Eldred Durosimi Jones – författare

The re-issue of archival volumes ALT 1 to ALT 14 makes the complete series available and provides the historical perspective of these early contributions to the literature and its criticism.This volume, first published in 1978, looks at the fascinating literary links of the African diaspora in Harlem, Cuba and Haiti. Eldred Jones outlines in his Editorial the impact of the pride in connections with an African past as"one of the great transformations of modern times". The impact on writing moved in all directions and comparisons in this volume are made between Wole Soyinka and Leroi Jones, and between African and Irish Nationalist writing. Among the contributions are articles on the American background to Ayi Kwei Armah's Why Are We So Blest?, the African elements of Cuban literature, and an analysis of the early works and later crime fiction of Chester Himes.The Reviews include Kadiatu Sesay on Ekwensi and Okpwewho, Maryse Condé on Sembene Ousmane's Xala and Eustace Palmer on Meja Mwangi's Going Down River Road and Nuruddin Farah's Naked Needle.

The re-issue of archival volumes ALT 1 to ALT 14 makes the complete series available and provides the historical perspective of these early contributions to the literature and its criticism.First published in 1983, this volume looks at new developments in the African novel and also at those aspects of more established works that received less critical attention, such as writing from southern Africa, to which censorship and war restricted access. Eldred Jones in his Editorial also cites the "searing impact of the Nigerian Civil War, on the consciousness, not just on Nigerians, but on Africans as a whole". There are also contributions on Nigerian populist Kole Omotoso and Dambudzo Marechera's prize-winning House of Hunger. One of the most significant trends is the emergence of the powerful feminist talents of Buchi Emecheta, Flora Nwapa, Bessie Head, Ama Ata Aidoo and Rebeka Njau. Articles by Eustace Palmer and Femi Ojo-Ade examine the depth and intensity with which some new novelists present the female point of view.

The re-issue of archival volumes ALT 1 to ALT 14 makes the complete series available and provides the historical perspective of these early contributions to the literature and its criticism.First published in 1976, this volume has a focus on African drama and carries an introductory article by Ghanaian poet and playwright J.C. de Graft. There are three articles on Wole Soyinka's work as a playwright and an article onthe dramatic works of Ama Ata Aidoo, as well as an article on four dramatists from East Africa. The dilemmas of the popular playwright are discussed in an article on two Zambian writers and Eldred Jones's Editorial gives examplesfrom Sierra Leone of the challenges faced by more "popular" playwrights and those with the more "literary" concerns of publication.