Elaine Hampton – författare

The opening of free trade agreements in the 1980s caused major economic changes in Mexico and the United States. These economic activities spawned dramatic social changes in Mexican society. One young Mexican woman, Anay Palomeque de Carrillo, rode the tumultuous wave of these economic activities from her rural home in tropical southern Mexico to the factories in the harsh desert lands of Ciudad JuÁrez during the early years of the city’s notorious violence.During her years as an education professor at the University of Texas at El Paso, author Elaine Hampton researched Mexican education in border factory (maquiladora) communities. On one trip across the border into Ciudad JuÁrez, she met Anay, who became her guide in uncovering the complexities of a factory laborer’s experiences in these turbulent times.Hampton here provides an exploration of education in an era of dramatic social and economic upheaval in rural and urban Mexico. This critical ethnographic case study presents Anay’s experiences in a series of narrative essays addressing the economic, social, and political context of her world. This young Mexican woman leads us through Ciudad JuÁrez in its most violent years, into women’s experiences in the factories, around family and religious commitments as well as personal illness, and on to her achievement of an education through perseverance and creativity.

The opening of free trade agreements in the 1980s caused major economic changes in Mexico and the United States. These economic activities spawned dramatic social changes in Mexican society. One young Mexican woman, Anay Palomeque de Carrillo, rode the tumultuous wave of these economic activities from her rural home in tropical southern Mexico to the factories in the harsh desert lands of Ciudad JuÁrez during the early years of the city’s notorious violence.During her years as an education professor at the University of Texas at El Paso, author Elaine Hampton researched Mexican education in border factory (maquiladora) communities. On one trip across the border into Ciudad JuÁrez, she met Anay, who became her guide in uncovering the complexities of a factory laborer’s experiences in these turbulent times.Hampton here provides an exploration of education in an era of dramatic social and economic upheaval in rural and urban Mexico. This critical ethnographic case study presents Anay’s experiences in a series of narrative essays addressing the economic, social, and political context of her world. This young Mexican woman leads us through Ciudad JuÁrez in its most violent years, into women’s experiences in the factories, around family and religious commitments as well as personal illness, and on to her achievement of an education through perseverance and creativity.

The convertors would spew it out,"" employee Arturo Hernandez recalled, referring to molten metal. ""You'd see the ground, the dirt, catch on fire. . . . If you slip, you'd be like a little pat of butter, melting away.""Hernandez was describing work at ASARCO El Paso, a smelter and onetime economic powerhouse situated in the city's heart just a few yards north of the Mexican border. For more than a century the smelter produced vast quantities of copper - along with millions of tons of toxins. During six of those years, the smelter also burned highly toxic industrial waste under the guise of processing copper, with dire consequences for worker and community health.Copper Stain is a history of environmental injustice, corporate malfeasance, political treachery, and a community fighting for its life. The book gives voice to nearly one hundred Mexican Americans directly affected by these events. Their frank and often heartrending stories, published here for the first time, evoke the grim reality of laboring under giant machines and lava-spewing furnaces while turning mountains of rock into copper ingots, all in service to an employer largely indifferent to workers' welfare. With horror and humor, anger, courage, and sorrow, the authors and their interviewees reveal how ASARCO subjected its employees and an unsuspecting public to pollution, diseases, and early death - with little in the way of compensation.Elaine Hampton and Cynthia C. Ontiveros weave this eloquent testimony into a cautionary tale of toxic exposure, community activism, and a corporate employer's dubious relationship with ethics - set against the political tug-of-war between industry's demands and government's obligation to protect the health of its people and the environment.

The convertors would spew it out,' employee Arturo Hernandez recalled, referring to molten metal. 'You'd see the ground, the dirt, catch on fire. . . . If you slip, you'd be like a little pat of butter, melting away.'Hernandez was describing work at ASARCO El Paso, a smelter and onetime economic powerhouse situated in the city's heart just a few yards north of the Mexican border. For more than a century the smelter produced vast quantities of copper - along with millions of tons of toxins. During six of those years, the smelter also burned highly toxic industrial waste under the guise of processing copper, with dire consequences for worker and community health.Copper Stain is a history of environmental injustice, corporate malfeasance, political treachery, and a community fighting for its life. The book gives voice to nearly one hundred Mexican Americans directly affected by these events. Their frank and often heartrending stories, published here for the first time, evoke the grim reality of laboring under giant machines and lava-spewing furnaces while turning mountains of rock into copper ingots, all in service to an employer largely indifferent to workers' welfare. With horror and humor, anger, courage, and sorrow, the authors and their interviewees reveal how ASARCO subjected its employees and an unsuspecting public to pollution, diseases, and early death - with little in the way of compensation.Elaine Hampton and Cynthia C. Ontiveros weave this eloquent testimony into a cautionary tale of toxic exposure, community activism, and a corporate employer's dubious relationship with ethics - set against the political tug-of-war between industry's demands and government's obligation to protect the health of its people and the environment.