E.L. Doctorow – författare

E. L. Doctorow is acclaimed internationally for such novels as Ragtime, Billy Bathgate, and The March. Now here are Doctorow’s rich, revelatory essays on the nature of imaginative thought. In Creationists, Doctorow considers creativity in its many forms: from the literary (Melville and Mark Twain) to the comic (Harpo Marx) to the cosmic (Genesis and Einstein). As he wrestles with the subjects that have teased and fired his own imagination, Doctorow affirms the idea that “we know by what we create.”Just what is Melville doing in Moby-Dick? And how did The Adventures of Tom Sawyer impel Mark Twain to radically rewrite what we know as Huckleberry Finn? Can we ever trust what novelists say about their own work? How could Franz Kafka have written a book called Amerika without ever leaving Europe? In posing such questions, Doctorow grapples with literary creation not as a critic or as a scholar–but as one working writer frankly contemplating the work of another. It’s a perspective that affords him both protean grace and profound insight. Among the essays collected here are Doctorow’s musings on the very different Spanish Civil War novels of Ernest Hemingway and André Malraux; a candid assessment of Edgar Allan Poe as our “greatest bad writer”; a bracing analysis of the story of Genesis in which God figures as the most complex and riveting character. Whether he is considering how Harpo Marx opened our eyes to surrealism, the haunting photos with which the late German writer W. G. Sebald illustrated his texts, or the innovations of such literary icons as Heinrich von Kleist, Harriet Beecher Stowe, and Sinclair Lewis, Doctorow is unfailingly generous, shrewd, attentive, surprising, and precise.In examining the creative works of different times and disciplines, Doctorow also reveals the source and nature of his own artistry. Rich in aphorism and anecdote, steeped in history and psychology, informed by a lifetime of reading and writing, Creationists opens a magnificent window into one of the great creative minds of our time.From the Hardcover edition.

Selected by the Modern Library as one of the 100 best novels of all timePublished in 1975, Ragtime changed our very concept of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War. The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow''s imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.

The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia.His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted. Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him.In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different.It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him. It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House.It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks.It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself.It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations. It is The Book of Daniel.

"Something close to magic." The Los Angeles TimesThe astonishing novel of a young boy''s life in the New York City of the 1930s, a stunning recreation of the sights, sounds, aromas and emotions of a time when the streets were safe, families stuck together through thick and thin, and all the promises of a generation culminate in a single great World''s Fair . . .

Hard Times is the name of a town in the barren hills of the Dakota Territory. To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage–a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably–and makes them his provisional family. Blue begins to rebuild Hard Times, welcoming new settlers, while Molly waits with vengeance in her heart for the return of the outlaw. Here is E. L. Doctorow’s debut novel, a searing allegory of frontier life that sets the stage for his subsequent classics.“A forceful, credible story of cowardice and evil.”–The Washington Post“We are caught up with these people as real human beings.”–Chicago Sun-Times“Dramatic and exciting.”–The New York Times“Terse and powerful.”–Newsweek“A taut, bloodthirsty read.”–The Times Literary Supplement“A superb piece of fiction.”–The New Republic

The hero of this dazzling novel by American master E. L. Doctorow is Joe, a young man on the run in the depths of the Great Depression. A late-summer night finds him alone and shivering beside a railroad track in the Adirondack mountains when a private railcar passes. Brightly lit windows reveal well-dressed men at a table and, in another compartment, a beautiful girl holding up a white dress before her naked form. Joe will follow the track to the mysterious estate at Loon Lake, where he finds the girl along with a tycoon, an aviatrix, a drunken poet, and a covey of gangsters. Here Joe’s fate will play out in this powerful story of ambition, aggression, and identity. Loon Lake is another stunning achievement of this acclaimed author.“Powerful . . . [a] complex and haunting meditation on modern American history.”–The New York Times“A genuine thriller . . . a marvelous exploration of the complexities and contradictions of the American dream . . . Not under any circumstances would we reveal the truly shattering climax.”–The Dallas Morning News“A dazzling performance . . . [Loon Lake] anatomizes America with insight, passion, and inventiveness.”–The Washington Post Book World“Hypnotic . . . tantalizes long after it has ended.”–Time“Compelling . . . brilliantly done.”–St. Louis Post-Dispatch“A masterpiece.”–Chicago Sun-Times

“An elegant page-turner of nineteenth-century detective fiction.”–The Washington Post Book WorldOne rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times, “a dark moral tale . . . an eloquently troubling evocation of our past.”“Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.”–The New York Times Book Review“Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.”–The Philadelphia Inquirer“A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.”–Boston Sunday Herald“Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.”–Chicago Sun-Times“An immense, extraordinary achievement.”–San Francisco Chronicle

To open this book is to enter the perilous, thrilling world of Billy Bathgate, the brazen boy who is accepted into the inner circle of the notorious Dutch Schultz gang. Like an urban Tom Sawyer, Billy takes us along on his fateful adventures as he becomes good-luck charm, apprentice, and finally protégé to one of the great murdering gangsters of the Depression-era underworld in New York City. The luminous transformation of fact into fiction that is E. L. Doctorow’s trademark comes to triumphant fruition in Billy Bathgate, a peerless coming-of-age tale and one of Doctorow’s boldest and most beloved bestsellers.

Innocence is lost to unforgettable experience in these brilliant stories by E. L. Doctorow, as full of mystery and meaning as any of the longer works by this American master. In “The Writer in the Family,” a young man learns the difference between lying and literature after he is induced into deceiving a relative through letters. In “Wili,” an early-twentieth-century idyll is destroyed by infidelity. In “The Foreign Legation,” a girl and an act of political anarchy collide with devastating results. These and other stories flow into the novella “Lives of the Poets,” in which the images and themes of the earlier stories become part of the narrator’s unsparing confessions about his own mind, offering a rare look at the creative process and its connection to the heart.

The long-unavailable work by one of America''s most eminent writers.

The bestselling and Pulitzer Prize-winning author of Ragtime and Billy Bathgate has compiled his first collection of essays, a richly textured and detailed combination of literary criticism, political invective, and historical meditation.

A superb collection of fifteen stories by an American master, E. L. Doctorow—the author of Ragtime, The March, The Book of Daniel, and Billy Bathgate   He has been called “a national treasure” by George Saunders. Doctorow’s great topic, said Don DeLillo, is “the reach of American possibility, in which plain lives take on the cadences of history.” This power is apparent everywhere in these stories: the bravery and self-delusion of people seeking the American dream; the geniuses, mystics, and charlatans who offer people false hope, or an actual glimpse of greatness.   In “A House on the Plains,” a mother has a plan for financial independence, which may include murder. In “Walter John Harmon,” a man starts a cult using subterfuge and seduction. “Jolene: A Life” follows a teenager who escapes her home for Hollywood on a perilous quest for success. “Heist,” the account of an Episcopal priest coping with a crisis of faith, was expanded into the bestseller City of God. “The Water Works,” about the underbelly of 1870s New York, grew into a brilliant novel. “Liner Notes: The Songs of Billy Bathgate” is a corollary to the renowned novel and includes Doctorow’s revisions.   These fifteen stories, written from the 1960s to the early twenty-first century, and selected, revised, and placed in order by the author himself shortly before he died in 2015, are a testament to the genius of E. L. Doctorow.   Praise for E. L. Doctorow   “He has rewarded us, these forty-five years, with a vision of ourselves, as a people, a vision possessed of what I might call ‘aspirational verve’—he sees us clearly and tenderly, just as we are, but also sees past that—to what we might, at our best, become.”—George Saunders   “Doctorow did not so much write fiction about history as he seemed to occupy history itself. He owned it. He made it his own.”—Ta-Nehisi Coates   “On every level, [Doctorow’s] work is powerful. . . . His sensitivity to language is perfectly balanced, and complemented by a gigantic vision.”—Jennifer Egan   “[Doctorow wrote] with such stunning audacity that I can still remember my parents’ awed dinner-table conversation, that summer, about a novel they were reading, called Ragtime, that went up to the overgrown wall enclosing the garden of fiction and opened the doorway to history.”—Michael Chabon   “Doctorow’s prose tends to create its own landscape, and to become a force that works in opposition to the power of social reality.”—Don DeLillo   “A writer of dazzling gifts and boundless imaginative energy.”—Joyce Carol Oates

From a master of modern American letters comes an enthralling collection of brilliant short fiction about people who, as E. L. Doctorow notes in his Preface, are somehow “distinct from their surroundings—people in some sort of contest with the prevailing world.” Containing six unforgettable stories that have never appeared in book form, and a selection of previous classics, All the Time in the World is resonant with the mystery, tension, and moral investigation that distinguish the fiction of E. L. Doctorow.A reader’s guide can be found online atRandomHouseReadersCircle.com

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ST. LOUIS POST-DISPATCH, SLATE, AND THE THELEGRAPHThis brilliant new novel by an American master, the author of Ragtime, The Book of Daniel, Billy Bathgate, and The March, takes us on a radical trip into the mind of a man who, more than once in his life, has been the inadvertent agent of disaster. Speaking from an unknown place and to an unknown interlocutor, Andrew is thinking, Andrew is talking, Andrew is telling the story of his life, his loves, and the tragedies that have led him to this place and point in time. And as he confesses, peeling back the layers of his strange story, we are led to question what we know about truth and memory, brain and mind, personality and fate, about one another and ourselves. Written with psychological depth and great lyrical precision, this suspenseful and groundbreaking novel delivers a voice for our times—funny, probing, skeptical, mischievous, profound. Andrew’s Brain is a surprising turn and a singular achievement in the canon of a writer whose prose has the power to create its own landscape, and whose great topic, in the words of Don DeLillo, is “the reach of American possibility, in which plain lives take on the cadences of history.”Praise for Andrew’s Brain  “Too compelling to put down . . . fascinating, sometimes funny, often profound . . . Andrew is a provocatively interesting and even sympathetic character. . . . The novel seamlessly combines Doctorow’s remarkable prowess as a literary stylist with deep psychological storytelling pitting truth against delusion, memory and perception, consciousness and craziness. . . . [Doctorow] takes huge creative risks—the best kind.”—USA Today “Cunning [and] sly . . . This babbling Andrew is a casualty of his times, binding his wounds with thick wrappings of words, ideas, bits of story, whatever his spinning mind can unspool for him. One of the things that makes [Andrew] such a terrific comic creation is that he’s both maddeningly self-delusive and scarily self-aware: He’s a fool, but he’s no innocent.”—The New York Times Book Review  “A tantalising tour de force . . . a journey worth taking . . . With exhilarating brio, the book plays off . . . two contrasting takes on mind and brain. . . . [Andrew’s Brain encompasses] an astonishing range of modes: vaudeville humour, tragic romance, philosophical speculation. . . . It fizzes with intellectual energy, verbal pyrotechnics and satiric flair.”—The Sunday Times (London) “Dramatic . . . cunning and beautiful . . . strange and oddly fascinating, this book: a musing, a conjecture, a frivolity, a deep interrogatory, a hymn.”—San Francisco Chronicle“Provocative . . . a story aswirl in a whirlpool of neuroscience, human relations, loss, guilt and recent American history . . . Doctorow reveals his mastery in the sheen of a text that is both window and mirror. Reading his work is akin to soaring in a glider. Buoyed by invisible breath, readers encounter stunning vistas stretching to horizons they’ve never imagined.”—The Plain Dealer“Andrew’s ruminations can be funny, and his descriptions gorgeous.”—Associated Press“[An] evocative, suspenseful novel about the deceptive nature of human consciousness.”—More  “A quick and acutely intelligent read.”—Entertainment WeeklyFrom the Hardcover edition.

NEW YORK TIMES BESTSELLER   With brilliant and audacious strokes, E. L. Doctorow creates a breathtaking collage of memories, events, visions, and provocative thought, all centered on an idea of the modern reality of God. At the heart of this stylistically daring tour de force is a detective story about a cross that vanishes from a rundown Episcopal church in lower Manhattan only to reappear on the roof of an Upper West Side synagogue. Intrigued by the mystery—and by the maverick rector and the young rabbi investigating the strange act of desecration—is a well-known novelist, whose capacious brain is a virtual repository for the ideas and disasters of the age.   Daringly poised at the junction of the sacred and the profane, filled with the sights and sounds of New York, and encompassing a large cast of vividly drawn characters including theologians, scientists, Holocaust survivors, and war veterans, City of God is a monumental work of spiritual reflection, philosophy, and history by America’s preeminent novelist and chronicler of our time.   Praise for City of God   “A grander perspective on the universe . . . a novel that sets its sights on God.”—The Wall Street Journal   “Dazzling . . . The true miracle of City of God is the way its disparate parts fuse into a consistently enthralling and suspenseful whole.”—Time   “Blooms with humor, and a humanity that carries triumphant as intelligent a novel as one might hope to find these days.”—Los Angeles Times   “Radiates [with] panoramic ambition and spiritual incandescence.”—Chicago Tribune   “One of the greatest American novels of the past fifty years . . . Reading City of God restores one’s faith in literature.”—The Houston ChronicleFrom the Hardcover edition.

One of America’s premier writers, the bestselling author of Ragtime, Billy Bathgate, The Book of Daniel, and World’s Fair turns his astonishing narrative powers to the short story in five dazzling explorations of who we are as a people and how we live.Ranging over the American continent from Alaska to Washington, D.C., these superb short works are crafted with all the weight and resonance of the novels for which E. L. Doctorow is famous. You will find yourself set down in a mysterious redbrick townhouse in rural Illinois (“A House on the Plains”), working things out with a baby-kidnapping couple in California (“Baby Wilson”), living on a religious-cult commune in Kansas (“Walter John Harmon”), and sharing the heartrending cross-country journey of a young woman navigating her way through three bad marriages to a kind of bruised but resolute independence (“Jolene: A Life”). And in the stunning “Child, Dead, in the Rose Garden,” you will witness a special agent of the FBI finding himself at a personal crossroads while investigating a grave breach of White House security. Two of these stories have already won awards as the best fiction of the year published in American periodicals, and two have been chosen for annual best-story anthologies. Composed in a variety of moods and voices, these remarkable portrayals of the American spiritual landscape show a modern master at the height of his powers.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARDWINNER OF THE PEN/FAULKNER AWARDNEW YORK TIMES BESTSELLERIn 1864, Union general William Tecumseh Sherman marched his sixty thousand troops through Georgia to the sea, and then up into the Carolinas. The army fought off Confederate forces, demolished cities, and accumulated a borne-along population of freed blacks and white refugees until all that remained was the dangerous transient life of the dispossessed and the triumphant. In E. L. Doctorow’s hands the great march becomes a floating world, a nomadic consciousness, and an unforgettable reading experience with awesome relevance to our own times.

Homer and Langley Collyer are brothers—the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers—wars, political movements, technological advances—and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians . . . and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves.

»Ein mitreißendes Meisterwerk über die berühmten Einsiedler.« Publishers WeeklyInspiriert durch eine wahre Geschichte erzählt E.L. Doctorow von den Brüdern Homer und Langley, die ihr Haus an der New Yorker Fifth Avenue mit Objekten ihrer Sammelwut vollstellen und nach und nach ihre Verbindungen zur Außenwelt kappen. Die jedoch klopft in Form von Besuchern immer wieder an die Haustür. Mit einem grandiosen Kunstgriff lässt Doctorow die Geschichte der ersten achtzig Jahre des letzten Jahrhunderts Revue passieren: berührend, witzig und einzig und allein aus der Perspektive der beiden exzentrischen Einsiedler. Homer, der Erzähler des Romans, ist blind und hochsensibel, Langley, der ältere der beiden, durch seine Erlebnisse in den Schützengräben des Ersten Weltkriegs verrückt oder zum Genie geworden. Die beiden ziehen sich in ihr Elternhaus zurück. Dort versammeln sie Bücher, Musikinstrumente, Möbel, sogar einen Ford Model T, und horten in immer größeren Stapeln sämtliche täglich gekauften Zeitungen, die Langley für sein Großprojekt – die Herstellung einer ewig aktuellen Zeitung – benötigt. Während sich die beiden immer mehr abschotten, kommt das Jahrhundert zu ihnen ins Haus: Menschen aus allen Epochen, Prostituierte, Gangster, Jazzmusiker, Polizisten, Hippies; es gibt Liebesgeschichten, politische Kämpfe und technische Errungenschaften. Aber gibt es wirklich einen Fortschritt? Oder wiederholt sich alles nur in anderer Form? Doctorow lässt die großen Fragen unserer Zivilisation auf engstem Raum zusammenschnurren und schafft damit ein großes kleines Meisterwerk.New York Times-Bestseller Platz 7

Alle Zeit der Welt - Brillante Erzählungen des Altmeisters der amerikanischen GegenwartsliteraturE.L. Doctorow, gefeierter Autor von Meisterwerken wie Ragtime, Billy Bathgate, Der Marsch und Homer und Langley, präsentiert in Alle Zeit der Welt zwölf fesselnde Erzählungen, die seine ganze Brillanz als Meister der kurzen Form unter Beweis stellen. Diese Sammlung vereint sechs Glanzstücke aus Doctorows bisheriger Karriere mit sechs bisher unveröffentlichten Geschichten.Im Mittelpunkt stehen Menschen, die außerhalb der Gesellschaft stehen oder sich im Konflikt mit ihrer Umgebung befinden. Ein Mann verabschiedet sich von seinem wohlhabenden Vorortleben, um als Bettler und Plünderer zu existieren. Ein frischgebackener Collegeabsolvent lässt sich auf eine Scheinehe ein und gerät in kriminelle Machenschaften. Die komplizierte Beziehung eines Ehepaares wird auf die Probe gestellt, als ein mysteriöser Fremder behauptet, in ihrem Haus aufgewachsen zu sein.Doctorows Erzählungen sind eine faszinierende Mischung aus Geheimnis, Spannung und ethisch-moralischen Fragen. Alle Zeit der Welt offenbart einmal mehr das unvergleichliche Talent eines der bedeutendsten Schriftsteller unserer Zeit.

»Es gibt keine Fiktion oder Nicht-Fiktion – es gibt nur das Erzählen.« E.L. DoctorowIn seinem neuen Roman nimmt uns E.L. Doctorow, einer der ganz Großen der zeitgenössischen amerikanischen Literatur, mit auf eine Reise in das Bewusstsein eines Mannes, dessen Leben nicht immer geradlinig verlief und dem die Trennschärfe zwischen Fakten und Fiktion abhandengekommen zu sein scheint. Andrew erzählt die Geschichte seines Lebens, eines Lebens voller dramatischer Umstände und Tragödien. Er erzählt von seinen Töchtern; die erste starb durch seine Schuld, die zweite musste er weggeben. Er erzählt von seinen Ehefrauen; von der ersten ist er getrennt, die zweite starb, weil sie am 11. September 2001 joggen ging. Und er erzählt von seinem Traum als Kognitionswissenschaftler: einem Computer, in dem das Bewusstsein sämtlicher Menschen, die je gelebt haben, reproduziert und gespeichert wäre. Und während Andrew erzählt, müssen wir Leser uns fragen, was genau wir denn eigentlich wissen über Wahrheit und Erinnerung, Gehirn und Verstand, über uns und die anderen. Gibt es so etwas wie Schicksal, oder ist am Ende doch alles selbst verschuldet? Andrew jedenfalls ist sich sicher: »Heutzutage kann ich niemandem trauen, am wenigsten mir selbst.« Stilistisch meisterhaft, mit sprachlicher Finesse, aber auch mit viel Humor und psychologischem Gespür lotet E.L. Doctorow die Grenze zwischen Geschichte und Geschichten aus, spiegelt sie an historischen Ereignissen und zeigt uns, welch tiefgehende Wahrheit im Erzählen zu finden ist.

Ein düsteres Geheimnis überschattet das florierende New York des Jahres 1871.In einer Zeit des Aufschwungs und der Industrialisierung versucht der junge Journalist Martin Pemberton in New York über die Runden zu kommen. Doch dann sieht er in einem Pferdeomnibus eine Gruppe alter Männer - darunter auch seinen kürzlich verstorbenen Vater. Getrieben von diesem rätselhaften Ereignis, begibt sich Martin auf die Suche nach Antworten und verschwindet spurlos.Sein Redakteur McIlvaine lässt die mysteriöse Begebenheit keine Ruhe. Gemeinsam mit einem Polizisten folgt er den Spuren der Pembertons und stößt dabei auf die dunkle Familiengeschichte. Ihre Nachforschungen führen sie schließlich zu einem stillgelegten Wasserwerk, in dem ein wahnsinniger Arzt namens Dr. Sartorius abscheuliche Experimente durchführt.In Das Wasserwerk entwirft E.L. Doctorow ein atmosphärisches Bild des New Yorks der 1870er Jahre und verwebt geschickt historische Elemente mit Spannung und Mystery. Ein fesselnder Roman über eine Stadt im Umbruch, Familiengeheimnisse und die Abgründe der menschlichen Seele.