.

This book is available open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com.The so-called Arab Spring challenged conventional wisdom and certainties about the Arab world where its effects continue to be felt as well as in the diaspora.This book provides an original contribution to current social and cultural theory on Arab social movements by giving a fuller historical and critical treatment of contemporary artistic and cultural production from the region and beyond.Thematically structured and covering culture, media, politics, and literary studies, the book uses a range of theoretical material that engages readers in three key ways. First, it adopts a critical standpoint with respect to the term “Arab Spring,” recognizing the multiple interpretations and varied geographical, historical, and political realities of the term. Second, its focus on carefully selected case studies - namely, Egypt, Tunis, Syria, and Yemen - adds depth to analysis of the cultural, literary and artistic dimensions that operate fluidly across the Arab world. Third, it presents a methodological case study for the growing community of researchers involved in interdisciplinary education. Together, the contributors to the book show how the interplay of politics, culture, and media across varied locations has and continues to shape emergent Arab social forms and a region on the cusp of historical and cultural change.

This book investigates the interplay between media, politics, religion, and culture in shaping Arabs’ quest for more stable and democratic governance models in the aftermath of the “Arab Spring” uprisings. It focuses on online mediated public debates, specifically user comments on online Arab news sites, and their potential to re-engage citizens in politics. Contributors systematically explore and critique these online communities and spaces in the context of the Arab uprisings, with case studies, largely centered on Egypt, covering micro-bloggers, Islamic discourse online, Libyan nationalism on Facebook, and a computational assessment of online engagement, among other topics.

This book investigates the interplay between media, politics, religion, and culture in shaping Arabs’ quest for more stable and democratic governance models in the aftermath of the “Arab Spring” uprisings. It focuses on online mediated public debates, specifically user comments on online Arab news sites, and their potential to re-engage citizens in politics. Contributors systematically explore and critique these online communities and spaces in the context of the Arab uprisings, with case studies, largely centered on Egypt, covering micro-bloggers, Islamic discourse online, Libyan nationalism on Facebook, and a computational assessment of online engagement, among other topics.

This book is available open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com.The so-called Arab Spring challenged conventional wisdom and certainties about the Arab world where its effects continue to be felt as well as in the diaspora.This book provides an original contribution to current social and cultural theory on Arab social movements by giving a fuller historical and critical treatment of contemporary artistic and cultural production from the region and beyond.Thematically structured and covering culture, media, politics, and literary studies, the book uses a range of theoretical material that engages readers in three key ways. First, it adopts a critical standpoint with respect to the term “Arab Spring,” recognizing the multiple interpretations and varied geographical, historical, and political realities of the term. Second, its focus on carefully selected case studies - namely, Egypt, Tunis, Syria, and Yemen - adds depth to analysis of the cultural, literary and artistic dimensions that operate fluidly across the Arab world. Third, it presents a methodological case study for the growing community of researchers involved in interdisciplinary education. Together, the contributors to the book show how the interplay of politics, culture, and media across varied locations has and continues to shape emergent Arab social forms and a region on the cusp of historical and cultural change.

When Barack Obama was elected in 2008, his foreign policy was at first seen to be the antithesis of that of his predecessor, George W. Bush. Eid Mohamed highlights how in the wake of this change of US administration, Arab media, literature and cinema began to assert the value of America as a potential source of 'change' while attempting to renegotiate the Arab world's position in the international system. Arab cultural representation of the United States has variously changed and developed since 9/11, and again in the wake of the protests in 2011 and the ensuing political turmoil in Egypt, Libya, Yemen, and of course, Syria. Taking this into account, Mohamed offers an examination of the ways in which stereotypes of America are both presented and challenged through cinema, fiction and the wider media and intellectual production. Rather than seeing this process as one where the Middle East reacts to and attempts to negotiate with western modernity, Mohamed instead highlights the significant interplay of religion, pop culture and politics and the role they play in shaping the complex relation between America and the nations of the Middle East.

When Barack Obama was elected in 2008, his foreign policy was at first seen to be the antithesis of that of his predecessor, George W. Bush. Eid Mohamed highlights how in the wake of this change of US administration, Arab media, literature and cinema began to assert the value of America as a potential source of `change' while attempting to renegotiate the Arab world's position in the international system. Arab cultural representation of the United States has variously changed and developed since 9/11, and again in the wake of the protests in 2011 and the ensuing political turmoil in Egypt, Libya, Yemen, and of course, Syria. Taking this into account, Mohamed offers an examination of the ways in which stereotypes of America are both presented and challenged through cinema, fiction and the wider media and intellectual production. Rather than seeing this process as one where the Middle East reacts to and attempts to negotiate with western modernity, Mohamed instead highlights the significant interplay of religion, pop culture and politics and the role they play in shaping the complex relation between America and the nations of the Middle East.

Providing an interdisciplinary approach to interconnections across regional and communal boundaries, this volume situates itself at the intersection of political science, cultural studies, media and film studies, and Middle Eastern studies, while offering some key critical revisions to dominant approaches in social and political theory.