Ekpe Inyang – författare

Just A Bend delivers an overall powerful message of assurance that, although life is full of bends, these should be taken only as moments for deep reflections given that no journey is ever predictably straight or short. It is a collection of deep, scintillating, captivating, motivating and inspiring poems that span various subject areas; culture, the environment, politics, economics – to highlight the human intrigues of marginalization, exploitation, jealousy, and hate that give rise to the multifarious human predicaments and woes. Despite this dark side, Just A Bend also portrays the bright side of life by celebrating care, love, and peace, and even individuals that deserve to be recognised in space and time. It offers a unique experimentation with type, style and form, that aims to encourage and inspire people who might not have thought of reading a poem, let alone, writing one, to pick up the golden sceptre in the bold journey of poetic expression.

The 21st century qualifies as one in which humanity raised environmental decay, especially climate change, as a key global concern requiring urgent political attention. The book Framework and Tools for Environmental Management in Africa is written from this perspective. It provides researchers from different disciplines including environmental sciences, engineering, commerce, planning, education, agriculture and law, as well as NGOs, government officials, policy makers and researchers, with a platform to engage with concerns relating to sustainable environmental management in this epoch. Topics covered include global landmarks for environmental governance, environmental management on African agenda, sustainability reporting, environmental impact assessment and public participation as well as environmental education. These remain viable in the African set-up where major development projects in mining and agriculture require greater scrutiny. With a collection of both revision and critical reflection questions, carefully constructed by authors with significant experiences from institutions of higher learning across Africa, readers will find this publication a valuable addition to their shelves.

This collection of poems spans a wide range of themes and subjects, including culture, politics, socio-economics, environment, and human rights. The poems are a reflection of Ekpe Inyang's close contact with and passionate observation of society, as well as his generous sharing of life experiences and personal philosophy. Ekpe's poetic journey started in 1992, and some of the poems in this collection have been published in national and internal newspapers, magazines, anthologies, and journals.

Crafted in a colourful, razor-sharp blend of poetry and prose, The Hill Barbers depicts the wanton destruction of water catchments in most communities in Africa. This is inextricably linked to the traditional practice of shifting cultivation, motivated largely by farmers' struggle to acquire more arable farmland to meet the needs of their rapidly growing families. The immediate consequence is acute water shortages, with obvious health and economic implications. Agro-forestry and other soil management techniques are subtly proposed as practical measures to effectively address the issue of shifting cultivation and the associated problem of encroachment into the delicate water catchments.

This play was written as part of an evaluation of Africa,s oldest and most diverse rainforest conservation initiative in the Korup area, with the aim of highlighting and sharing some lessons learnt from the creation of the Korup National Park, through a period of full activity, to when activities were considerably reduced. It is a fine blend of the results of the evaluation and some carefully developed fictional, artistic materials for the achievement of an overall dramatic effect. Ekpe Inyang gives an informed artistic touch to achieve dramatic effects, succinctly relating the story of Cameroon,s first rainforest national park, Korup.

Death of Hardship kaleidoscopically unveils human intrigues, predicaments and woes. It brings into sharp focus the most dreaded products of cruel oppression, exploitation, and destruction,the worst forms of human degradation and sufferings. However, it also sheds beams of hope, celebrating optimism in the struggle and eventually opening the curtain to the stage of victory of the oppressed and impoverished under the shameless sky.

Flashlight on Drama and Film succinctly describes how to use drama to afford target audiences opportunities to analyse environmental situations, presented through drama, with a view to enabling them to make informed decisions and take responsible actions in similar situations in the real world. This constitutes the guiding principle of Drama for Situation Analysis (DRASA), with Flashlight on Drama and Film as its training guide.in the drama effort. The guide is divided into three parts. Part One looks at the development of the play script from the research stage. Part Two describes the stages involved in interpreting a play, including the skills, techniques and terminology of acting, from a simple definition of drama. Part Three gives a rundown of the stages in rehearsing and presenting a play, either as stage drama or film production.

The Forest: An African Traditional Definition is aimed at providing the conservationist with some basic ideas as to which cultural areas to explore (using a few African cultures,from some ecologically and culturally rich forest zones of Cameroon that has earned the description of Africa in miniature due to its diversity and representativeness of ecological and cultural landscape that reflect the continent,for illustration) in order to direct him or her to the appropriate beliefs and customs that could be exploited in favour of conservation. There is no overemphasising that most, if not all, African cultures have at least some rudimentary aspects of conservation in the modern sense. These aspects constitute the strong colours that could be used to create an indelible picture of the importance of conservation on the continent.

The Swamps presents a debauched tapestry of an utterly dehumanised Cameroonian society seeking regeneration through s a judicious deployment of myth, history, parables, song, mimicry and dance. The inclusion of these features of orature in this political allegory creates particular moods and atmospheres and lends colour and movement to dramatic action. The structure and function of the play defines the individual,s identity within the cosmic context which approximates the past and present. Inyang,s analysis of class political behaviour in Cameroon exposes the complete erosion of civil liberties by corrupt and venal elite. He impresses the theatre audience with his dramatic eloquence and the fervour of his commitment, and emblazones his name in the front ranks of alternative theatre. This is a rare theatrical gem that demonstrates a brilliant, sustained invention, with great depth and suggestive power.

Eni kaleidoscopically unveils human intrigues, predicaments and woes. It brings into sharp focus the most dreaded products of cruel oppression, exploitation, and destruction—the worst forms of human degradation and sufferings. However, it also sheds beams of hope, celebrating optimism in the struggle and eventually opening the curtain to the stage of victory of the oppressed and impoverished under the shameless sky.

The best way to understand a people is to live with the people; the best way to live with the people is to share with the people; and the best thing to share with the people is what the people need. The risks and perils of not heeding this age old wisdom are at the heart of Dangerous Pastime.

It Does Matter To Listen is a collection of short anecdotal pieces of writings, spanning different subject areas—including politics, leadership and management—with the purpose of counselling and edifying the present and future generations. It is a must-read for anyone interested in how to go about business in everyday life, at home, at work and during leisure.

Durorp-English Dictionary is probably the first attempt at compiling a comprehensive Dictionary of Durorp, the language of the people of Korup. It is a bilingual Dictionary aimed at stimulating literary interests in the study and development of Durorp as a linguistic entity in particular and promotion of Durorp literature in general. Durorp is an interesting and linguistically distinct semi-Bantu or Bantoid language spoken by a minority group of people known as Bororp or people of the Kororp ethnic group. A part of this ethnic group inhabits the Southwestern part of Cameroon while the other occupies the Southeastern tip of Nigeria. A minority group, Kororp has continued to suffer not only cultural and socio-economic shrinkage but also linguistic marginalisation characterised by an obvious erosion of some key elements of the language. Like any other language, however, Durorp has borrowings from languages such as Efik, Ejagham, and even English. This Dictionary has introduced quite a number of new but understandable words.

Kpewi Durorp is the third attempt at bringing Durorp into the public domain, and is a more detailed introduction to the language. It contains sixteen chapters which address important elements of grammar, with some including mini bilingual dictionaries, with words organised not alphabetically but thematically, with the singular aim of facilitating learning and easy acquisition of the language. Durorp is an interesting and linguistically distinct semi-Bantu or Bantoid language spoken by a minority group of people known as Bororp or people of the Kororp ethnic group. A part of this ethnic group inhabits the Southwestern part of Cameroon while the other occupies the Southeastern tip of Nigeria. A minority group, Kororp has continued to suffer not only cultural and socio-economic shrinkage but also linguistic marginalisation characterised by an obvious erosion of some key elements of the language. Like any other language, however, Durorp has borrowings from languages such as Efik, Ejagham, and even English. There is a Durorp-English Dictionary to facilitate the development of Durorp vocabulary (Langaa, 2013).