Einar Haugen – författare

For more than forty years, the Haugen Norwegian - English Dictionary has been regarded as the foremost resource for both learners and professionals using English and Norwegian. With more than 60,000 entries, it is esteemed for its breadth, its copious grammatical detail, and its rich idiomatic examples. In his introduction, Einar Haugen, a revered scholar and teacher of Norwegian to English speakers, provides a concise overview of the history of the language, presents the pronunciation of contemporary Norwegian, and introduces basic grammatical structures, including the inflection of nouns and adjectives and the declension of verbs. This title features more than 60,000 Norwegian words and their English equivalents. It includes more grammatical information than any other Norwegian - English dictionary. Both Bokmal and Nynorsk are included. It covers phonemic transcriptions. It provides extensive coverage and explanation of Norwegian idioms and word usage, including examples from standard and archaic speech, dialects, proverbs, literature, and professional texts. It contains common abbreviations, place names, proper names, and cultural references. It presents extensive coverage of verb phrases.

Norway's Ole Bull led one of the most remarkable lives of the 19th century. Colourful and charismatic, he was a composer and virtuoso violinist who won acclaim from Moscow to Alexandria to Chicago and promoted himself and the culture of Norway with a flair that rivalled P.T. Barnum. A child prodigy, Bull was admitted to the Bergen orchestra as first violin at the age of eight. He soon was idolized on both sides of the Atlantic for his superb improvizations and his ability to play the violin polyphonically. Though he was hailed as ""the Paganini of the North"", some critics labelled him a charlatan. Bull counted among his friends many of the great names of his era: Schumann and Liszt, Twain and Thackeray. Longfellow and Hans Christian Anderson modelled characters on him, and he was in part the inspiration for Ibsen's ""Peer Gynt"". Although he spent most of his adult life abroad, Bull tirelessly promoted Norwegian art and culture. His concert improvizations were rooted on his native ""slatter"" (folkdances), and he modified his own instrument using the Norwegian Hardanger fiddle as a model. By mid-century, Bull realized his dream of establishing a national theatre in Bergen. He gave Henrik Ibsen a start in theatre management, employed the poet Bjornstjerne Bjorksen, and promoted the music of Edvard Grieg. His attempt to establish a Norwegian colony, ""Oleana"", in the Unied States, however, failed. The words of the poet Aasmund Vinje, ""That surely would be a man to write a book about"", have been taken to heart by authors Einar Haugen and Camilla Cai. In addition to providing the first comprehensive listing of Bull's works (with full descriptions of all known sources), analyses of his compositions and their influences, and reviews of his performances, this biography gives life once again to a fascinating and flamboyant figure.

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This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

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